Being Cyrus

When I heard about this movie for the first time, what I had in mind was a lighthearted made-in-India English comedy. We have had quite a number of those in the last few years, English, August, Jhankaar Beats and the Hyderabad Blues couple to name a few. And I was even surer about it when I heard about the cast. What would you expect out of a movie which is called Being Cyrus and has actors like Saif Ali Khan, Boman Irani and Naseeruddin Shah? Well I was partly correct. It was a comedy alright! But it wasn't half as much 'lighthearted' as I had expected it to be. Being Cyrus turned out to be a dark, psychological drama concerning the lives of an individual named Cyrus Mistry(that's Saif) and a not-so-common Parsi family.

The acting by all the characters was, for most of the movie, quite superb. Naseeruddin Shah played his relatively brief role of a doped, absent-minded artist to near perfection. And so did Boman Irani in his of a loveless husband who is frustrated with almost everything life has to offer him. Simone Singh also does well in the portrayal of a coy, frightened wife, brave enough to indulge in her personal desires only in the absence of her strict, boring husband. But the surprise package in terms of acting is Honey Chhaya who plays the role of a forgetful old man harassed to the limit by his younger son. My personal favourite was the scene in which he, having chocolates and remembering his earlier years, looks up at the ceiling dreamily and says – "Those were the good old days". Manoj Pahwa, as Inspector Lovely, also manages to sneak in some hilarious comic moments. Dimple Kapadia is perhaps the only disappointment, overacting severely in many of her sequences.

The direction by debutant Homi Adajania is very fresh and promising and he couldn't have made a better start to his career. The storyline is not amazing but strong enough to take the viewer by surprise in the end. Yes, the movie doesn't have any songs to offer but music and sound play a somewhat major role all throughout the film, adding to its suspense and drama. Only the screenplay could have been a trifle better. At some points, it wasn't clear as to what the director was trying to say. And I don't believe that could have been intentional. Or maybe, it was.

I have saved the man in the lead for the end. Saif Ali Khan, in his first English film, has shown that he is capable of a lot more than playing the 'chocolate-boy' that he has traditionally done. He was perhaps not the obvious choice for the role of a distressed, orphaned individual but all would agree that he did ample justice to the task assigned.

All in all, Being Cyrus is a very entertaining first-time watch, if only for the difference it has to present. Seen independently, it would get a 6/10 from me. But as it happens to be one of the first of its kind, it deserves a nice 7.

What an amazing well made movie! The movie actually does have a very complex plot both Physiologically and sociologically but Homi's Direction make the movie simple to understand and a pleasure to watch!

I say complex Physiologically because it is, It takes you just enough into the depths of the minds of these two characters, namely Cyrus and Tina to make you understand that something is not right and the thrilling end explains it all. Sociologically because we see and hear about such things that happen to old people like Fardoonji on a daily basis in all communities and races in India and abroad (namely Mistreatment of older folks and sometimes even murder.) The Movie spends just enough time on all the aspects and issues which make it so interesting to watch. It touches upon the Idiosyncrasies of the Parsi Community, (but this could relate too and be true for any community as such) the dysfunctional family of the Sethna's and then delves into the psychology of two young kids messed up by years of abuse, all while keeping within the boundaries of traditional "Bawa" Humour!

Kudos to all of the stars as well, Saif Does an outstanding job with "Being Cyrus" and could very well be made an Honorary Bawa now. Dimple Kapadia and Nasrueidin Shah are absolutely brilliant and deserve to be nominated for some award, I don't care pick an award, ANY award! On the whole, a brilliant and well made movie, AWESOME JOB HOMI! You know industry insiders touted M.Night Shamalyan as the next Steven Spielberg in the US after the 6th sense! I think, if Homi Adjanina keeps up this trend he would definitely be the next Steven Spielberg of India!!! Bravo to this young Director!!!!!

Homi Adajania misses the century by few runs, but no worries even Dravid missed one on his debut. Yes, its a brilliant start for him as a story teller. I remember seeing sixth sense, it wasn't too great a movie(every one will agree me on that) till I saw the climax, that's where the brilliance lies. Its the package of the film that's makes directors GREAT. Well, Homi can pat himself for his honest original attempt and not trying to remake any of classic English thrillers in Hindi.

I thought the first half was little too long in describing things which weren't related to the title. I felt a lot of attention should have been given to Cyrus which i think lacked except the dream scene. Unfortunately you actually cant really draw the outline for Cyrus, which you do with other character. The cinematographer and editor make you eyes busy with colors and cuts. I thought Salim-Sulaiman still has a hangover of Booth, cause the music in the first half was little loud for the way the movie opens and proceeds till interval, but they did make up in the second half with the sound. All characters where apt in their roles, but i still think the director ran out of wine when feeding Saif and Shah.

If not the best movie i ever saw, its a brilliant and a honest movie from AN India for which i can be proud of. For me the hero is Homi Adajania, HATS OFF.

This recent Bollywood film had been lurking around the shops and I'd hear people refer to it as a 'different' 'offbeat' or 'art' film, not the usual 'masala' entertainment at all. Even though I fully realize that the hey-day of the Indian parallel cinema is over, I do keep on the lookout for the odd experiment or mixing of genres that filmmakers attempt every so often. Well, this turned out to be a hugely underrated little gem. It's off-beat alright, and doesn't have any silly musical numbers that plague the more mainstream Indian films. But what most reviewers and critics have failed to point out about it, is that it is really a good old-fashioned 'film noir', (albeit minus the moody lighting, and with a generous dose of humor) given a bit of post-modern sheen. It's a little too soft-edged (read: wholesome) and could have been a bit more atmospheric, but I suppose that for a first-time attempt, this is pretty good. The script is not as twisty or clever as it may seem at first (certainly won't fool any experienced film-noir buff), and I even guessed the 'big reveal' at the end, long before it came. But these minor quibbles do not get in the way of a thoroughly enjoyable tale, with many finely etched, memorable scenes (including a bizarre dream sequence). The performances vary, and the director seems unsure of the tone he wants his actors to take, but overall they are all good. Honey Chayya is particularly outstanding as the semi-senile old man Sethna. Naseeruddin Shah is wasted as the pot-head pottery maestro, but he plays the role well enough. Dimple Kapadia is a perfect portrait of a shrill, conniving, slutty middle-aged housewife. But Simone Singh is a little too pure and straight-laced (even when she's being shown 'rebelling' behind her hubby's back). Saif Ali Khan is just fine as the protagonist. All in all, a great little comedy/drama/thriller that doesn't outstay it's welcome, and at 83 minutes, is paced quite efficiently. No surprises for noir fans, but a pleasant enough ride through somewhat familiar territories, and an unexpected gem from the outskirts of Bollywood.

I saw this film in New York last December (05) and couldn't believe that films like this are made in India. It was FABULOUS. The crowds were enough to demand another full-house screening but unfortunately union rules prevented the cinema from doing this. Though the film takes time to digest (the credit roll being sufficient), everyone I met after the film seemed very impressed. The director, Homi Adajania, has a very unique style of story telling. It's a bold blend of genres and calling it a black comedy would be the closest to describe it, yet not totally justified. It would be fair to say that Being Cyrus is truly an alternate film, but it certainly refreshes our take on Indian Cinema and i hope more films like this are weaved out to surprise and entertain us. Absolutely fantastic in the direction, cinematography and background score department. This Director is someone to watch out for in the future. It's a must see.