NOTE IMDb
5,3/10
12 k
MA NOTE
Ajouter une intrigue dans votre langueIn mourning over the tragic drowning of their daughter Sarah, James and Adèle are visited by Ebrill, a young girl who claims she died 60 years ago - and bears a startling resemblance to Sara... Tout lireIn mourning over the tragic drowning of their daughter Sarah, James and Adèle are visited by Ebrill, a young girl who claims she died 60 years ago - and bears a startling resemblance to Sarah.In mourning over the tragic drowning of their daughter Sarah, James and Adèle are visited by Ebrill, a young girl who claims she died 60 years ago - and bears a startling resemblance to Sarah.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Luke Kearney
- Stumblehead jumper
- (non crédité)
Avis à la une
As a huge fan of horror movies, I give pretty much everything in this category a chance. I had never heard of this movie before, just stumbled upon it at the video store. I know a lot of people think it was a stereotypical horror movie but I jumped A LOT. And to be honest, I didn't always see the frights coming. I do see similarity between The Ring and The Dark but I enjoyed it nonetheless. I am still a little unsure about the ending but I guess that happens sometimes in this category. The camera work made it a little difficult at times to see but I guess it is called The Dark for a reason. The little girl was creepy which seems to be a requirement for child roles in horror movies. All and all I would say it's worth a peek.
OK while not a great film it is very suspenseful. i saw this movie almost 3 month's ago at the Cardiff film festival an i can tell u that the cinema was packed an at the end of the film it got a great applause because of the suspense it held throughout the film! on the whole a throughly enjoyable film i found this too be a film with a level of suspense that i have not seen in many supposed thrillers in a number of years. yes i'll agree that the film didn't have a storyline that truly linked together but this is becoming a much more common trend in many films now. Also the film is made all the more enjoyable because it is a British made film showing the quality of films that can come out of this country when we try to make a good film.
The Dark shocked me really, after seeing the trailer on TV my initial thoughts were that it was going to be a genuinely scary film, however after watching it, it appears it is not as much scary as it is strange!
The concept of it will seem pretty weird to you but it actually works, however there are times in it where the acting is pretty sketchy. I think all in all this film will appeal to people who like a bit of the supernatural or spiritual stuff, and maybe not as much to the people who like a really scary horror flick.
Hat off to Sean Bean, i like most of the films he's in, and Maria Bello does make viewing slightly more pleasant. Some will like it, some won't. Would definitely watch again though.
The concept of it will seem pretty weird to you but it actually works, however there are times in it where the acting is pretty sketchy. I think all in all this film will appeal to people who like a bit of the supernatural or spiritual stuff, and maybe not as much to the people who like a really scary horror flick.
Hat off to Sean Bean, i like most of the films he's in, and Maria Bello does make viewing slightly more pleasant. Some will like it, some won't. Would definitely watch again though.
Can a horror film be scary and boring at the same? The Dark has an extremely good effort about equivalent to lifting one's little finger. The plot shows all the attention span of someone reading a Welsh mythology after smoking several reefers. Formulaic scare-mongering knocks you out of your seat at regular intervals, though without enlivening the story or characters much, the most interesting of which, a girl called Ebrill, is temporarily back from the dead after a number of misled churchgoers and nigh on a flock of sheep have been offered in her place.
Young Sarah arrives with her mum at a remote cottage on the Welsh coast where her dad is staying. Legends, hallucinations, nightmares of sheep and people going over a nasty bit of cliff abound and we hear of how it might be possible for some people to pop back and forth between this world and the next at a price.
Director John Fawcett, who showed promise and originality with Ginger Snaps, has here gone for banality enlivened by the most unashamed editing. If you flash a very sudden, very bright image at someone, and simultaneously make a very loud noise, they will jump. Traditionally, filmmakers have used this technique to emphasise a plot turn the appearance of the bogey-man, monster, serial killer. Fawcett doesn't bother, he just inserts it. One minute you're watching the sleep-inducing story and the next you are shocked awake by a loud crash together with a bright light. Explain it to yourself as a deep insight into the unsteady mind of one of the characters? Well if I was a character in such an insipidly put together movie I'd probably need to be deranged for fun too. The trouble with this technique is that there is no plot momentum to keep you excited until the next loud bang. After the first two, I started trying to predict the next one (wait for a false alarm, then a lull, then the bang) and with reasonable accuracy till I lost interest.
