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6,4/10
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MA NOTE
Un drame décalé centré sur un jeune sans-abri, une sirène de musique pop et un membre des paparazzi.Un drame décalé centré sur un jeune sans-abri, une sirène de musique pop et un membre des paparazzi.Un drame décalé centré sur un jeune sans-abri, une sirène de musique pop et un membre des paparazzi.
- Récompenses
- 5 victoires et 1 nomination au total
Avis à la une
Delirious is different, genuine, alive, funny and as close to real life miracle as it gets! This movie is so deep (in a very entertaining way), you feel as if you just read a classical novel; instead of the silly flicks we all are so accustomed to see these days. Steve Buscemi's captivating performance, Michael Pitt's innocent yet noble attitude, Gina Gerswin, Allison and Callie's brilliant and lovable performances just drags you into the movie, where you feel a connection with most, if not all of the leads...
It is not a fast paced action movie, it will not make you sit on the edge of your seat throughout, but you will feel enriched when you leave. Tom Dicillo has outdone himself (and certainly many others)! We all need more movies like Delirious.
It is not a fast paced action movie, it will not make you sit on the edge of your seat throughout, but you will feel enriched when you leave. Tom Dicillo has outdone himself (and certainly many others)! We all need more movies like Delirious.
I love Michael Pitt, which is the main reason I gave this a chance. I'm glad I did, because it was a sweet, very light romantic comedy with a fantasy-type touch.
Some of the scenes of Pitt are astonishingly beautiful, and the story, although straightforward and predictable, takes a backseat to the storytelling... lush, frothy and warm.
I'm not as gushing as some of the other commenters, mostly because some of the dialogue was stilted and a few of the scenes fell flat (especially the more "personal" moments between Steve Buscemi and Pitt), but all in all, this is a light-hearted romance that leaves you feeling good inside.
Shouldn't we want that from movies sometimes?
Some of the scenes of Pitt are astonishingly beautiful, and the story, although straightforward and predictable, takes a backseat to the storytelling... lush, frothy and warm.
I'm not as gushing as some of the other commenters, mostly because some of the dialogue was stilted and a few of the scenes fell flat (especially the more "personal" moments between Steve Buscemi and Pitt), but all in all, this is a light-hearted romance that leaves you feeling good inside.
Shouldn't we want that from movies sometimes?
Just got back from the premiere screening at Sundance for Delirious and after the screening I felt like I'd picked a winner. What you get with this movie is a very solid performance from Michael Pitt who plays Toby a homeless kid in his early 20s that through a chance encounter finds a friend in struggling paparazzi Len played by a on fire Steve Bescumi. The movie follows Toby across a wide range of changes in his life that puts a strain on his relationship with Les and questions how far apart are those in front of the camera from those behind it. Micheal Pitt really breaks out here playing the role of Toby with a very natural wide eyed enthusiasm that wins over the audience from the beginning. Steve Buscemi tears it up in this role, as the edgy Les he perfectly portrays a loner who deeply wants to be something more then the despised paparazzi that he is. Some nice performances from Gina Gershon and Alison Lohman round out the cast.
I felt entertained and satisfied by the end of the movie, however film takes a a misguided turn at one point and I could fell most everyone in the audience thought it was regretful on the directors part and felt out of place in the movie. In the end though the film still works, unfortunate plot twist aside, you've got quality acting, fresh cinema and a excellent soundtrack that adds up to a solid experience.
I felt entertained and satisfied by the end of the movie, however film takes a a misguided turn at one point and I could fell most everyone in the audience thought it was regretful on the directors part and felt out of place in the movie. In the end though the film still works, unfortunate plot twist aside, you've got quality acting, fresh cinema and a excellent soundtrack that adds up to a solid experience.
Les (Steve Buscemi) is an amateur celebrity photographer who longs to get better shots that are worth more money. Yet, time and again, clubs and venues where stars may be eating or partying have bouncers. Bouncers that tell Les to get lost. One day, by chance, Les and a crowd of shutterbugs like him make an attempt to photograph a hot young singing star, K'Harma (Alison Lohman). No one gets much but Les meets an affable guy, Toby (Michael Pitt). Turns out Toby is homeless and has a vague inclination to be a movie star. On a whim, Les offers Toby a chance to bunk with him for the night. Once back at Les' small apartment, Toby starts cleaning up a few things, hoping to help Les for his graciousness. Les is a bit annoyed at that. But, the older man loves having the idea of an underling to lecture. Soon, every other phrase out of Les' mouth is "rule number one", as he gives Toby pointers about photography and life. One night turns into days and the two men hang out, even snagging a photo that sells on the Internet for $700! After this, Les drags Toby over to his aging parents house but its not clear why. The older folks are not impressed with Les' news of the 700 bucks and they are categorically critical and unpleasant. The two leave soon. Not long after, Toby actually MEETS K'Harma and she likes his looks. Soon they are hanging out. But, will Toby let Les capitalize on this great chance to photograph K'Harma and those around her? If he doesn't, how grateful is that? This film has truly great cast members who elevate the material. Buscemi is a stitch as his mantra of "rule number one" becomes an infinite number of rules. Pitt is adorable as the erstwhile actor while Lohman is comical, also, as the insecure star who wants "her own fragrance" and demands many things of her staff. All other matters are fine, costumes, sets, script and direction, but nothing out of the ordinary. Therefore, if you like Buscemi or any other cast member, do find it.
