Promise Me Tomorrow

I was lucky enough to have seen this film at the Atlanta film festival this week, where members of the cast and crew stayed for a QA session. It's rare in this day and age to find a film that conjures tears without being cliché. It's also rare to see a portrait of male friendships that is so real, accurate and touching. No matter your age, orientation, family situation, gender- this film is sure to strike a chord within you. The main protagonist- a 23 year old from Lubbock- is an actor to watch. Film festival goers, this film has just started it's circuit. Buy tickets and enjoy- I hope this makes it into festivals like Toronto.

The charming "Pope Dreams" was one my favorites at last week's Atlanta Film Festival. I set aside my cynicism and my adult aversion to being emotionally manipulated by a plot-by-the-numbers script when I realized that this was going to be a straight-up coming-of-age movie. Besides, it's the wonderful acting that makes "Pope Dreams" stand out in a film festival setting, which tends to show more ironically wised-up characters. Although, with a title like "Pope Dreams", I figured this film would be ironic. Instead, this was a really generous-spirited adolescent movie about social class and love and family and music.

I did find the title a bit off the beam,however, since,in this cut, anyway, the Papal pilgrimage subplot is quite incidental to the story. One of the film's best bits of dialog is a musically misunderstood reference to "Early Sabbath". I thought - "that's makes a great title!" - to myself as I was watching....

I just saw this film on Lifetime and it was titled "Music for My Mother." No matter what the title, this is a very impressive movie detailing a sensitive guy who loves music and is masterful at creating it.

A very good film detailing human relations among people. When a young lady can't get permission from her college professor father to go to Florida with her boyfriend, she resorts to chicanery to win her father over. She purposely goes out with a "lowlife" so that her father will give in and be happy that she is back with her regular guy. Of course, the idea is that the "lowlife" turns out to be our musical genius who soon impresses her dad with his uncanny ability to write beautiful music.

This is also a story of sadness as the young man's mother is terminally ill with cancer. Julie Hagerty is impressive in the latter role.

While the ending is sad, you will be uplifted by the music and that life goes on. A wonderful tribute to life even with its tribulations.

I saw this last night at the FAIF Film Festival in Los Angeles and thoroughly enjoyed it. I went to the theater not expecting to be so impressed and not knowing what I was going to see. The title is a little cheesy, although appropriate. The characters were lovable and believable. I haven't been so choked up at a movie in a LONG time. There were also great performances from relatively inexperienced actors, and some very cute/funny moments. All in all I would recommend it; if it is available I would like to purchase it. And I really hope it makes it to wide release! (As a side not I was sitting next to the main character and didn't even know until the lights cam up afterward

was lucky enough to see this film at the Newport Beach Film Festival, and I have to say that it was one of the best films I saw there this year. A good 'coming-of-age' film is hard to write, I think, because the conventions of storytelling lend themselves to practices which aren't reflected in our own life experiences. For example, it's tempting as a writer to tell a story where everything works out okay in the end, where all the loose ends are tied up in the places we would expect, or want, them to be. I think one of the things I liked the most about this movie was the fact that it didn't try to reconcile the irreconcilable, instead it gave us characters and situations we could actually care about because they reflect, at least a little, some part of ourselves. The resolutions in this film run the gamut from heartbreaking to happy, but none of them felt contrived or insincere.

I'm a very tough critic of films, especially independent ones, because I've seen so many. I've been to too many film festivals, and more often than not I find myself distracted by the technical shortcomings of low-to-no-budget film-making. I'll be frank and say that this film was not technically flawless –in retrospect there were a few things that I felt took away from the film. Having said that, the aspects of the movie that were good were good enough to make me look past the film's shortcomings. It got the right things right: characters I liked and believed, a story that was satisfying, and an underlying message that didn't feel trite.

If I could change anything about the movie, I would change the title. Based on the title "Pope Dreams" alone I would (and did!) make any number of assumptions about the film that aren't true. The title doesn't reflect the seriousness or gravity of the film, and it doesn't do justice to the comedy or humor either. This movie is better than its title suggests. The themes of the movie are powerful, and the title should reflect them. Ultimately the title of the film doesn't really make it better or worse, but it does do a great deal in terms of making the movie more accessible and marketable. I wouldn't be making a suggestion like this unless I really felt it would help bring more people to the audience, because I'd love to see more people check this movie out.

Congratulations to the filmmakers, you've done a wonderful job and I was thoroughly entertained. A focus on story and character is what independent film-making is all about – I'm glad to see that someone remembered that.