Lila dit ça
NOTE IMDb
6,8/10
5,2 k
MA NOTE
Ajouter une intrigue dans votre langueTwo inner-city teenagers engage in an obsessive, innocent flirtation fueled by Lila's sexually explicit overtures.Two inner-city teenagers engage in an obsessive, innocent flirtation fueled by Lila's sexually explicit overtures.Two inner-city teenagers engage in an obsessive, innocent flirtation fueled by Lila's sexually explicit overtures.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 4 nominations au total
Avis à la une
In a poor Arab neighborhood, the nineteen years old Chimo (Mohammed Khouas) lives alone with his mother and is a talented natural writer. His school teacher offers him the chance to study in Paris, inclusive with a letter of recommendation, but his mother can not afford and Chimo stays. His three best friends are completely losers and scoundrels. When the shy Chimo meets the gorgeous and sexy new-arrival in the ghetto Lila (Vahina Giocante), who lives with a deranged aunt, his gross friend Mouloud (Karim Ben Haddou) falls for her. However, Chimo becomes close to Lila, who seduces him with her sexual games, telling him about her perverted sexual experience. The inexperienced Chimo falls in love for her, but he does not know how to declare his love for the girl. When Mouloud sneaks and listens to a private conversation between Lila and Chimo, he concludes that the girl is a whore, with tragic consequences.
"Lila Dit Ça" is a wonderful coming-of-age low-budget movie, with a simple, touching, sensitive, consistent and real love story and magnificent direction, screenplay and performances. The tale shows also the lack of perspective of the youngsters of the lower classes in a First World Country and the effects of ignorance and prejudice. The unknown Mohammed Khouas is an excellent actor, and as Lila says, has very expressive eyes. Vahina Giocante is also great and very beautiful, with a perfect chemistry with Mohammed Khouas. I highly recommend this movie for viewers that wish to see a beautiful and sad romance. My vote is eight.
Title (Brazil): "Lila Diz " ("Lila Says ")
"Lila Dit Ça" is a wonderful coming-of-age low-budget movie, with a simple, touching, sensitive, consistent and real love story and magnificent direction, screenplay and performances. The tale shows also the lack of perspective of the youngsters of the lower classes in a First World Country and the effects of ignorance and prejudice. The unknown Mohammed Khouas is an excellent actor, and as Lila says, has very expressive eyes. Vahina Giocante is also great and very beautiful, with a perfect chemistry with Mohammed Khouas. I highly recommend this movie for viewers that wish to see a beautiful and sad romance. My vote is eight.
Title (Brazil): "Lila Diz " ("Lila Says ")
I had previously seen "West Beirut" (also directed and written by Ziad Doueiri) and I really liked it. It had a special meaning to me because I live in Lebanon (where the events of the movie take place) and I can really relate to the the story and the characters. I had never gotten around to watching "Lila Dit Ca" (But I had been wanting to for a long time) Anyways, today I watched it and I have to say: It is a GREAT movie!!!! The acting, the story, the directing... all superb!!! I really think that Vahina Giocante was perfect for this role. She did an excellent job of portraying the character. I am friends with Rami Doueiri (Ziad Doueiri's brother and one of the main character from West Beirut) and I honestly can't wait to get in touch with him and tell him just how much I loved this movie!!! I think Ziad Doueiri really deserves a big pat on the back for the great movies he is making!
I give this movie the 'Two thumbs up' !!!
I give this movie the 'Two thumbs up' !!!
"Precious" Lila? I'm sorry, but precious is the last thing I would call Lila. She seems to me to be quite the slut. Despite this, I did like the film in that it was in French (which is my major, so I'm biased) and the acting throughout was superb. "Lila Dit Ca" is a beautifully shot film, but not for young viewers, since much of the dialogue is explicit. You will blush, some of Lila's actions are a bit extreme. I liked the ending--it was both uplifting and realistic. This was certainly unlike any other film I've seen, so I feel like I'm broadening my horizons. This is not a waste of an hour and a half, I would recommend it.
