Hui shi mie ji

Vidéo
2003
1h 25min

NOTE IMDb

MA NOTE

Ajouter une intrigue dans votre langueFailed in business, Ma and his family go to a strange mountain village to open an inn. No guests arrive at the inn for several days. Finally, some guests come to stay, but they are all found... Tout lireFailed in business, Ma and his family go to a strange mountain village to open an inn. No guests arrive at the inn for several days. Finally, some guests come to stay, but they are all found dead the next day. Helplessly, Ma's family choose to bury the dead bodies and continue th... Tout lireFailed in business, Ma and his family go to a strange mountain village to open an inn. No guests arrive at the inn for several days. Finally, some guests come to stay, but they are all found dead the next day. Helplessly, Ma's family choose to bury the dead bodies and continue the business. Soon, more guests come to the hostel...

Voir les informations de production sur IMDbPro

NOTE IMDb

4,8/10

MA NOTE

1avis d’utilisateur

Voir les informations de production sur IMDbPro

Photos

Rôles principaux4

Modifier

Réalisation
- Kei Mok
Scénario
- Wing-Tak Bo
- Ming Chak
Toute la distribution et toute l’équipe technique
Production, box office et plus encore chez IMDbPro

Avis des utilisateurs1

4,816

Avis à la une

1thr33penny

Hong Kong rip off of THE QUIET FAMILY

When Japan remade the Korean black comedy THE QUIET FAMILY, about a family that opens an ill-fated inn at which all most of their guests end up dead, Takashi Miike directed and the result was the insane THE HAPPINESS OF THE KATAKURIS. When Hong Kong rips off THE QUIET FAMILY, the result is this boring, shot on video rehash that copies the original slavishly, adds nothing new, and at the same time manages to take away all the humor and drama that made the original the success that it was. Come to think of it, THE QUIET FAMILY was never my favorite movie to begin with. Watching a Z- grade copy of something you didn't even care for when it was an A is not exactly pleasant. Shing Fui On and Teresa Mak in the lead roles provide some respite, but they are inadequate by comparison to the Korean, and Japanese, actors in the same roles.