Ajouter une intrigue dans votre langue"The Pleasure Drivers" lays out three separate interconnected stories involving an adulterous therapist, a young sociopath call girl, a vicious lesbian hit woman, a white trash kidnapper, an... Tout lire"The Pleasure Drivers" lays out three separate interconnected stories involving an adulterous therapist, a young sociopath call girl, a vicious lesbian hit woman, a white trash kidnapper, and a brain-damaged ex-cult guru. It's described as funny, sexy, edgy and dangerous. The Ple... Tout lire"The Pleasure Drivers" lays out three separate interconnected stories involving an adulterous therapist, a young sociopath call girl, a vicious lesbian hit woman, a white trash kidnapper, and a brain-damaged ex-cult guru. It's described as funny, sexy, edgy and dangerous. The Pleasure Drivers energetically explores the shadow side of Los Angeles and how it gleefully r... Tout lire
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I like films and stories that have multiple story lines that converge into one connected plot. Tarantino does this well. I myself wrote a novel with four interwoven plots. "Anna Karenina" did this very well. This film did not pull off the magic as well as we could have hoped.
A professor leaves home when he finds his wife has a lesbian lover and along the way picks up a sexy escort (played by the ravishing Lacey Chabert). But this plot is full of such annoyances -- every time something cool is about to happen, it is stopped.
A nurse takes her patient away and kidnaps a girl to raise money. She even involves Meat Loaf (who, like his character in "Pelts", likes to kill raccoons). This has some potential, but is plagued by the fact it just doesn't make much sense. A nurse kidnapping someone? I guess, but it seems extreme.
The worst part is that the best character is the priest played by Billy Zane and Zane only shows up for a brief time (delivering some great lines). Had he appeared more often, the film would have been significantly improved. But we are left wanting.
And that's what it really came down to: a teaser with no satisfaction. Not enough Zane, not enough sex (especially with as much as they hint at) and a plot that ultimately seems more forced than fluid. I enjoyed the movie, but it was nothing special and certainly doesn't warrant a second viewing on my part. Maybe I missed something deeper, but I really doubt it.
It's still a frustrating experience, even with the edginess. There are a great many scenes that nearly work, but nothing ever coheres into an actual movie with a believable plot. There are only a couple of characters written to have more than one dimension, and they immediately make you wish they would just shut up and let the cardboard characters take over.
Go read Masticator76. His review contains SPOILERS but trust me, you really don't care that much.
The plot: What I can gather is that Daphne (Holly) kidnaps a woman who is connected to a powerful church run by Marvin (Zane). There's also a subplot involving a pretentious professor (Angus Macfadyen) and a sex addict (Lacey Chabert).
The biggest problem with the movie (and it's HUGE) is that absolutely nothing makes sense. The plot should've been laid out in a linear form. It's trying way too hard to be cool and "weird". The acting doesn't help either. Holly has a speech in the beginning of the movie that so off-key and overacted, you'll beg her to stop. Billy Zane has one scene, and it's the only good one. Meat Loaf, usually is fun to watch but his character is a big cliché. The movie moves at a glacial pace, with no snappy dialogue and even music to move it along.
One of the biggest bombs I've seen in a while, "The Pleasure Drivers" is a must-avoid.
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Le saviez-vous
- AnecdotesVing Rhames was originally going to play Marvin, Billy Zane's character.
- GaffesWhen Lacey Chambert's character slams the motel door, her skirt is clearly seen caught in the door.
- Citations
Daphne Widesecker: You know the Temple of Divine Destiny? I got the girl, Toms sister, tied up in the trunk of the car. I'm gonna ransom her!
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