Hazaaron Khwaishein Aisi

I had no clue what the movie was about when I rented it, and I absolutely loved it. Though I felt there were a few oddities when I saw it for the first time, when I watched it for the second and third time, I was able to appreciate the excellent performances by the entire cast, and the awesome script. Especially Shiny Ahuja, who plays Vikram Malhotra to perfection - every single expression on his face throughout the movie was a 100% apt. I also loved the Indian-ness imbued in the settings - the houses, roads, cars, government buildings, sound of birds, Geeta's sarees etc. Made me feel deeply nostalgic. The music adds to the poignancy of the movie, and is used very fittingly, to create a dramatic effect in certain scenes. I highly recommend this movie to all movie buffs, because I think of it as a unique work of art from the Hindi film industry. It's entertaining to those who want light entertainment, provides food for thought to those who are keen on watching films with ideological themes, and is an absolute must-see for die-hard romantics.

A real breath of fresh air in Indian cinema, Hazaaron Khwaishein Aisi is a very real, earnest, crackling-with-life portrayal of what it (apparently) was like to be a college student in Delhi in the late 60s and 70s with the opposing currents of Marxism and (indira) Gandhian totalitarianism. Intertwined with the ideology and the politics is a love story of three people, who start off with different ideas and whose ideas criss-cross in the course of the film. Superb direction, vibrant cinematography, slick editing, lovely music and superlative performances from all three protagonists make for a thoroughly satisfying cinematic experience. The surprise package is Shiny Ahuja, whose model-boy looks belie a prodigious acting talent. Both Kay Kay Menon and Chitrangda Singh deliver superb performances with Chitrangda looking stunning throughout. People say she looks like Smita Patil, I wouldn't know. While the film is not without its faults, including the occasional stilted dialogues and imprecision in the narrative, the overall effect is good enough to make you forget these. Watch this and get high!!

PS. I also have a quibble with the way 5.1 sound was used quite ineffectively when it could have been much better employed in many scenes. But it's churlish to complain about such things in a treat of a movie!!

Top-notch performances, touching back-ground score and its intense script take 'Hazaaron Khwaishein Aisi' to never-before-scaled heights of cinema.Its a movie about believing in something so unconditionally, that you give whatever it takes to stand up for it..even if it is your life.

The film showcases the three selfless lives of free India's first generation in their youth set in the back-drop of Naxalite moment and Emergency.

Shiny Ahuja is dynamic as Vikram.Kay Kay Menon(Siddrath) conveys more through his expressions and tone than this dialogs, once again proving his excellence as an actor.Chitrangada Singh(Geeta) ligths up every frame not only with her flawless beauty but, equally with her deep performance as well.she is simply brilliant. This movie sets the standard for excellence in cinema.A true masterpiece.

If you thought that the 60's and the 70's was just about Rock and Roll, drugs, and retro clothes, think again? The 3-R's - Revolution, Rebellion, and Rock n' Roll - dominated most young minds. Rural India was subjugated. Independence was a mere farce (It's a different issue that it still is). Amidst all this chaos, the youth of India were driven towards various Ideologies. But how many of them were serious about the paths they chose? It was a fad during the 60-70's to indulge in drugs, rock n roll and college morchas. Most students entered college politics and turned into rebels, who were against the capitalist values of the society and the government in general. But not everyone was serious. Once their "wonder years" were through, these so-called socialist preachers, born with a silver spoon, backed away in testing times. But, then there were those who took this path seriously to a different level. Those who gave up luxury, and dreams of a "settled" life with wife and kids for the benefit of those Indians who suffered due to the Government's apathy.

Hazaaron Khwaishein Aisi (HKA) is the story of such turbulent times during the India of the 60's and the 70's. The Emergency, the Naxalite movement, the domination of government in every decision Indians made. It is the story of three people who lead contrasting lives, with contrasting ideologies, and how their lives are intertwined.

If Siddharth (Kay Kay Menon) gives up his luxurious ways to reside in the villages of Bihar and start the Naxalite movement, Geeta (Chitrangada Singh) decides to pursue studies, only to eventually unite with Siddharth and support him in his mission. On the other hand, Vikram (Shiney Ahuja) chooses to be a middleman, or broker, of sorts, fixing dubious deals for the government and the capitalists.

This is a movie about ambitions, of desire, of love, and politics. If Siddharth continues his undying mission to form a strong Naxalite movement; Geeta, in spite of being married to Arun (Arif Zakaria), supports Siddharth from the outside as her lover, and confidante. It is as much about Geeta's own struggle of making the right choice: marriage, ideology, love, and as much about Vikram who, in spite of being a womanizer, continues to love Geeta and willing to go to any extent only to be in Geeta's good books.

HKA is a reminder to the youth of today that there were times when young blood was idealistic and not idle-istic. It is a dark reality, and a bitter truth of the struggle, which many went through during those turbulent times. Maybe the youth should wake up to such calls, and not just work in call-centers, lest we downgrade to a society where we might again be dominated and Independence becomes a facade.

When i walked in the hall for this film, I had no idea what's its like and who were the people acting in it. Sometimes life is full of surprises and I guess this was one of it. I am not writing an actual review but my rendition of thoughts the character portrayed in the film. Though the background was 1970's, the story and more importantly the relationships between the three characters was main framework of the film which is beyond time. My interest in the film was least to explore the technical issues or social issues that form the background of the film. What came out to me was the ritualistic attitude of love and how it transforms in a deep understanding between people.

The film shows a triangle of love between three characters which was very different from the one shown in Johars and Chopras chocolate covered candy floss that we get to see routinely. Coming to the story- one pretty girl Geeta (Chitrangada Singh) and two guys - Siddharth (KayKay Menon) and Vikram (Shiny Ahuja). While Geeta is in love with Siddharth, Vikram is in love with Geeta. But the film does not start from here nor does it ends there. Geeta is an educated South Indian urban girl who loves Siddartha for his socialist ideology while Vikram comes from a middle class semi-urban semi-rural Gandhian family who wants to grow in life and does not idealize with the socialist movement. And Siddarth has one point of agenda- socialist movement. As time moves on, the love equation of 3 characters moves with time except for Geeta love for Siddarth and Vikram love for Geeta. As a result their life travels from Delhi to Bihar in peculiar situations each with their own equilibrium. Coming out from an unhappy marriage with an alcoholic IAS officer, Geeta moves to Bihar where she discovers not only her love for Siddarth but also an equal parallel love for the socialist movement. At the same time, Vikram rises in the corridors of power as a deal maker. With sudden declaration of emergency by Indira Gandhi, the situations and backdrop becomes raw and bloody. How each of these characters react in these situations perhaps defines what each of them felt what love was all about? There is a sudden twist at the end of the film which perhaps describes how each of the three characters grows as human beings. It's a life time treat and if you can watch the characters through your heart, you will find this film soul stirring. Another important highlight of this film is the music - beautiful poetry by Pratish Nandy, vocals by Shubha Mudgal, Swanand Kirkire and Shobha Joshi. Some excellent scores are "Hazaron Khwaishen Aisi", based on the famous ghazals by Mirza Ghalib and Swanand Kirkire's "Bavra Mann" which comes as a backdrop at all the significant points of the film taking the audience to even greater heights. A must watch for all the ones who would want to know what love is……..