Dressé pour vivre - The Hawk Is Dying

In The Hawk is Dying, Paul Giamatti plays George Gattling, a single guy who owns an auto upholstery store and lives with his divorced sister Precious (Rusty Schwimmer) and her mentally handicapped son Fred (Michael Pitt). George is infatuated with birds of prey and is almost single-mindedly committed to training one. However, his past efforts have failed, much to his public embarrassment, and the movie opens with Fred holding a private funeral for a recently deceased hawk.

George and Fred finally trap another bird, this an exquisite red-tailed hawk. His challenge is to get it to eat so it will stay alive, no small challenge to a wild hawk suddenly in captivity. Saving the hawk becomes an objective Gattling tenaciously clings to despite tragic circumstances he is forced to endure. This is one plum role for Giamatti and he plays it to perfection. The movie might not play to a large audience, but Giamatti's performance is once-again Oscar worthy.

Without getting too esoteric, the Hawk is Dying is a powerful metaphor. We do find things—hobbies, interests, relationships and activities—that bring passion to our lives, define who we are and give us a reason to endure. These pursuits can take on a life of their own, providing almost mystical enchantment and meaning to our otherwise humdrum existence.

One can argue that Hawk moves slowly, that there isn't any meaningful action, that the relationships are … unusual. All those things are true. This is a flawed movie and certainly open to criticism. But Giamatti is so good, and his single-minded pursuit so compelling, that it's a movie you won't want to miss.

At what point, in a person's mind, does obsession finally turn to madness? That seems to be the question raised by "The Hawk is Dying," a grimly depressing yet strangely compelling film about a man possibly being pushed towards insanity by the bizarre, sudden death of the mentally retarded nephew he helped to raise.

The always intriguing Paul Giamatti plays George Gattling, a single man who lives with his sister and her teenage son near Gainesville, Florida. Gattling is determined to capture a wild hawk and train it to do his bidding, despite the fact that all his earlier efforts in that direction have resulted in tragic failures. After his nephew somehow drowns in his own waterbed when he is with a local prostitute (whom Gattling set him up with), Gattling begins to slip further and further into apparent madness, cutting himself off from family members and friends and becoming ever more obsessed with taming the hawk he has captured.

This is no easy film for the casual moviegoer to sit through. It is harsh, grim and depressing, and we're not always sure what the overall purpose of the film is at any given moment. Still, paradoxically, it is this very air of enigma, coupled with Giamatti'a bravura, tour-de-force performance, that most gives one reason to check the movie out. Giamatti is totally riveting as a man driven by an almost manic need to establish control over another living creature, even if that means relinquishing the hold on his own sanity a bit to do so. He receives superb support from Rusty Schwimmer as his good-hearted but dimwitted sister, and Michelle Williams as the prostitute strangely embroiled in the boy's mysterious death. And writer/director Julian Goldberger, basing his work on the novel by Harry Crews, makes the most of the rural, exotic setting to help create an otherworldly mood for his bizarre little tale.

"The Hawk is Dying" is not for every taste or audience demographic, but for those searching for something a little different, out-of-the-mainstream and challenging, this one just might fit the bill.

I just saw this movie in Los Angeles in quite a limited screening. I was compelled to go as a Crews fan, yet this movie surpassed my expectations. Julian Goldberger is now one of my favorite directors and I believe this movie is brilliant. Beautifully shot with incredible hand held cinematography, a lush setting where "nature was a character"and a deep commitment to humanism and the complex feelings of love and meaning, this film truly resonates within the individual. The idea of how we relate to the day to day, to the absurd, to nature and the wild are just some of the things I loved about the movie. The setting was magical as the bird. I felt the wild, I felt the loneliness, I felt the love and the music of the earth. Giamatti(amazingamazing),Williams(really good), Schwimmer, Wisdom, Pitt, MacCaulay all were attop form; they portrayed the true characters and the realism that makes Crews so attractive. I found myself unbelievably moved at the sadness and joy and everything in between. This movie is so layered in good flimmaking, I could go on and on...from the players, the director, the incredible sound (THE SOUND!!), and the unbelievable photography/cinematography. The screen adaptation is slightly different from the novel, but I believe it captures the largeness and smallness of our world and mysteries of life. It flows and the tension and release are palpable. Although this film was not well-received atSundance and, according to the QandA, most reviews dismal, I found thisrefreshing. So often what is outside the status quo is co-opted; themarginalized becomes the mainstream in a base and compromised position. I hate that people namedrop Harry Crews as a badge of cool, along with their silkscreened tshirts and overpriced jeans. I doubt that Jarmusch or Altman were well received at first either. Now they are listed on those "cool" folks myspace page. This movie should extend beyond all reviews; it stands as a strong work of art and an intelligent beautiful movie. The only reason I do not give it a 10 is because ...well I'm changing my vote to a 10. This ranks as one of my favorite movies of all time.

a film about hope. and about freedom. about life. and its heart. all in skin of a story about nothing. it is difficult to give a verdict in this case. because it is, in same measure, boring, strange and cool. important is the great performance. especially, the admirable work of Paul Giamatti who gives to his character entire force of beauty, fragility and solitude. a man of a hawk. that is all. nothing more. desire of sense and joy. fight against yourself. need of love and fear in large doses. a bitter movie. cruel, tender and very cold. nothing more. but something does a little ray of light in this ice castle of feelings. its source - the viewer. because it is possibility to understand than this film is about yourself.

I started out, before I saw Sideways, as a skeptic of Giamatti's talent. After that film, I had to make a 180 on my view. He was exceptional. I've liked him a lot in most everything he's been in, but a Hawk is Dying is a work that I am sure he will always remember. This was a perfect film for his unique, everyday man, with enormous depth and complexity (like most of us everyday people).

In this film, he and most of the other characters, give exceptional performances, in my opinion, because this was a small film. This film didn't have to conform to the Hollywood formula, so that millions of people can understand the plot, and get excited about the action or the comedy. This film was made for a smaller audience that likes to be treated like a thoughtful person, and enjoys escaping into another world. What this film did well was draw the audience into a world that it might never have seen, but it can identify with.

I would recommend this film. Watch it without distraction and let it take you into a very interesting and captivating story about love, compassion and the frustration that comes with giving of yourself and then facing those others that did not, and will never understand what you have done. The complex emotions come through, without hyperbole or obvious references, inserted to make sure we don't miss the point. This is true film, a window into life experience, from other humans, like us, who live and feel and hurt and struggle.