"Lila Says (Lila dit ça)" is the freshest and most original update of "Romeo and Juliet" since "West Side Story."
The transgressive nature of their relationship is dealt with much more explicitly, both in their differences and their sexual attraction. Parallel to "À Tout de Suite (Right Now)" as a relationship between a Polish blonde, "Lila," and an Arab teen, "Chimo," and both being based on putatively true stories, it has far more passion and gets us right into their heads as these two most unlikely soul mates find each other.
Lila's sudden appearance in the vividly shown immigrant slums of Marseilles stands her out immediately, like "an angel" she claims and she is clearly fascinated by his "olive skin." They each reach out counter to their culture and tantalize taboos -- he eschews macho aggression for transfixed listening, while she is quite literally a C.T., with arousing sexual descriptions pouring out of that potty pouty mouth very much like a modern day Scheherazade in an Arabian Days, particularly on one quite memorable bike ride.
We see more and more how this odd relationship becomes a haven for them, as she is an orphaned victim of sexual abuse who has learned the power of being seen as a Lolita fantasy object and he is surrounded by, as he calls them, "losers", frustrated by unemployment and post-9/11 suspicions. They start having an effect on each other as they learn to trust each other in one of the most tender evocations of first love amidst a way too sexually and politically charged environment.
She has a disturbed relationship with her female guardian, while "Chimo" has an unusually supportive and warm relationship with his mother, who was abandoned by his father's attraction to a Frenchwoman, which may explain why he is so much more sensitive than his rough and resentful friends.
When the pair's tentative pas de deux, however, starts to touch other people as they challenge expectations, he when he is faithful to her despite her challenging language of temptation and she by openly mocking the link between sex and religion, they incite jealousies and hysteria that build up in horrific speed to an unexpected tragedy and revelation that has incredible force and power.
It is somewhat of a cliché in the young immigrant love genre that "Chimo" as the narrator is struggling with being a writer, but his talent and insights fit both sweetly and dramatically into the storytelling.
Vahina Giocante, as "Lila," shifts amazingly from brazen flirt to demure school girl, while Mohammed Khouas, in his debut as "Chimo," is captivating and heart breakingly believable, both in his early naive curiosity and in his later growing maturity.
The editing is terrific at matching their emotions, with tight close-ups when they are together, and encompassing mise en scene shots of their environments when they separate.
The music selections well match their different backgrounds and coming together.
This is an exhausting and exhilarating look at young love and life lessons.
The transgressive nature of their relationship is dealt with much more explicitly, both in their differences and their sexual attraction. Parallel to "À Tout de Suite (Right Now)" as a relationship between a Polish blonde, "Lila," and an Arab teen, "Chimo," and both being based on putatively true stories, it has far more passion and gets us right into their heads as these two most unlikely soul mates find each other.
Lila's sudden appearance in the vividly shown immigrant slums of Marseilles stands her out immediately, like "an angel" she claims and she is clearly fascinated by his "olive skin." They each reach out counter to their culture and tantalize taboos -- he eschews macho aggression for transfixed listening, while she is quite literally a C.T., with arousing sexual descriptions pouring out of that potty pouty mouth very much like a modern day Scheherazade in an Arabian Days, particularly on one quite memorable bike ride.
We see more and more how this odd relationship becomes a haven for them, as she is an orphaned victim of sexual abuse who has learned the power of being seen as a Lolita fantasy object and he is surrounded by, as he calls them, "losers", frustrated by unemployment and post-9/11 suspicions. They start having an effect on each other as they learn to trust each other in one of the most tender evocations of first love amidst a way too sexually and politically charged environment.
She has a disturbed relationship with her female guardian, while "Chimo" has an unusually supportive and warm relationship with his mother, who was abandoned by his father's attraction to a Frenchwoman, which may explain why he is so much more sensitive than his rough and resentful friends.
When the pair's tentative pas de deux, however, starts to touch other people as they challenge expectations, he when he is faithful to her despite her challenging language of temptation and she by openly mocking the link between sex and religion, they incite jealousies and hysteria that build up in horrific speed to an unexpected tragedy and revelation that has incredible force and power.
