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Dave Chappelle: For What It's Worth

  • Émission spéciale
  • 2004
  • TV-MA
  • 1h
NOTE IMDb
8,5/10
9,4 k
MA NOTE
Dave Chappelle in Dave Chappelle: For What It's Worth (2004)
ComédieStand-Up

Ajouter une intrigue dans votre langueChappelle cuts loose in what he does best, Chappelle-style! And for what it's worth, no one is safe from Dave!Chappelle cuts loose in what he does best, Chappelle-style! And for what it's worth, no one is safe from Dave!Chappelle cuts loose in what he does best, Chappelle-style! And for what it's worth, no one is safe from Dave!

  • Réalisation
    • Stan Lathan
  • Scénario
    • Dave Chappelle
  • Casting principal
    • Dave Chappelle
    • Greer Barnes
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,5/10
    9,4 k
    MA NOTE
    • Réalisation
      • Stan Lathan
    • Scénario
      • Dave Chappelle
    • Casting principal
      • Dave Chappelle
      • Greer Barnes
    • 15avis d'utilisateurs
    • 3avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nommé pour 2 Primetime Emmys
      • 4 nominations au total

    Photos5

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    Rôles principaux2

    Modifier
    Dave Chappelle
    Dave Chappelle
    • Self
    Greer Barnes
    Greer Barnes
    • Announcer
    • (non crédité)
    • Réalisation
      • Stan Lathan
    • Scénario
      • Dave Chappelle
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs15

    8,59.3K
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    8refinedsugar

    Where Is Ja!?

    Dave Chappelle was back with another TV comedy special four years after 'Killin' Them Softly' and it's still a red hot banger. 'For What It's Worth' continues showcasing his unique brand of comedy that is sure to make you laugh a ton if you like his previous work. I think it's important to mention this came on the heels of his break thru tv sketch show. His name was out there. His popularity was soaring.

    Why I'm telling you this is because while 95% of the material is funny there are also bits that miss the mark. Dave is older, more mature, but using his audience as a podium to voice his opinion. Almost ranting it seems like at times. Bits about a black youth who killed a young girl are offputting in his defense of him, factually incorrect and a spot on "how old is 15, really?" is borderline distasteful. It speaks many truths, tons of funny moments, but I felt it went off course a few times. Not enough to sink or ruin the goodness here, but enough that I wanna mention it. Also needlessly parlays into race relation material briefly in comparisons I didn't think were necessary and a little played out already.

    However those are relatively small nitpicks. A great hour of comedy with too many killer moments to mention that I gut-busted numerous times hearing for the first time. I will however bring up a hilarious story with Dave on bus held hostage by a homeless man jerking off. A sign of a good special too it still holds up very well many years later and Dave shows heart speaking about his family, his kids plus the price of being a celebrity.
    10cameron_crawford10

    Dave Chappelle: For What its worth

    This is hilarious. Dave Chappelle's stand up comedy is just as funny (if not funnier) then his TV show. Before Chappelle's Show, he did another special like this one, Killing them Softly (2000) which was also hilarious. Four years later he records this special in Fillmore. the part where he talks about the differences between grape 'drink' and juice. He also makes fun of Scientists' explanation for how AIDS started His impressions of serious white people are equally as funny. His punchlines could not be done more perfectly The only part I didn't find that funny was the part about 'indians', but still, This is definitely one of the funniest Stand up specials I have ever seen.
    9Hamlet23

    Worth a lot

    I saw Dave Chappelle's stand-up act in college a few years ago. At the time, he was known by fans of Half Baked and Robin Hood: Men in Tights, but not very many others. In fact, he was co-billed with Jim Breuer. Two years later, his Comedy Central show made him one of the most famous comedians in America, but For What It's Worth proves that he is as funny on stage as ever. It also provides a few flashes of insight into the events that brought a sudden end to Chappelle's Show after only two seasons, as Chappelle talks skeptically about celebrity status a number of times and tells a story about fans "Rick James, bitch!" at him in public. But psychoanalyzing Chappelle would probably distract people from really enjoying the comedy, and the comedian's personal issues aside, this is 50+ minutes of very funny stuff.
    8bstarter29

