Terre promise

(Some plot spoilers) I saw Amos Gitaï's film 'Promised Land' at the Toronto International Film Festival on September 14, 2004 at its 2nd North American screening. The film had just world premiered at the Venice Film Festival on September 7, 2004 where it won the Emblem of Peace Award.

Director Gitaï was at the screening and made some brief introductory remarks during which he said that the film was dedicated to his mother who had passed away during the course of the filming and who had been a lifelong advocate for women's issues. He also said that his main goal with this film was to portray an anti-'Pretty Woman' point of view and to show that prostitution was in no way a life of glamour, champagne and limousines and that prostitution images of that nature, whether portrayed in film media or elsewhere, were even used by criminal elements to lure young women into sexual slavery. Due to time limitations there was no Q and A session after the film.

Certainly with that introduction and the knowledge that this theme and script had attracted international talent as diverse as Hanna Schygulla (The Marriage of Maria Braun, Lili Marleen, Werckmeister Harmonies), Anne Parillaud (La Femme Nikita, Sex is Comedy) and Rosamund Pike (Die Another Day, The Libertine) to appear in the film, I had very huge expectations. Unfortunately, the film could not fulfill them.

(Spoilers start) The story concerns a group of young Eastern European women who are smuggled across deserts and borders at the beginning of the film and then auctioned off in the middle of the night at an outdoor slave market, although they still stay together throughout the course of the rest of the film. They are finally able to determine that they are in Israel and the title of the film is meant to be taken ironically in their case. They were presumably seeking to escape poverty in their home countries but their fate now is likely to be even more cruel. There is no back story provided except for one character's later flashback about seeing a choir sing in a countryside church back in Estonia and her saying in voice-over that 'Estonia seemed so far away'. It was often difficult to tell the women apart due to the dark lighting of the film (The film was so dark that when the cinema's projector went on the blink about 10 minutes in and started showing only intermittent flashing images, the audience sat and continued to watch for a good half minute or so, thinking it was part of the regular film, until finally a few brave souls started to clap in annoyance. After a short repair, the screening continued.) No character or name introduction was made for most of the women which didn't help the situation. They are just objects to be brutalized and assaulted by the various smugglers and guards during the journey. They end up transported to a restaurant/night club that doubles as a brothel and there they are stripped off and hosed down and then superficially dressed and made-up to attract customers. Hanna Schygulla appears in a cameo as the head madam in charge of this process and Anne Parillaud is a junior madam/gang leader. Again, no background is given about them either (although Schygulla calms one of the young women by making it sound like she herself went through the same tortuous journey at one time). At this point a British woman (played by Rosamund Pike) rather mysteriously appears in the midst of the club and there is some suspense as you wonder whether she is there to help the women as some sort of undercover police agent or whether she is a captive herself. The women are held at night on board a ship in the harbor and it is there where the use of a 'deus ex machina' plot device leads to the resolution. (Spoilers end)

Admittedly, the dehumanizing anonymous treatment that the women receive was probably part of the point in order to convey the cold-hearted brutal nature of the background to prostitution, but it didn't provide the audience with a specific character to identify with for most of the running time and when one of the East European women did finally emerge as the lead in this respect, it seemed like an afterthought and rather too late in the plot.

Overall, this has the feeling of an incomplete effort about a serious subject that really deserved more work and it leaves the impression that the budget and thus the shooting schedule did not allow for more to be done. For comparison, see Lukas Moodysson's 'Lilja 4-ever', which gets a similar story across with much more impact, primarily by focusing on a single young woman.

Disappointing, an important story is not told clearly enough. 5/10

It is deeply saddening to realise how misinterpreted this film is by several users. This is one of the greatest works by Gitai thus far. It is obviously about human trafficking and prostitution in Israel; however, there is much more to this film. It tells a story of several Russian women from Estonia that are being trafficked into Egypt and from there, through Gaza strip, into Israel. The style is semi-documentary, which speaks to the reality of the events.

Yet, it seems to me, the message Gitai is sending is not only about the horrors of prostitution in Israel. The subject of female body as a sexual object is in the center of this film. The treatment of women is portrayed in a very bestial and inhumane way. They are traded like cattle, where the highest bidder gets the best animal at an auction. Women are washed with ice-cold water in a group, and then "corrected for" through hasty make-up. The driver that transports women from one "work" spot to another recklessly picks a girl of his choice and rapes her on the road. The scenes are disturbing and made me nauseous on few occasions.

Those who are disappointed about the lack of script or bad acting should look into some documentaries and literature on human trafficking. These are real events that are happening as we speak; to make them more plausible to the viewer or to assign a Hollywood-style script would do no justice to women being trafficked. This film only complements my knowledge of the subject. Congratulations Amos, it takes a lot of courage and determination to create such a piece.

There should be many movies about this topic so that the powers that be actually start to do something about trafficking. But films like this are not the solution.

The film is clearly shot on a budget, mostly on handheld cameras and without much, if anything, of a script or indeed, a plot.

Many scenes are extended to ridiculous length for no good reason except to pad out the run time.

The direction is awful, as is the screenplay, acting, editing and cinematography. It would be possible to re edit this film from its 88 minutes to about a half hour and still get the same level of drama.

I thought with Rosamund Pike and Anne Perrillaud that it might be worth a watch. I was wrong.

Very strong, violent and depressing well made movie on vicious business of prostitution and slavery. Simple and very tough. Not charming. The bad People who do that with other people come from everywhere. One of the best films from Israeli diretor Amos Gitai.

This film is a major disappointment by Amos Gitai.One should even call it a blot on his career.Promised land is neither a feature film nor a documentary nor anything which can lie in between.It features two popular stars Anne Parillaud and Hanna Schygulla but even their presence is not helpful enough to sustain viewers' interest.The film is about the plight of some Russian girls which are sold in Israel but its presentation is really bad. It does not make any sense as in order to heighten the importance of the topic Amos Gitai has decided to shoot the most part of the film in darkness. However darkness cannot hide the film's defects.The film maker has surely not done his homework well due to which viewers are forced to watch a crude succession of abominably cruel scenes in which women are traded like cattle.Most of the actors too suffer in this film as their roles have not been defined properly.Recommendation:better watch this film and be bitter about it rather than being sullen without having seen it.