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The Dark

  • 2005
  • 12
  • 1h 33min
NOTE IMDb
5,3/10
12 k
MA NOTE
The Dark (2005)
DrameFantaisieHorreurMystèreThrillerHorreur folkloriqueHorreur psychologique

Ajouter une intrigue dans votre langueIn mourning over the tragic drowning of their daughter Sarah, James and Adèle are visited by Ebrill, a young girl who claims she died 60 years ago - and bears a startling resemblance to Sara... Tout lireIn mourning over the tragic drowning of their daughter Sarah, James and Adèle are visited by Ebrill, a young girl who claims she died 60 years ago - and bears a startling resemblance to Sarah.In mourning over the tragic drowning of their daughter Sarah, James and Adèle are visited by Ebrill, a young girl who claims she died 60 years ago - and bears a startling resemblance to Sarah.

  • Réalisation
    • John Fawcett
  • Scénario
    • Simon Maginn
    • Stephen Massicotte
  • Casting principal
    • Sean Bean
    • Maria Bello
    • Sophie Stuckey
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,3/10
    12 k
    MA NOTE
    • Réalisation
      • John Fawcett
    • Scénario
      • Simon Maginn
      • Stephen Massicotte
    • Casting principal
      • Sean Bean
      • Maria Bello
      • Sophie Stuckey
    • 120avis d'utilisateurs
    • 63avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos1

    The Dark
    Trailer 2:29
    The Dark

    Photos56

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    Rôles principaux13

    Modifier
    Sean Bean
    Sean Bean
    • James
    Maria Bello
    Maria Bello
    • Adèlle
    Sophie Stuckey
    Sophie Stuckey
    • Sarah
    Abigail Stone
    • Ebrill
    Maurice Roëves
    Maurice Roëves
    • Dafydd
    Richard Elfyn
    Richard Elfyn
    • Rowan
    Casper Harvey
    • Young Dafydd
    Eluned Jones
    • Doctor
    Gwenyth Petty
    • Librarian
    Robin Griffith
    • Police Inspector
    Mike Keggen
    • Rib Skipper
    Tonya Smith
    Tonya Smith
    • Main Stumblehead Martyr
    Luke Kearney
    Luke Kearney
    • Stumblehead jumper
    • (non crédité)
    • Réalisation
      • John Fawcett
    • Scénario
      • Simon Maginn
      • Stephen Massicotte
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs120

    5,311.7K
    1
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    10

    Avis à la une

    6PyrolyticCarbon

    Stock scare horror for the first half, then a somewhat confused but clever psychological horror the second half.

    Sean Bean is such a lost talent, he's a great actor and never seems to be given a decent or lead role. Even in Lord of the Rings he was cast as the turncoat. So I was excited to hear that he was the lead man in this movie, although not the lead it was a good step. Plus it was a British film and a horror. These things all combined to make me think that this was a movie to see.

    Both Bean and Maria Bello are very convincing in the movie. Bean plays the straight up man who is confused by the happenings around him and just wants to make the family happy again, he plays a super convincing Father. Bello gives a great performance as she is called upon to be a trying mother, confused, insane, panicked and totally distraught. Not that much of a range really! The interplay between these two actors is very good, and when Bean has scenes with the daughter, he's just superb.

    Something that becomes quite annoying through the first half of the movie are the deliberate scare tactics used by the Director, they are exceedingly formulaic and you know when they are coming and even when the shock comes. Still, all credit to them, you still leap out of your chair even knowing when a scare is coming. The formula is pretty constant through the first half, slow music, a long single scene, slow movement and no action, usually in the darkness, then a few fast cuts together accompanied by a loud sound and a raise in the music tempo, and there you have the scare. During the screening people were leaping like mad! After a while following this formula the film does turn around on itself and become something different. It's here that it becomes a lot more psychological and indeed, clever. There was a big feeling in this half of Event Horizon, particularly the flashbacks to being strapped in the chair, fast, multiple cuts of horror.

    However during the latter half it also becomes confusing and very weird, yet I wish the whole movie had been like this. It could have abandoned its standard scare tactics and concentrated on the plot in the latter half, and this would have provided for a much more psychologically scary movie.

    There's a particular moment near the end of the movie when a door closes in front of the lead, and your emotions are totally with the character at this point. Confusion for a few seconds and then a slow building understanding. It's a very good moment.

    Still, however clever the entire ending is, I still felt it lacked clarity and subtlety. Dropping the scare formula of the first half would have brought a much better movie, and getting rid of the premise of scary sheep would have helped too. Perhaps it's a British thing, but sheep are not in the least bit scary, in fact coming from a Northern Scottish town sheep are considered far from scary. It just seemed to be a plot device that was struggling not to be absurd.

