Puritan

The moment you start watching Puritan you are sucked into a journey of cinematic style and intelligence.

Its patient with you and never lets you know too much, just enough to keep you watching and intrigued.

Film noir plots are things we are all used to, but the possibility of variations and manipulation in these plot lines are infinite, that is why they are so satisfying and watchable, and these variations are completely fulfilled in Puritan with an assured confidence.

I particularly admired the minimalist approach to framing and coverage. Only what is needed is shown and used, a very brave thing to attempt as it could have backfired, but in this case it succeeds in a film that is gratifying in its simplicity.

I am yet another one of the fans from the Frightfest Film Festival, saw Puritan on Monday, and it blew me away.

It looks like a Victorian film, dark and shadowy, and has all the elements of DC's Vertigo comics.

All those Alan Moore adaptations we have had that have hit the big screen have been truly dire, but this film, obviously not written by Moore but newcomer Hadi Hajaig, is the kind of film that has the feel of those graphic novels.

Its intricate in its design, gorgeous in its mise en scene, and devilishly clever in its final act delivery.

The cast are cool, Moran who acted in lock stock, a film i did not enjoy at all, was excellent, David Soul was sooo good as the menacing self help guru, but it is the new talent that is Georgina Rylance that steals their thunder, she is like a more beautiful Kristin Scott Thomas.

If I had any criticism it is that it didn't explain itself enough at the end, but I guess that is a good thing as we can try to mull over all the various plot details.

A great shot in the arm for the Independent British Film industry, who only seem to make moronic gangster films. It really inspired me.

Very smart, deceptively subtle film. I saw this at an advance screening and one of the first things that struck me was how beautiful it looked. Like a film noir from the 40's set in the present day, but it also had this lovely haunting atmosphere of a London long since past. It mixes the genres well, but I would say its not really a supernatural film, although the film has a supernatural overtones, but its a smart film in line with films like Donnie Darko and Memento, a mystery.

The acting is really solid, Nick Moran who has made questionable films in the past (I didn't like Lock Stock) is pretty mesmeric as the lead and holds it all together, Ralph Brown is always good, but David Soul's right wing politician is a real treat, I'm amazed he doesn't do more. Georgina Rylance who plays the femme fatale is a star waiting to be discovered, all I can find out about her is that she did Dinotopia and straight to video Wesley Snipes movie!!!!

I liked the slow pacing as I'm getting sick of fast cutting and non stop movement in a lot of films today, it felt very classical and measured. And the ending was a real surprise but I won't spoil it for anyone. All in all I really recommend it when it comes out, check it out

This film has a lot going for it. A script that is smart and tight, actors that are performing at high and complex level and visual style that attains the heights of classic film noirs.

The use of shadows and contrast in its visual framing and also in the script is superb, the visual system is classical and reminded me of the Robert Townes classic Chinatown, wherein water was used as symbol of corruption in Chinatown, in Puritan, truth as a concept and also truth of character symbolised by Anne Grey, is a symbol that is regarded as lies, something not to be trusted. Many visual clues are used that work on you in many ways, the script is truly performing on multi layered levels, like all film noirs should.

The characters never say too much, just enough that is needed, an economy of dialogue that remembers the hard boiled film noir heroes of yesteryear, all framed in in deep reds and encased n blackest blacks. This film succeeds because it created a world for itself, where you believe the events that unfold, because the world that is created is convincing.

Very Cool Flick! Saw this little beauty with my pals at the Frightfest festival in London. And I have to say to all my fellow film freaks and freakettes, this is a class act all the way.

The film just for starters looks just goddamned gorgeous, you could take any frame of it and hang it in a gallery, i just loved the use of colours, red, red and oh yeah...red. Just beautifully atmospheric and stunning.

Moran holds the film together on his broad acting shoulders, I have wondered what happened to this dude over the years since the whole lock stock scenario, but he has come back with a really strong movie. Ms Georgina Rylance is a major hottie and a great actress to boot, but its the HUTCH man himself who steals the show, with a rip roaring performance as the evil Eric Bridges. This dude is totally underused, someone please cast him in something else.

The director is assured and his framing is solid, composed and powerful, he would fit right in to making commercials, cut from the same cloth as Ridley Scott, Alan Parker et al: but his film has a lot more depth than those 2 guys, am I exaggerating? No. I think this young gent is one to watch.

Go and watch it, but make sure you are concentrating as it needs your full attention, a real high class film noir!