It is somewhat of a cliché in the young immigrant love genre that "Chimo" as the narrator is struggling with being a writer, but his talent and insights fit both sweetly and dramatically into the storytelling.
Vahina Giocante, as "Lila," shifts amazingly from brazen flirt to demure school girl, while Mohammed Khouas, in his debut as "Chimo," is captivating and heart breakingly believable, both in his early naive curiosity and in his later growing maturity.
The editing is terrific at matching their emotions, with tight close-ups when they are together, and encompassing mise en scene shots of their environments when they separate.
The music selections well match their different backgrounds and coming together.
This is an exhausting and exhilarating look at young love and life lessons.
"Lila dit ça" is a contemporary story about two teenagers, Chimo and Lila, which have a hidden attraction for each other in spite of not knowing each other very well
Chimo (Mohammed Khouas) is a young Muslim guy which lives with his mother and has a group of friends also Arab. He's quieter than the others, he's calm, peaceful and has a great dream: to become a writer but he thinks he'll never get it
Lila (Vahina Giocante) is a mysterious young girl who arrives in the neighborhood. From the very first moment Chimo is in love with her. At the beginning he didn't notice, he thinks it's just an attraction, but then he'll understand he is Lila is mysterious, acts strangely, but she's beautiful. She has the face of an angel (as is said by herself in the movie!) but the mind of a devil She's provocative, insinuating, and she's always speaking about sex, and about her sex She's a real devil with an angel face! But is she in love with Chimo (as he's for her), or is it just a game to her? By the end the viewer will find out!
It's a story about passion (teenage passion), self-discovery, teenage relationships, but it also portrays a reality of mixed cultures. It describes very well the shock between different cultures which stand side-by-side in the French suburbs nowadays It's just the plot's background but it ends being a good social portrait of these different cultures.
All in all it's a good movie which deserves a 7/10 score!
Chimo (Mohammed Khouas) is a young Muslim guy which lives with his mother and has a group of friends also Arab. He's quieter than the others, he's calm, peaceful and has a great dream: to become a writer but he thinks he'll never get it
Lila (Vahina Giocante) is a mysterious young girl who arrives in the neighborhood. From the very first moment Chimo is in love with her. At the beginning he didn't notice, he thinks it's just an attraction, but then he'll understand he is Lila is mysterious, acts strangely, but she's beautiful. She has the face of an angel (as is said by herself in the movie!) but the mind of a devil She's provocative, insinuating, and she's always speaking about sex, and about her sex She's a real devil with an angel face! But is she in love with Chimo (as he's for her), or is it just a game to her? By the end the viewer will find out!
It's a story about passion (teenage passion), self-discovery, teenage relationships, but it also portrays a reality of mixed cultures. It describes very well the shock between different cultures which stand side-by-side in the French suburbs nowadays It's just the plot's background but it ends being a good social portrait of these different cultures.
All in all it's a good movie which deserves a 7/10 score!
Le saviez-vous
- GaffesAt the beginning, Chimo says that he started the notebook "backwards, so the red line's on the right, like in Arabic." But when the camera shows him writing, he is writing left to right, not right to left, and the binding is on the left, which where the red line would be, so he is writing and using the notebook in the conventional western mode.
- Versions alternativesUS theatrical version was released without a MPAA rating. For the Sony Entertainment DVD release the film was optically fogged to obscure explicit artwork in a French comic book to secure it's R-rating.
- Bandes originalesEl Kalam Da Kebir
Performed by Hakim
Written by Abdel Menaim Taha
Composed by Ahmed Shahine
(C) 2002 ARK 21 RECORDS
Courtesy of UNIVERSAL MUSIC SPECIAL PROJECTS FRANCE
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- How long is Lila dit ça?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 121 365 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 599 $US
- 26 juin 2005
- Montant brut mondial
- 537 871 $US
- Durée
- 1h 29min(89 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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