Max la Menace

Yes, go see this movie. I know sometimes a preview looks pretty good and then the movie stinks (hello, Indiana Jones IV?) but this one does not disappoint.

I remember enjoying the "Get Smart" TV series when I was a kid, and like some other reviewers here, I feared the remake might screw it up (even though watching a couple of 5th-season episodes recently reminded me just how bad the show itself became late in the game.) But this movie version strikes just the right balance of action and comedy, while also balancing fresh ideas with welcome nods to the TV series.

After all, it wouldn't be "Get Smart" without "Would you believe...", "Sorry about that, Chief", or "Missed it by THAT much." It was also great to see such classics as the shoe phone, the Cone of Silence, Hymie the robot, and not one but two of the cars that Don Adams would have driven. But while some remakes mining the past for material have nothing new to say, and get stuck in paying homage to their predecessors, the "Get Smart" movie has a pretty good story of its own.

Now this isn't Robert Ludlum material, and I doubt anyone is real surprised to see who turns out to be a bad guy, but it's a lot of fun along the way, with either a sight gag or surprisingly good action (and often both at the same time) coming down the pike every few minutes. There just aren't really any slow spots. I'm sure a lot of funny stuff got left on the cutting room floor (surely they didn't put Carrell in a fat suit for a mere ten seconds of film) but the pacing felt just right. We can catch all that other stuff when the DVD comes out at Christmas.

Steve Carrel plays Agent 86 almost exactly the way he portrays Dunder-Mifflin's Michael Scott. He comes off as basically well-meaning and earnest, and although a bit bumbling at times, his Maxwell Smart is thankfully not Don Adam's version. Neither was this one of those "Naked Gun" characters who stumbles into success despite his incompetence; Smart has some hilariously bad moments, but is never made out to be simply a lucky fool.

Carrell and Anne Hathaway have surprisingly good chemistry, and Alan Arkin is perfect taking over Edward Platt's role as "the Chief." Former wrestler Dwayne "The Rock" Johnson does a good job as Agent 23, and an even larger wrestler (7-foot 2-inch, 387-pound Dalip Singh from "The Longest Yard") is well-cast as a KAOS underling, although most of the other main bad guys are rather forgettable. Even TV-series KAOS agent Bernie Koppel shows up for a cameo, as does Patrick Warburton (who will be terrific in the inevitable sequel) and Bill Murray (almost unidentifiable hiding in a tree.)

Bottom line: you won't come out of this movie feeling as if you were cheated out of your money. Judging from the laughter in the theater and smiles in the lobby as we left, a lot of folks agreed with me. This is going to make a ton of money, and deserves it. Look for "Get Smart II" in a couple of years, and let's just hope it is as good as this one.

P.S. - It's rated PG-13, but there's very little that's objectionable for even younger viewers (Carrel rips the seat out of his pants.) Take the kids, and have a good time!

The first 10 minutes or so of "Get Smart" are kind of disappointing, and I thought "here we go, another trailer that makes the film look better than it is". But it improves greatly after that point, mainly after the first encounter of Max with Agent 99. Anne Hathaway is in some ways the life of this movie: she is incredibly sexy, with a magnificent back and legs to die for (or by), and completely believable in all her action scenes. Steve Carell has good comic timing; he may at times remind you of Leslie Nielsen in "The Naked Gun" and "Spy Hard" mode, but beyond that he manages to make Max a genuinely likable and human character, not just a cartoon. The relationship Max and 99 have formed at the end of the movie seems to be based more on friendship than anything else. The rest of the cast is generally well-chosen (although I didn't get the point of Bill Murray's 1-minute cameo); there is a big plot twist that allows one cast member to play against type, and even Dalip Singh (aka The Great Khali in WWE) comes off well, playing a huge indestructible henchman in the tradition of Jaws of "The Spy Who Loved Me" and "Moonraker".

There are some good laughs in "Get Smart", but what pleasantly surprised me is how well-done the action is. From an exhilarating freefall sequence that was probably designed as a homage to the opening of "Moonraker" to Carell's and Hathaway's quick, efficient fight scenes (choreoghraphed by a veteran at this sort of thing, James Lew), and from the explosions at the "bakery" factory to the incredibly kinetic final chase sequence involving various means of transportation, the action in this movie probably surpasses the recent James Bond pictures, helped by the fact that a lot of it seems to have been done by the actors themselves, willing to take some risks. So people who are more into action than into comedy should still get some satisfaction out of this.

Nothing brilliant, but a dependable crowd-pleaser nonetheless. I'd give it *** out of 4 stars.

I enjoyed every minute of Get Smart. It's an agreeable and fun mixture of the action, spy, and comedy genres. Imagine a combination of Mr. and Mrs. Smith and Pineapple Express, with some Steve Carell-style comedy mixed in. It's not similar in story to either of those movies, but it does manage to blend action and comedy together in a comparable way.

