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Le Petit Dinosaure: L'Invasion des Minisaurus

Titre original : The Land Before Time XI: Invasion of the Tinysauruses
  • Vidéo
  • 2005
  • G
  • 1h 22min
NOTE IMDb
5,5/10
2,2 k
MA NOTE
Jeff Bennett, Anndi McAfee, Rob Paulsen, and Aaron Spann in Le Petit Dinosaure: L'Invasion des Minisaurus (2005)
Home Video Trailer from Universal Studios Home Entertainment
Lire trailer0:31
1 Video
47 photos
Dinosaur AdventureAdventureAnimationDramaFamilyMusical

Les Minisaurus envahissent la Grande Vallée pour donner à Petit-Pied une leçon importante au sujet d'un petit mensonge et lui montrer que héros, amis et familles peuvent se présenter sous un... Tout lireLes Minisaurus envahissent la Grande Vallée pour donner à Petit-Pied une leçon importante au sujet d'un petit mensonge et lui montrer que héros, amis et familles peuvent se présenter sous une multitude de formes.Les Minisaurus envahissent la Grande Vallée pour donner à Petit-Pied une leçon importante au sujet d'un petit mensonge et lui montrer que héros, amis et familles peuvent se présenter sous une multitude de formes.

  • Réalisation
    • Charles Grosvenor
  • Scénario
    • John Loy
    • Judy Freudberg
    • Tony Geiss
  • Casting principal
    • John Ingle
    • Aria Noelle Curzon
    • Jeff Bennett
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,5/10
    2,2 k
    MA NOTE
    • Réalisation
      • Charles Grosvenor
    • Scénario
      • John Loy
      • Judy Freudberg
      • Tony Geiss
    • Casting principal
      • John Ingle
      • Aria Noelle Curzon
      • Jeff Bennett
    • 13avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    The Land Before Time XI: Invasion of the Tinysauruses
    Trailer 0:31
    The Land Before Time XI: Invasion of the Tinysauruses

    Photos47

    Voir l'affiche
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    + 40
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    Rôles principaux17

    Modifier
    John Ingle
    John Ingle
    • Narrator
    • (voix)
    • …
    Aria Noelle Curzon
    Aria Noelle Curzon
    • Ducky
    • (voix)
    Jeff Bennett
    Jeff Bennett
    • Petrie
    • (voix)
    Aaron Spann
    • Littlefoot
    • (voix)
    Rob Paulsen
    Rob Paulsen
    • Spike
    • (voix)
    • …
    Anndi McAfee
    Anndi McAfee
    • Cera
    • (voix)
    • …
    Kenneth Mars
    Kenneth Mars
    • Grandpa Longneck
    • (voix)
    Miriam Flynn
    Miriam Flynn
    • Grandma Longneck
    • (voix)
    Cree Summer
    Cree Summer
    • Lizzie
    • (voix)
    • (as Cree Summer-Francks)
    • …
    Leigh Kelly
    • Skitter
    • (voix)
    Nika Futterman
    Nika Futterman
    • Rocky
    • (voix)
    Ashley Rose
    Ashley Rose
    • Dusty
    • (voix)
    • (as Ashley Orr)
    Tress MacNeille
    Tress MacNeille
    • Ducky's Mom
    • (voix)
    • …
    Michael Clarke Duncan
    Michael Clarke Duncan
    • Big Daddy
    • (voix)
    Camryn Manheim
    Camryn Manheim
    • Tria
    • (voix)
    George Ball
    • Additional Voices
    • (voix)
    Michele Brourman
    • Tinysaurus
    • (voix)
    • Réalisation
      • Charles Grosvenor
    • Scénario
      • John Loy
      • Judy Freudberg
      • Tony Geiss
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs13

    5,52.1K
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    Avis à la une

    5Mightyzebra

    My least favourite LBT, what was Grosvenor thinking?

    Unlike lots of people on planet earth, I am not bothered about them making so many LBTs. I actually like that they make new ones all the time because I am always anxious to find out what happens next. Unfortunately, this one was very disappointing. Why did Littlefoot have to lie? Why did his friends want a special treat so innocent creatures could be killed? Why did Littlefoot's grandparents say he was small? Irriatating questions only the writer can answer.

