NOTE IMDb
6,5/10
1,7 k
MA NOTE
Ajouter une intrigue dans votre langueA terrorist group detonates a radiological dispersal device (RDD) in Central London. Due to a lack of preparation, training, and resources, chaos ensues.A terrorist group detonates a radiological dispersal device (RDD) in Central London. Due to a lack of preparation, training, and resources, chaos ensues.A terrorist group detonates a radiological dispersal device (RDD) in Central London. Due to a lack of preparation, training, and resources, chaos ensues.
- Réalisation
- Scénario
- Casting principal
- Victoire aux 1 BAFTA Award
- 1 victoire au total
Luke Dejahang
- Mohammed Ibn Harrara
- (as Fuman Dar)
Avis à la une
I lived in London most of my adult life before I moved stateside so missed this film when it came out and only saw this now on HBO. I disagree with anyone who thinks this should have been a Hollywood production, the UK team gave it a chilling and foreboding atmosphere from day one and I was on the edge of my seat for the last 30 minutes wondering what was going to happen to my home city. And of course,nine months after the film comes out 7/7 happens. Yes, the truth is stranger than fiction. Having lived in both countries, it is also clear the likelihood of this happening in the UK is much greater than in the US, muslims live in ghettos and isolate themselves in the UK, in the US they assimilate much more readily.
Well this movie certainly was in keeping with the current times. No happy endings, super-heroes, or miracles here. Just down-to-earth fiction to stimulate our minds along the lines of terrorism, and what-ifs. Kudos to Percival and Mickery for an excellent screenplay and superb direction by Percival. Films like this are needed to keep us aware of what is out there. If every peace-loving man and woman on earth reported obviously suspicious activities I believe terrorism could not thrive. This movie showed just how hard it really is to subvert these terrorists, even with good intelligence. Even though the film is a bit propagandist against Islam (the use of a Muslim police officer as a main character) I believe it was entirely realistic. There was meant to be shock-value in the bombing incident. As a very clever tool to relay the humility and indignity of people caught up in an attack such as this, they showed full nudity of women being decontaminated post-attack. It didn't take me long to realize that this was meant to even further instill into the viewer that thought, i.e., we are not in control of everything in a situation like this. Although this took place in London, with the usual high-level British acting, it makes a statement for any part of the world. Great movies don't have to be blockbuster epic productions, and this movie is very very worthy of viewing.
This movie was really interesting... it also is quite shocking as the similar events of the movie occurred only 10 months after the movie premiered.
it was interesting seeing the problems that could be encountered and realistic enough to show that no matter how prepared you think you are - you aren't. if this was made for an American audience - it would be different because they would have used this as a full propaganda film and not as a wake call which the BBC did! it still is propaganda, in some extend - no film today with these themes can not be - but it dealt with the issue successfully.
a film that should be shown in all terrorism/counter-terrorism courses but will not because it shows faults which is not allowed to be acknowledged! A great film in which the BBC took a few risks and unfortunately, London does not need a fictional tale any more, due to the reality of July 7 2005.
it was interesting seeing the problems that could be encountered and realistic enough to show that no matter how prepared you think you are - you aren't. if this was made for an American audience - it would be different because they would have used this as a full propaganda film and not as a wake call which the BBC did! it still is propaganda, in some extend - no film today with these themes can not be - but it dealt with the issue successfully.
a film that should be shown in all terrorism/counter-terrorism courses but will not because it shows faults which is not allowed to be acknowledged! A great film in which the BBC took a few risks and unfortunately, London does not need a fictional tale any more, due to the reality of July 7 2005.
Before seeing this picture I was quite skeptic, I don't like movies with an agenda nor do I appreciate being scared into thinking like the writer. I was also afraid this would be like the 2-part mini-series "10.4" which had a far-fetched concept, little relation to the real world and very poor execution. At the beginning is says: "This film is fiction, but the events portrayed and the information about UK emergency planning are based on extensive research"; and the general feeling is that you're not being sold on an idea, but that you're being taught a lesson in civil awareness. The message that is being conveyed is obvious from the start: It is coming and we're not prepared. The use of real places and a scenario which not only could happen - There are plans for when it does - all add to the disturbing effect the movie will have, on even the most cynical of viewers. The movie's perspective is that of the society and it stays away from heart-breaking personal moments, which won't convey the message, so none of the Romeo-Juliet drama we're used to.