    Very Funny But Don't Watch It Too Much Or It Will Wear Thin

    For What It's Worth is a great performance by Chappelle. Not as funny as Killin 'Em Softly but this one manages to provide some side-splitting laughs. If you watch this for the first time you will laugh your ass from his jokes about crack heads, to plastic surgery. The one bad thing about this stand-up is that after you watch it once, and go back to it, it isn't near as funny as it was the first time. You really can't re-live the jokes over at all. Overall though, this will give you an hour an absolute entertainment. The show does include a lot of swearing but it seems so casual you will hardly even notice. For What It's Worth is probably only 10 dollars, so go get it because you will really enjoy the first go around.
    chaos-rampant

    Outer city

    There's another Chapelle show from DC a few years before that I prefer by a slight margin; this one he taped in Fillmore. Both shows are hit or miss, some jokes work for me, others not, the way it always is. More than jokes however, it's the base layer fabric that connects jokes that really interests me in stand up, how a narrator carries himself up and down a world he conjures, all that imperceptible presence - a self - that holds everything together to which the jokes are really tips of the iceberg; mannerisms, posture, air, pauses of empty space, all these no less a part of 'joking'.

    Jokes are years in the making in most cases because they're working on all those things; but so is the self, the narrator, it's the work in progress of learning to be the person you are, growing (or not) in how you inhabit yourself. Louis CK, who is my favorite, is a pleasure to watch for this, he can inhabit himself without compunctions; Louis channels being a slob in body and behavior but he's not a slob in mind.

    So he struck me as smoother in DC, or maybe it was that the distance between the twenty-something guy on stage and the twenty-something guy who lives in his jokes felt much closer, like he had just drove off from the streets he depicts and landed on that stage. He's more of a professional here. I still like him as a presence, the sense of goofing out on the sidewalk at night, bite without snide, but I'm a visual creature and I would also like more world.

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    • Citations

      Dave Chappelle: [On the Michael Jackson child sexual abuse allegations] Or maybe he did it. Who knows? Who knows? That's the thing, that's what I want to say: Who knows? Who the fuck knows? Mike, God, and this little boy know, that's about it. That's about it. Only reason I can even talk about this shit is everybody's speculating. They all think he did it, and I don't think he did it. I'm alone in this. I don't think he did it. I'm not gonna say "I don't think he did it", that's too strong. Let me just say I'm reserving judgment until all the facts come out. But so far from what I've heard, I mean the kid said he was dying of cancer, he was in Make-A-Wish Foundation, he claims he had two weeks to live, and it was his dying wish to meet Michael Jackson. Come on, Man. Give me a fucking break. This kid is 10-years-old, he don't remember "Thriller". The fuck you want to meet Michael Jackson for, honestly? I remember "Thriller" and I just kinda wanted to meet this nigga. Like, I wouldn't break an appointment to meet him, I'll put it that way. I'd have to already be free. That's ridiculous, that'd be like if I'm dying in two weeks and go "Oh, mama, get me in a room with Chubby Checker." I wouldn't wanna meet that motherfucker. Not in my last two weeks. why not Usher, or somebody like this. So then the kid claims he goes to Michael's house - this is where it all gets crazy - I don't... like, you know, he does everything you'd expect at Michael's house, they climb trees, and rode roller coasters and Ferris wheels, the chef made cookies, pies, and cakes, they was petting a monkey and giraffes, sing songs: kid shit. And in the middle of all this child like activity, for some reason, Mike pulled out some wine and some pills and sucked this kid's dick - folks it hurts me to say it - and the kid had the nerve to call that abuse. Motherfucker, that is a good host. Goddamn, what else do you want? What else do you want? I'm lucky to get a glass of grape drink at my friend's house, let alone a roller coaster ride and my dick sucked. Mike must be confused, like "I brought you in my house, I fed you, I sucked your dick, and this is how you repay me, motherfucker? This was your wish not mine. I thought you were dying in two weeks, what happened to that motherfucker? I've been in court for a year and a half, you get stronger every time I see you."

    • Connexions
      Featured in The 57th Annual Primetime Emmy Awards (2005)

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    Détails

    Modifier
    • Date de sortie
      • 4 septembre 2004 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Showtime
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Дейв Шаппелл: Если уж на то пошло
    • Lieux de tournage
      • The Fillmore - 1805 Geary Boulevard, San Francisco, Californie, États-Unis
    • Sociétés de production
      • Pilot Boy Productions
      • Rickmill Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      • 1h(60 min)
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.78 : 1

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