The casting is perfect, and really what makes Get Smart so likable. There is a pretty amazing group of actors gathered here, especially considering the fact that these kinds of films do not often attract A-list talent. Everyone seemed like they were having fun and enjoying their roles, and it shows in their acting.

Get Smart has a basic spy-type plot that certainly won't be winning any awards for originality. At the same time, I never though the fairly typical story was detracting from the movie. You're probably not watching this for a deep and thought-provoking experience, anyway.  

And who would have guessed that Anne Hathaway would be so good in an action role? I'd love to see her do more of this kind of thing in the future, she has a bit of a talent for it.

OK, I'll admit I never expect much from remakes of classic TV shows. I chose to watch this while donating blood - a decision I reserve for movies I don't expect to be good enough to share with my wife. The surprise: well, it's actually pretty good!

First of all: great casting! Steve Carell and Anne Hathaway give performances that nicely reflect those in the TV series, without doing cheap impressions of the original actors. Their performances stand on their own, and Carell delivers all your favorite Max-isms ("Sorry about that, Chief", "Missed it by that much", etc.) with aplomb. But the real prize in this movie is the casting of Alan Arkin as the Chief of Control. Brilliant casting, great performance!

Even beyond the leads, the casting was outstanding - from old friends (Larabee, Siegfried, Shtarker) to new characters (notably, Dwayne Johnson as Agent 23).

In all, a fun 110 minutes that stands on its own while also paying tribute to a classic.

The new "Get Smart" does a masterful job of capturing the style, tone and humor of the '60s series, while transporting it into a modern sensibility. I had hopes for this film after seeing the two leads doing a 30-second skit on the Academy Awards show and thought they were dead on. So I invested $11.50 and was proved right.

First, this is no cheap knockoff. The production team captured Buck Henry's creation very credibly both in tone and substance. It reminded me very much of the late '80s homage to "Dragnet," which was executed with love and great attention to detail (right down to the product placement of Camel cigarettes and a photo of Jack Webb on the Dan Akroyd's desk). It's no small feat updating something as much a part of its era into a modern sensibility. There were even echoes of the early James Bond films (especially in The Rock's ladykiller character flirting with CONTROL's "Miss Moneypenny" and in some of the musical cues). On the other hand, the production values were all first-rate and contemporary, including a CGI effect of an aerial fly-around and push-in to a 747 that was reminiscent of the key shot in the pilot of Star Trek.

Steve Carrell makes a very reasonable Agent 86; where Don Adams played the character as a bumbling naif, Carrell makes him into a goodhearted wannabe who, despite having the kind of personality that renders him invisible in society, still has intelligence and an earnestness that can make him into hero material when he works at it. He reminded me of Jim Varney's portrayal of Jed Clampett: pure of heart and belief in his fellow man, yet with a bit of chops in dealing with the dark side of society. He fumbles around a lot getting his sea legs after years of being an ineffectual fatso (viz. impetuously slamming a fire extinguisher into the noggin of his boss at one point) but in a pinch, he's quickwitted and moves with decision. (He also quite reasonably feels more secure in briefs than boxer shorts; I don't know what Adam's take on this issue was).

On the other hand, Anne Hathaway nails Agent 99 with a performance absolutely capturing Barbara Feldon's creation, right down to the tone of voice, the raised eyebrows, and at least three different dead-on intonations of "Oh, Max!" Nevertheless, Hathaway moves the character beyond the pre-feminist liberation era and invests 99 with a believable 21st century sexuality and sense of empowerment. She's clearly in charge during the first half of the movie, only slowly yielding to an appreciation of Carrell's growing sense of command (and her own feelings toward him) as we move into Act 3.

Alan Arkin brings an odd turn to the Chief, playing him with a much-less-exasperated fatalism than did Edward Platt. In an interview, Arkin says he saw the character as a very good principal of a very bad middleschool. He comes across as a somewhat old codger closing in on retirement who's comfortably in charge and doesn't try to micromanage, and he has an important role in the climax piloting a Cessna over Disney Hall downtown, but I missed one of the catchlines they didn't include in this revision: namely, the Chief getting one of his headaches. (The other catchline they left out was 86's frequent "That's the second biggest (fill in the blank) I've ever seen.")

Everything else was there, though: We see the Cone of Silence (technologically updated), a very clever CGI revision of the entrance passage to CONTROL HQ, cameos by both Hymie the Robot and Fang, and there's even a passing utilization in this cellphone-obsessed society to the shoe-phone (appropriated from the Smithsonian institution display of the old "defunct" CONTROL). On the other hand, the agency is now under the Homeland Security Department and answers to the Vice President (when they can find him) and uses lots of high-tech, satellite surveillance and GPS gear. Chaos is in cahoots with terrorist organizations around the world and we know they're bad because they drive around in SUVs (the most satisfying and "green" event is seeing one of Satan's Sedans being demolished by a freight train).

Oh, and BTW, it's also a love story.