Saw this on the big screen at this year's Ebertfest and the entire audience was unexpectedly touched by its skillfully rendered vision of a kinder, gentler Hollywood, one we probably only half know. The movie revolves around the two main leads, Steve Buscemi as the paparazzi Les Galantine, and Michael Pitt as the homeless innocent, Toby Grace. Probably the more impressive performance is Buscemi's who you can believe might have wanted to pass on this low budget indie. That would have been a great error as, for my money, this is his most memorable role by far.
Mr Buscemi easily captures your attention and holds it throughout the film, not that Les is the most admirable of people. He's often barely tolerable and unduly self-absorbed at the most inopportune moments in complete contrast to his wannabe assistant, Toby. Michael Pitt plays Toby with affection as though he wishes his real-life counterparts well. And then there's Alison Lohman as the rising young fan magnet, K'Harma Leeds, and Gina Gershon as the publicist and agent, Dana. All the leads are played extremely well and are peculiarly memorable. But it took a little bit of magic to have brought all these players together with an entertaining script and actually pull it off. And the credit has to go to Tom DiCillo who obviously has the knack. Here's hoping he make's more films along this line.
Mr Buscemi easily captures your attention and holds it throughout the film, not that Les is the most admirable of people. He's often barely tolerable and unduly self-absorbed at the most inopportune moments in complete contrast to his wannabe assistant, Toby. Michael Pitt plays Toby with affection as though he wishes his real-life counterparts well. And then there's Alison Lohman as the rising young fan magnet, K'Harma Leeds, and Gina Gershon as the publicist and agent, Dana. All the leads are played extremely well and are peculiarly memorable. But it took a little bit of magic to have brought all these players together with an entertaining script and actually pull it off. And the credit has to go to Tom DiCillo who obviously has the knack. Here's hoping he make's more films along this line.
Le saviez-vous
- AnecdotesMelissa Rauch's debut.
- GaffesMicrophone being used by the MTV interviewer backstage at the awards was not a wireless mic. Just a cheap "wired" mic without a cable.
- Crédits fousAfter the end credits have finished rolling, there is a short 'epilogue' segment featuring Steve Buscemi's character.
- Versions alternativesAccording to the director, Tom DiCillo, there are two versions of this film, his original release and a Director's Cut. The original had an ending imposed on him by the producers, while the Director's version has his originally intended ending. This is what he says: "I had a lot of pressure from the producers to take this one scene at the end of the film and move it or cut it. And the only place to move it was at the end of the credits, like an Easter egg. Which I did against my better judgment because at least it would keep the scene in the film. It's that scene with Buscemi on the TV talk show, Access Entertainment. And it just bugged me because that scene ties together every single element of his character and his dream of taking "the shot heard around the world." Not that he has a fairy tale ending, but something good actually happens to him. But the financiers insisted I end the film when Michael Pitt and Alison Lohman disappear into the TV floodlights. I fought them and fought them and finally they pressured that if I didn't do it they weren't going to release the film. So I did it, and from the second I did it, I knew it was wrong. It ends the film on a kind of an existential downer that I never intended." His full interview on the release of his original version on a Special Edition Blu Ray can be found here: https://filmmakermagazine.com/111391-in-a-strange-way-the-film-feels-absolutely-new-to-me-director-tom-dicillo-on-the-release-of-the-directors-cut-of-his-2006-feature-delirious/#.YbrvjllOkjI The Blu Ray also includes, among other things: NEW! Director's Cut Commentary from Director Tom DiCillo NEW! Introduction to the new Director's Cut by Tom DiCillo (HD) Original Theatrical Cut of ''Delirious'' with Optional Director's Commentary (SD, 107 mins) 'Stalking Delirious' making of featurette (SD) 3 Promotional Shorts: ''Casting Michael Pitt'', ''Steve Buscemi is Pissed'' and ''The Gina Gershon Sex Tape'' (SD) Alison Lohman Music Video: 'Shove It' (SD)
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- How long is Delirious?Alimenté par Alexa
Détails
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 86 460 $US
- Week-end de sortie aux États-Unis et au Canada
- 19 030 $US
- 19 août 2007
- Montant brut mondial
- 659 589 $US
- Durée
- 1h 47min(107 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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