    The film starts when the yearly supply of tree-sweets appears on a tree-sweet tree. Cera and his grandparents ( :( ) say Littlefoot is small. Littlefoot knocks all the tree-sweets off the tree and little longnecks eat them. He lies to all the other dinosaurs when he says that he saw the little longnecks eat the tree-sweets and he didn't have anything to do with it ( :( ).

    I think the plot ruins the film. I like the little longnecks and I also like Tria, a friend of Cera's dad who appears in the film as well.

    So, if you were expecting something like the original LBTs, then I don't recommend this. I liked it, but I didn't love it.
    10baseballfan49509

    What a Ride

    There may not be a more memorable character in American cinema than Littlefoot. Movie after movie, he and his friends never fail to disappoint me. I've watched them grow up before my eyes; Littlefoot has been with me through it all, my first kiss (I wish), my 11th birthday, everything. This is the eleventh film in this series and for me, it never gets old. Littlefoot and his friends brought me in to their world eight years ago and I have never left. This film showed me something about myself; upon the conclusion, I found myself utterly weeping, weeping for all the dinosaurs who didn't make it. Littlefoot, if you're reading this, thank you from the bottom of my heart for taking me along for the ride. It's been fun.
    6I_Ailurophile

    Tonal issues trouble a sequel that's otherwise par for the course (for better and worse)

    Over many direct-to-video sequels, the earnest substance of Don Bluth's original 'The land before time' quickly gave way to simple and unsophisticated entertainment. There's nothing inherently wrong with that, even though it means catering (condescendingly) to the very youngest of viewers rather than appealing to broad audiences, but the quality of the films has, with exceptions, largely been so-so and mild. Then again, one of those exceptions was 2003's tenth installment, 'The great longneck migration, which was smart, imaginative, and fun, and easily the best since the progenitor. With Universal Cartoon Studios inevitably producing another sequel, it remains the case that expectations would be reasonably mixed; at the same time, as filmmaker Charles Grosvenor and writer John Loy return alongside much the same cast from the success of the immediate predecessor, one might well get their hopes up for 2005's eleventh installment. At length, there's no mistaking that 'Invasion of the tinysauruses' falls short of the franchise's high points, but the worst that can be said is that it's pretty much on par with most of its forebears.

    Curiously, the primary trouble to catch my attention here is one of tonal disparity. By and large this flick fits right in with its brethren, certainly - maintaining a light and playful tone; blending notes of adventure and drama with humor; and ultimately serving up some life lessons before all is said and done, including telling the truth and taking responsibility, and disagreements between friends and family. Yet long before those life lessons specifically come into focus, there is a withering darkness visible just under the surface that Grosvenor and Loy try to cloak in the lighthearted tenor. Just listen to the first song "Creepy crawlies," and note the thoughts brought out in the surrounding scenes and dialogue: a core narrative thrust is the intent of the herds of the Great Valley to carry out a pogrom against the tinysauruses, using words like "hunt" and "exterminate." The goose-stepping hyenas in 'The lion king' were on the nose, but the accompanying tone was appropriately harrowing; how is it that, more than ten years later, Grosvenor and Loy thought that sugarcoating the material with jovial merriment was the right course of action? For that matter, is that central thrust not unwisely going far darker than has been the norm for TLBT in the first place?

    Granted, it's not as if the whole picture is tightly zeroed in on villagers raising torches and pitchforks in a mob. There is meaningful humor, and more than that, there ARE important themes on hand regarding unjust persecution of a marginalized community, scapegoating, oppressive authorities rewarding ordinary people for betraying the most vulnerable among them, and lies being used to prop up dangerous policies. Not least in 2024, these ideas are entirely too real and relevant, and so is the vitality, innocence, and value of the community in question. I further question the strong secondary story thread of Cera having daddy issues, but it is suitably woven into the proceedings - and anyway, it's possible I'm too being too cynical and jaded. More than not the feature is kith and kin with its antecedents, for better and for worse: uncomplicated writing, but also sincere themes and concepts; somewhat ham-handed songs, but songs that are a little catchy and well done in and of themselves, and a splendid score; and admirable voice acting from a reliable cast, including regulars, industry icons, and guest stars Camryn Manheim and Michael Clarke Duncan. I won't even nitpick the animation this time, and the visual experience is great, including beautiful and detailed backgrounds, character designs, action sequences, and other active elements.

