Ajouter une intrigue dans votre langue"The Pleasure Drivers" lays out three separate interconnected stories involving an adulterous therapist, a young sociopath call girl, a vicious lesbian hit woman, a white trash kidnapper, an... Tout lire"The Pleasure Drivers" lays out three separate interconnected stories involving an adulterous therapist, a young sociopath call girl, a vicious lesbian hit woman, a white trash kidnapper, and a brain-damaged ex-cult guru. It's described as funny, sexy, edgy and dangerous. The Ple... Tout lire"The Pleasure Drivers" lays out three separate interconnected stories involving an adulterous therapist, a young sociopath call girl, a vicious lesbian hit woman, a white trash kidnapper, and a brain-damaged ex-cult guru. It's described as funny, sexy, edgy and dangerous. The Pleasure Drivers energetically explores the shadow side of Los Angeles and how it gleefully r... Tout lire
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It's still a frustrating experience, even with the edginess. There are a great many scenes that nearly work, but nothing ever coheres into an actual movie with a believable plot. There are only a couple of characters written to have more than one dimension, and they immediately make you wish they would just shut up and let the cardboard characters take over.
Go read Masticator76. His review contains SPOILERS but trust me, you really don't care that much.
Pleasure Drivers is without a doubt the darkest movie I have seen in a while and it most certainly has nothing whatsoever to do with pleasure. My stomach hurt for hours after watching this movie. The story predicts a happy ending but in my opinion this happy ending exists only in a weird imaginary conspiracy theory kind of way.
Is the acting well done? Yes, I suppose you could say the actors did exactly what they were supposed to do. It's the story line I have a problem with. The movie jumps about in fits and jerks and I am not sure if we are flashing back to another time in history or moving forward ahead in time.
Only in the last half hour does the movie become more predictable, more understandable and you realize the classic horror that is about to happen as it unfolds.
SECOND, it would be too easy to blame the writer--though to be sure he must be an abysmal sycophant and scrotum-lapper to Taratino and others, not to mention an abject adolescent (despite the pock-marked age visible in his photo). The question one must confront is: HOW DID OTHERS--DIRECTORS, ACTORS, ET AL.--SWALLOW THIS SCREENPLAY? I read better scripts back in Junior High School.
THIRD, the answer to #2 is that the people with access to the money, incapable of paying protracted attention to anything at all, thought they saw a vague resemblance between this script and the work of Tarantino and a gaggle of other fleeting fads, and gave it a go.
FOURTH, despite what I said in #2, the writer must be the focus of blame here. Self-conscious "quirkiness," dialogue that could only be mistaken as clever by LA bimbos & gym bunnies.
The plot: What I can gather is that Daphne (Holly) kidnaps a woman who is connected to a powerful church run by Marvin (Zane). There's also a subplot involving a pretentious professor (Angus Macfadyen) and a sex addict (Lacey Chabert).
The biggest problem with the movie (and it's HUGE) is that absolutely nothing makes sense. The plot should've been laid out in a linear form. It's trying way too hard to be cool and "weird". The acting doesn't help either. Holly has a speech in the beginning of the movie that so off-key and overacted, you'll beg her to stop. Billy Zane has one scene, and it's the only good one. Meat Loaf, usually is fun to watch but his character is a big cliché. The movie moves at a glacial pace, with no snappy dialogue and even music to move it along.
One of the biggest bombs I've seen in a while, "The Pleasure Drivers" is a must-avoid.
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Le saviez-vous
- AnecdotesVing Rhames was originally going to play Marvin, Billy Zane's character.
- GaffesWhen Lacey Chambert's character slams the motel door, her skirt is clearly seen caught in the door.
- Citations
Daphne Widesecker: You know the Temple of Divine Destiny? I got the girl, Toms sister, tied up in the trunk of the car. I'm gonna ransom her!
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