Joyeux Noël

I have always had an interest in WW1 and when I discovered that a film about that conflict was being released, I knew I'd have to see it as soon as possible. This is a very special movie. Telling the story of the extraordinary Christmas truce between waring soldiers in the trenches at Christmas 1914, it demonstrates just how ludicrous war really is and how the human spirit can overcome blind hatred. Performances, cinematography and direction don't really matter in this film. Though all these elements are of a high quality. What's important about this film is its message. It is a "feel good movie" with a difference. The difference is that the plot is based on a true event.

It is sure to become a fixture on Christmas T.V. listings over the coming years. But go and see it now. Particularly if, like me, your beginning to get cynical about this time of the year.

I was sceptical before watching this film but by the end I had tears running down my cheeks.

By depicting the feelings and destinies of the soldiers, the film demonstrated the absurdity of war and how each soldier is more than a mere cannon target. It is a commentary on the utter stupidity of politics governing war events from behind curtains while not actually experiencing the real war. By depicting a unique event in European war history that occurred on Christmas day 1914 it shows viewers that Europeans can be as one even as "enemies".

About ten years ago I watched Paul McCartney's video "Pipes of Peace" and thought that what it depicted was completely fictitious--nothing more than pacifists' dreams. I have now learned that it was true.

I saw this film the day before Christmas Eve last year and I have to say that it was the highlight of my Christmas. No, I did not have a rubbish holiday - the film just made me realise what Christmas must be like for the people who do not enjoy the relative peace we take for granted.

I cannot think of a single bad thing to say about the film. And this from someone who usually avoids foreign language films like the plague because it annoys me when the words are out of time with the movement of the lips.

I thought that using actors from each of the countries involved in the conflict was a master-stroke and made it all so much more believable. I shed a tear at the end, though I could see why the men needed to be moved from the front having made friends with 'the enemy.' I know that this is going to be a must see film for me every Christmas and I am eagerly awaiting the release of the DVD.

Wow! Joyeux Noel was a great movie. I wasn't sure if I was going to like this film but found it to be moving, heartwarming and a wonderful cinematic experience.

The fact that the story is based on real events that happened shows that their is some good in humans across the world. In this story, all sides are respected as humans and the soldiers come to understand that under God, we are all one.

Please, even if you don't normally go to foreign language films or war movies, go to this film. The war scenes are not prolific. You will come out changed and smiling from the inside out!

Writer/director Christian Carion ('Une hirondelle a fait le printemps' aka 'The Girl from Paris') is unafraid to write and create cinematic tales that touch the heart as well as the mind. 'Joyeux Noël' is a story of war and its effects on soldiers that goes far beyond sentimentality (or the opposite emphasis on brutality as found in American films) and offers the viewer insights to the responses of young men's minds to the monster of war and how they cope.

Based on a true story, the film opens with the usual callous killing among three groups of soldiers - German, French, and Scottish - who face an oncoming Christmas Eve in the trenches, the realities of fighting have precluded their getting time to retreat for air. But a miracle happens: among the Germans is a famous opera tenor Nikolaus Sprink (Benno Fürmann) who has aligned with his fellow troops in the trenches, hoping he can bring some minor sense of Christmas and understanding to them. His soprano partner Anna Sorensen (Diane Kruger) finds a way to be with him in the trenches on Christmas Eve, 1914. Meanwhile the disgruntle troops of all three sectors are planning meager festivities and a bit of relaxation even in the trenches as the bodies of the day's plunder lie in the snow of no man's land. We get to know the French Lieutenant Audebert (Guillaume Canet) and his orderly Ponchel (Dany Boon), the German head of the regiment Horstmayer (Daniel Brühl), and the Scots - especially the priest/medic Palmer (Gary Lewis).

Christmas Eve comes and the voice of Sprink (in reality the tenor Rolando Villazón) sings 'Stille Nacht', rising out of the trenches to sing in the open of no man's land. Soon he is accompanied by the Scottish bagpipes and the 'chorus' of the Germans, the Scots and the French. They all emerge, share gifts of champagne and other libations, and agree to a cease-fire in honor of the holiday. It is in this magic moment that the true personalities of these warring men surface and each is seen as a vulnerable puppet of the WW I, exchanging addresses to meet after the war. Anna Sorenson has managed to enter the scene and during a communal mass led by Palmer she sings (the voice is Natalie Dessay) an Ave Maria (composed by the film's composer Philippe Rombi): the lovers have previously sung a duet version of Bach's 'Bist du bei mir'. For that moment in time the horrors of war melt and the camaraderie of the men glows and is carried into Christmas Day when all three groups of soldiers agree to bury their dead together. Of course the brutality and ignorance of war re-engages and the leaders of the three groups enter camp and threaten courts martial and punishment for the troops' lack of military discipline. The film ends in a manner that leaves the audience able to integrate the happenings of that Christmas Eve on the futures of these men.

The script is superb, the cast is uniformly excellent, the sets and cinematography are creatively moody, and the musical score by Philippe Rombi is one of the finest in years: the ending song 'I'm Dreaming of Home' deserves to become a standard. Would that everyone could see this film, a bit of global hope in the cloud of the destruction that shadows our world right now. Highly recommended. Grady Harp