It's hard to imagine an American movie like this. The dirty bomb is not seen to explode. We only know it's gone off because London trembles. Even if we had seen it detonate, a dirty bomb is not a patch on a thermonuclear device. Only a few shots are fired and nobody's head disintegrates. There are no sneering greaseball villains, only devout men and women and their children. There is full frontal nudity during decontamination but it is handled so matter of factly, and the bodies themselves are so ordinary, that one feels only embarrassment for the characters.
I won't go into the plot in any detail. Basically its about a group of radical Muslims who detonate a dirty bomb in London, and the attempt of British control agents to prevent it and then to contain it. That's about it.
The movie is not sensationalistic in any way and is sometimes a bit hard to follow. One of the principals is an attractive Muslim police officer who has to explain to her colleagues (and to us groundlings) that only a tiny fraction of Muslims are fanatics and so forth, as if we needed it. (We didn't need the speech because the film illustrates the point.) It makes a few cogent points. One police officer observes that they know 90 percent of what the IRA are up to, and yet a few attacks still get through. How can they effectively prevent attacks by radical Muslims about whom they know practically nothing? Well -- they can't, of course, and neither can anyone else. All it takes to pull off such an event is a little organization, a knowledge of chemistry, and a willingness to die. It's like murdering a President or a monarch. If you want to do it badly enough, it can be done.
The British police are seen playing roughhouse with the captured organizer of the plot -- dunking his head in a bath tub to make him talk about the next target, and so forth. During his interrogation the organizer mentions atrocity against Muslims in Kabul and Bagdhad as an explanation for the attack. The police remind him that he has a wife and child and that they are now in custody, but the organizer isn't perturbed. "What will this accomplish?" they ask him. "You know there will be retaliation." And he says placidly, comfortable in his skin, "We expect your retaliation. It is what unites us and divides you." Once social organizations get into these kinds of conflicts, they seem to turn into schoolyard fist fights. Push-Pull machines. One side says we're doing this because you hit us first. The other side says, maybe, but I was just hitting you because you hit me yesterday. Oh, yeah? What about last week when you knocked the books out of my hand? Well I only did that because your father insulted my grandfather one thousand years ago.
I realize the movie deals with a real subject and that the subject is serious, and I realize my example is silly. Yet there does seem to be something in human nature that drives us into conflict with one another, and of course it's always the other party's fault, not ours. I wonder if some day, given the survival of our species, we may find that the same primitive subcortical structures are involved in a schoolyard fight and a global war.
Homo "sapiens", my foot.
I won't go into the plot in any detail. Basically its about a group of radical Muslims who detonate a dirty bomb in London, and the attempt of British control agents to prevent it and then to contain it. That's about it.
The movie is not sensationalistic in any way and is sometimes a bit hard to follow. One of the principals is an attractive Muslim police officer who has to explain to her colleagues (and to us groundlings) that only a tiny fraction of Muslims are fanatics and so forth, as if we needed it. (We didn't need the speech because the film illustrates the point.) It makes a few cogent points. One police officer observes that they know 90 percent of what the IRA are up to, and yet a few attacks still get through. How can they effectively prevent attacks by radical Muslims about whom they know practically nothing? Well -- they can't, of course, and neither can anyone else. All it takes to pull off such an event is a little organization, a knowledge of chemistry, and a willingness to die. It's like murdering a President or a monarch. If you want to do it badly enough, it can be done.
The British police are seen playing roughhouse with the captured organizer of the plot -- dunking his head in a bath tub to make him talk about the next target, and so forth. During his interrogation the organizer mentions atrocity against Muslims in Kabul and Bagdhad as an explanation for the attack. The police remind him that he has a wife and child and that they are now in custody, but the organizer isn't perturbed. "What will this accomplish?" they ask him. "You know there will be retaliation." And he says placidly, comfortable in his skin, "We expect your retaliation. It is what unites us and divides you." Once social organizations get into these kinds of conflicts, they seem to turn into schoolyard fist fights. Push-Pull machines. One side says we're doing this because you hit us first. The other side says, maybe, but I was just hitting you because you hit me yesterday. Oh, yeah? What about last week when you knocked the books out of my hand? Well I only did that because your father insulted my grandfather one thousand years ago.
I realize the movie deals with a real subject and that the subject is serious, and I realize my example is silly. Yet there does seem to be something in human nature that drives us into conflict with one another, and of course it's always the other party's fault, not ours. I wonder if some day, given the survival of our species, we may find that the same primitive subcortical structures are involved in a schoolyard fight and a global war.
Homo "sapiens", my foot.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Guerra sucia
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 500 000 £GB (estimé)
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Dirty War (2004) officially released in Canada in English?
Répondre