    And we do get a suitably compelling story. We get firm scene writing, and characterizations, and a capable blend of that trifecta of adventure, drama, and humor. Loy's writing is swell overall, and so is Grosvenor's direction. I do in fact like 'Invasion of the tinysauruses'; it's solid, with significant notions at play. It's just that it doesn't fully stand out in any way as some of the previous entries managed to do - and when we take into account the severe gulf between the seriousness of the underlying ideas, and the familiar, light-footed vibe the movie otherwise adopts, something critical feels very off. I don't necessarily think that it would have taken much to rework the screenplay into a more cohesive form, either, as the dialogue, characterizations, and scene writing could have been softened without diminishing the weight of the tale and its core themes. Such refinement is a small ask for a readily discernible fault.

    One way or another, like most of the 'Land before time' sequels, there's no need to go out of your way for this, and here especially it behooves one to be aware of how it struggles. Despite it all, however, if you do have the chance to watch, there are far worse ways to spend your time, and maybe after all 'Invasion of the tinysauruses' is all that it needed to be.
    1soralloyd

    The Movie is stupid

    These sequels are getting VERY annoying. The first land before time was great. Wonderful and original. Now its story is being treated like dirt when Grosvenor decides to make more and more sequels getting worse every time.

    The first one is fantastic. The second one is good. So is the third one. Then along came this director and decided to make 9 more! Whats more, there's a TV series! In the first one, Don Bluth was going to make it that they died in it and the Great Valley was heaven. He should have so that there could be no more sequels.

    This movie wasn't even good. The movies are becoming the same old plot line every time with nothing worth watching in it.
    3judasfm

    This is getting silly

    Alright. To be honest, I think all the sequels are let down by the idea of musical numbers; it turns what was originally an animated film for slightly older children into a Disneyfied trip of cavity-inducing irritation. This one has the worst musical numbers in the whole series (some of the others admittedly weren't bad).

    My biggest problem with this film was lack of plausibility. Granted that's quite a strange thing to accuse this kind of film of this late in the series, as any paleontologist would tell you, along with everyone jumping down various throats and saying, "Yes, but it's a kids film so accuracy doesn't really matter." Fair enough. I'm not disputing that.

    However, the original film and its sequels up to this point were...well, at least believable within the Land Before Time universe. The idea of Littlefoot and pals raising a baby sharptooth or journeying to find a magic flower or having to deal with bullies are fine.

    But minuscule longnecks...no! That really does push the boundaries to breaking point! If it had been little creatures, then this could have kept up the passable trend with the other sequels, but just what was the point in these creatures? A fair idea that was let down by a lousy concept. The reason I'm giving it three stars instead of one was that this film does deal well with a fairly sensitive issue; namely that of a single parent finding someone else and how it can affect both children and adults.

    Though I could quite happily have lived the rest of my life without finding out that Cera's dad was named Topsy...

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This is the only film in the series to not get a HD remaster as of right now.
    • Gaffes
      Stars in front of the crescent moon.
    • Citations

      Topsy: Cera, are you awake? Look, I um... it's just... I, um... It's just that... Oh, this is so much harder than yelling. Look, Tria is an old friend and she doesn't have anyone. She needs protection and she's really nice. What I mean is... Well, she likes me and I like her.

      Cera: But I want things back the way they were before. When you didn't like anybody and nobody likes you.

      Topsy: I don't think things are ever going to be that way again.

      Cera: Hmm!

      [Cera sniffles and tears come out of her eyes]

    • Connexions
      Edited from Le Petit Dinosaure: Petit-Pied et son nouvel ami (1994)
    • Bandes originales
      Creepy Crawlies
      Written by Michele Brourman and Amanda McBroom

      Performed by John Ingle, Tress MacNeille, Jeff Bennett, Camryn Manheim,

      Kenneth Mars, Miriam Flynn and George Ball

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    Détails

    Modifier
    • Date de sortie
      • 11 janvier 2005 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Land Before Time XI: Invasion of the Tinysauruses
    • Société de production
      • Universal Animation Studios
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 22 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.33 : 1

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