Les messagers

I don't know what people expect from thriller/horror movies if they are willing to call this one tragically bad or "lame". Not all thriller movies can be the best - and this one is not one of the "best" you'll ever see. But that's no reason to slam it quite so badly. There have to be a bunch of movies that are in the average range, obviously, not all movies can be the best. This one is definitely in the average range - BUT it's one of the better "average" thrillers you'll come across. The reason it's in the upper levels of "average" is because it's directed by the Pang Brothers. They are responsible for The Eye and Bangkok Dangerous and their brilliant stamp is all over this little thriller. Take notice of how beautifully framed each scene is, the effective use of silence throughout, the play on colours & textures, the minimalist dialogue etc. It's beautifully filmed and well acted by all but the mother character and it creates a lovely tense atmosphere with plenty of scares and spooks (but no blood and guts - so that will "disappoint" some). The biggest problem with the movie is the screenplay itself. It's not the most riveting story in the world & the plot has several flaws (like so many thrillers do). But it doesn't matter, in the hands of the Pangs this taut little thriller still a far better movie than most and easily worth the rental. Just don't go into it expecting the next best thing. It is what it is. An average but gripping movie.

I saw this one tonight at a screening, and I wasn't entirely disappointed. I'll be honest -- there's nothing new in The Messengers. It's all been seen before in earlier, more original movies. This one is kind of a "best of" reel of some good ideas from other horror movies. If you're looking for something original and scary, this isn't it. If you're looking for a little jumpy fun, I can't say this one is a miss. By virtue of the "good ideas" being good, they work. What it lacks in originality it makes up for in assembling them in a reasonably coherent manner.

My only real gripe is that Dylan McDermitt looks about as out of place working the fields of his farm as any actor I can think of. They could have at least tried a LITTLE bit harder casting that part.

Think The Birds + Ju On + Amityville Horror + Sixth Sense.

I won't lie to you, I enjoyed this movie. Yes, it was rather generic. Yes, it borrowed some plot points from other movies. And yes, there were way too many crows. Yet despite all the negative I continued to hear about it, I went and saw it anyways, and I'm glad I did.

Many plot points, such as a haunted house in the middle of nowhere, parents not listening to their kids, and ghosts out for revenge are ideas that Hollywood has used and recycled more times than a person can count. However, The Messengers manages to put these together into one movie, without going for too much at once. Certain scenes were rather predictable, so I won't claim that the movie really innovates on any of the standard horror elements, but there are plenty of moments that had me jump in my seat, and had the female members of the audience squealing and clutching their boyfriends.

Overall I felt at the end of the movie that, while not amazing, it was worthy of my time and money to see with a couple friends on a lazy afternoon.

I don't think that I would completely write off the Pang brothers, Oxide and Danny, as they don't completely go into the self-indulgent post-modernism that has panged, no pun intended, the horror filmmakers of late. Only once or twice they jump into 'Saw' territory. But even having not seen the majority of the Japanese horror movies that have give rise to the over-abundance of 'ghosts-in-my-house' wave (and, likewise, to their American counterparts), there isn't too much with surprise or shocks in The Messengers.

I'm sure they're self-conscious of the films they're paying homage/ripping off (the one scene involving the crows and their rendezvous with John Corbett's character is like a chummier mash of The Birds and North by Northwest; Shining and Close Encounters references seem a little more than clear to me too), yet they also succumb to having their film be really affect-less. It's never too stupid though; I didn't have a disliking toward any one character, with the exception being maybe towards the end with Corbett (I don't think I'm spoiling much there), and it's the sort of typical family-moves-into-a-creepy-house story that decides to hit the usual bases without going rapidly wrong on the marks.

But there's also the muddle that comes in dealing with the supernatural side of things, amid the average scares of 'what did I hear in the other room, I'll go check'. For one thing, the variations on who the ghosts and demons in the house are- if they're the family that used to live there, or if they might be the whatevers that killed off the family striking back at the new family in the house. There's fair acting from the family (Kristen Stewart of Panic Room fills in the teenage-girl niche, and there's competent work from McDermott and Miller; Colbert is a little creepy, but I guess that's the point; William B. Davis's bit part is the best real surprise of the movie), but it's all at the mercy of a standard script that might've been better, damn if I say it, as a half hour TV episode or something. Only sometimes, too, are there some potential unintentional laughs to be had, mostly towards the climax and with the very randomly placed crows that can only come in a pretty inexplicable flick such as this.

In the end, the Messengers is nothing new, and won't contribute much at all to the horror genre at large, but I wouldn't throw it in my 'I hate this movie so much' bin either, as it only continues to that non-threatening realm of the kinda-creepy PG-13 haunted house picture.

After having problems in Chicago, the Solomon family moves to a remote North Dakota farmhouse to start anew, but their attempts at an idyllic farming life is disrupted when their teen daughter Jess (Kristen Stewart) and her 3-year-old brother Ben start seeing and being attacked by supernatural beings who won't allow them to live in peace.

The Messengers starts off decently although it eventually becomes a generic horror film that's a lot more humorous than frightening. After reading the premise, I thought this could have been a decent movie since it sounded creepy and it held potential. Unfortunately, the film didn't live up to its potential although I should have expected this since the trailer was awful. The screenplay was probably the worst part about it. It was full of silly sequences and bland dialog. The characters were not developed at all and most of them were acting like a bunch of idiots so it was hard to feel sympathy for them.

The directors did a horrible job at building up suspense. They mainly relied on cheap scares like loud noises and random jumps. The music was really over the top and it just made it easier for the viewer to telegraph the next "scary" moment. I also didn't like how they pretty much just used one location for the whole movie. The house was the centerpiece of the story and that's where the majority of the filming took place so it got a little boring after awhile to see the same area. Also, I didn't like the close-ups of the actors. During a conversation, the camera would continually jerk from character to another in the span of five seconds and it got really annoying. The directors did create a decent atmosphere and they do get some points for making their movie stylish. However, since we have come a long way in terms of style and effects, it's not really that hard to make your movie look nice especially if you are working on a Hollywood film.

The acting was atrocious and if this movie had been released in December, I'm sure it would have received several Razzie nominations. Kristen Stewart showed some talent in Panic Room but you wouldn't be able to tell she has talent by watching her performance in The Messengers. She was okay at acting scared and that's it. The rest of the time she was dry and unconvincing. Penelope Anne Miller was just awful when it came to everything. It sounded like she was reading her lines and she had some of the worst facial expressions I have ever seen. Dylan McDermott was just very wooden and he showed almost no emotion. John Corbett gave the best performance and he had a couple of good scenes. The twins who played Ben were also decent and managed to out act many of the adult actors. Overall, this lame horror film is not worth watching because of it's blandness and lazy film-making. Rating 4/10