    That said, you'll still leap, you'll still be scared, and when the film finishes you'll still like the conclusion.
    6robertemerald

    OK for its day but The Hallow and The Daisy Chain are better

    The Dark is OK for its day but The Hallow (2015) and The Daisy Chain (2008) are much better Celtic movies dabbling in local myth. The Dark is a pretty ad hoc jumble of bits and pieces (past/present, real/dreaming, myth/crime, etc) strung together in what seems like, to me, an attempt to make a 90 minute movie out of only 60 minutes of material. In the last half a lot of sequences look very similar to previous sequences, although I admit the idea was torture and descent. Mind you, The Dark did try to make sheep seem spooky, and one has to admire the attempt. For looks it's very similar to The Daisy Chain, indeed, that movie may have seen what was working or not working in The Dark and proceeded appropriately. In the end the story does make sense, and it is a very chilly conclusion. I still enjoyed it, and it is original to a degree. My main criticism is that the filmmakers needed to make this a darker journey and not such an action movie for the Mum. It needed more pauses, more shocks, and better shocks, maybe a storm, the odd spider. The Dark, however, still tackles a difficult premise to pull off, and in this it has made an accomplishment.
    7billsvg3

    Wasn't as scary as suggested but still pretty good!!

    The Dark shocked me really, after seeing the trailer on TV my initial thoughts were that it was going to be a genuinely scary film, however after watching it, it appears it is not as much scary as it is strange!

    The concept of it will seem pretty weird to you but it actually works, however there are times in it where the acting is pretty sketchy. I think all in all this film will appeal to people who like a bit of the supernatural or spiritual stuff, and maybe not as much to the people who like a really scary horror flick.

    Hat off to Sean Bean, i like most of the films he's in, and Maria Bello does make viewing slightly more pleasant. Some will like it, some won't. Would definitely watch again though.
    6Bunuel1976

    THE DARK (John Fawcett, 2005) **1/2

    I had enjoyed Fawcett's knowing revision of the werewolf myth in GINGER SNAPS (2000), but wasn't really expecting much out of yet another ghost story (which, in recent years, have flooded the horror market from all over the world). Still, it turned out to be a pleasant surprise which, given my initial skepticism, managed to win me over with its intriguing - if highly derivative - plot line, good performances (by all five main actors but especially Maria Bello, in a difficult and rather unsympathetic role, and the two ill-treated girls) and the unfamiliar seaside Welsh setting.

    As a matter of fact, the film borrows and mixes together elements from a wide variety of classic and cult horror/fantasy titles - ORPHEUS (1950), DON'T LOOK NOW (1973), THE WICKER MAN (1973) and THE BEYOND (1981) - and even features a Bernard Herrmannesque score! Unfortunately, it becomes confusing towards the end and the final twist feels rather like one too many trips to the well; actually, I much preferred the serene (and more balanced) alternate ending!

    Despite some editorial flourishes throughout and the occasional cheap shock, the film's tone is generally low-key and introspective; far removed from the hipness of GINGER SNAPS, it's undeniably a more mature work.
    aryastarkiller

    Awful.

    It's a confusing movie with a poor story. I felt I was watching the wrong movie when I stepped into the theater. It took me some time until I could realize what was really happening.

    Plus, mentioning the Welsh mythology sounded more like an excuse to hook the story.

    Although it contains some disturbing images, it is not scary at all. Well said: 'when a film has to relay on loud music and flashy imagery to scare people then the film isn't scary'. So, that's the whole truth about this movie. I expected something better.

    I am completely disappointed.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Annwn or Annwyn (pronounted "a-non") is the land of the dead, the underworld or Afterlife, in Welsh mythology. It is said to lay far in the west and could be accessed by the living through a door located at the mouth of the Severn once a year. Surviving from pre-Christian Celtic mythology, it's neither Heaven nor Hell in the Christian sense, and the living can enter spiritually or corporeally.
    • Gaffes
      Ebrill is consistently mispronounced as 'Ebrith' ('Ebrydd' in Welsh, although there is no such Welsh word). There is no English equivalent for 'll' but it should be pronounced as something closer to 'Ebrych', similar to the 'ch' as in the Scottish 'loch' (although that sound also exists in Welsh).
    • Citations

      Adèlle: The night Sarah went missing, I saw a girl.

      James: You saw a girl?

      Adèlle: Yes, out in the yard.

    • Versions alternatives
      An alternate ending is included on the USA Region 1 DVD from Sony Pictures.
    • Connexions
      Edited into The Dark: Alternate Ending (2006)

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    FAQ17

    • How long is The Dark?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 26 octobre 2005 (France)
    • Pays d’origine
      • Île de Man
      • Royaume-Uni
      • États-Unis
      • Allemagne
    • Langues
      • Anglais
      • Gallois
    • Aussi connu sous le nom de
      • Karanlık
    • Lieux de tournage
      • Devon, Angleterre, Royaume-Uni(on location)
    • Sociétés de production
      • Constantin Film
      • Impact Pictures
      • Isle of Man Film
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 3 000 000 £GB (estimé)
    • Montant brut mondial
      • 6 593 579 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 33min(93 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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