It picks up a bit towards the end, and the scares are scary, however contrived. All in all it's standard Saturday night horror fare, nothing that special. If you don't mind the clichés, sit back and go whaaaaaa (as I did!)
Young Sarah arrives with her mum at a remote cottage on the Welsh coast where her dad is staying. Legends, hallucinations, nightmares of sheep and people going over a nasty bit of cliff abound and we hear of how it might be possible for some people to pop back and forth between this world and the next at a price.
Director John Fawcett, who showed promise and originality with Ginger Snaps, has here gone for banality enlivened by the most unashamed editing. If you flash a very sudden, very bright image at someone, and simultaneously make a very loud noise, they will jump. Traditionally, filmmakers have used this technique to emphasise a plot turn the appearance of the bogey-man, monster, serial killer. Fawcett doesn't bother, he just inserts it. One minute you're watching the sleep-inducing story and the next you are shocked awake by a loud crash together with a bright light. Explain it to yourself as a deep insight into the unsteady mind of one of the characters? Well if I was a character in such an insipidly put together movie I'd probably need to be deranged for fun too. The trouble with this technique is that there is no plot momentum to keep you excited until the next loud bang. After the first two, I started trying to predict the next one (wait for a false alarm, then a lull, then the bang) and with reasonable accuracy till I lost interest.
It picks up a bit towards the end, and the scares are scary, however contrived. All in all it's standard Saturday night horror fare, nothing that special. If you don't mind the clichés, sit back and go whaaaaaa (as I did!)
Sean Bean is such a lost talent, he's a great actor and never seems to be given a decent or lead role. Even in Lord of the Rings he was cast as the turncoat. So I was excited to hear that he was the lead man in this movie, although not the lead it was a good step. Plus it was a British film and a horror. These things all combined to make me think that this was a movie to see.
Both Bean and Maria Bello are very convincing in the movie. Bean plays the straight up man who is confused by the happenings around him and just wants to make the family happy again, he plays a super convincing Father. Bello gives a great performance as she is called upon to be a trying mother, confused, insane, panicked and totally distraught. Not that much of a range really! The interplay between these two actors is very good, and when Bean has scenes with the daughter, he's just superb.
Something that becomes quite annoying through the first half of the movie are the deliberate scare tactics used by the Director, they are exceedingly formulaic and you know when they are coming and even when the shock comes. Still, all credit to them, you still leap out of your chair even knowing when a scare is coming. The formula is pretty constant through the first half, slow music, a long single scene, slow movement and no action, usually in the darkness, then a few fast cuts together accompanied by a loud sound and a raise in the music tempo, and there you have the scare. During the screening people were leaping like mad! After a while following this formula the film does turn around on itself and become something different. It's here that it becomes a lot more psychological and indeed, clever. There was a big feeling in this half of Event Horizon, particularly the flashbacks to being strapped in the chair, fast, multiple cuts of horror.
However during the latter half it also becomes confusing and very weird, yet I wish the whole movie had been like this. It could have abandoned its standard scare tactics and concentrated on the plot in the latter half, and this would have provided for a much more psychologically scary movie.
There's a particular moment near the end of the movie when a door closes in front of the lead, and your emotions are totally with the character at this point. Confusion for a few seconds and then a slow building understanding. It's a very good moment.
Still, however clever the entire ending is, I still felt it lacked clarity and subtlety. Dropping the scare formula of the first half would have brought a much better movie, and getting rid of the premise of scary sheep would have helped too. Perhaps it's a British thing, but sheep are not in the least bit scary, in fact coming from a Northern Scottish town sheep are considered far from scary. It just seemed to be a plot device that was struggling not to be absurd.
That said, you'll still leap, you'll still be scared, and when the film finishes you'll still like the conclusion.
Both Bean and Maria Bello are very convincing in the movie. Bean plays the straight up man who is confused by the happenings around him and just wants to make the family happy again, he plays a super convincing Father. Bello gives a great performance as she is called upon to be a trying mother, confused, insane, panicked and totally distraught. Not that much of a range really! The interplay between these two actors is very good, and when Bean has scenes with the daughter, he's just superb.
Something that becomes quite annoying through the first half of the movie are the deliberate scare tactics used by the Director, they are exceedingly formulaic and you know when they are coming and even when the shock comes. Still, all credit to them, you still leap out of your chair even knowing when a scare is coming. The formula is pretty constant through the first half, slow music, a long single scene, slow movement and no action, usually in the darkness, then a few fast cuts together accompanied by a loud sound and a raise in the music tempo, and there you have the scare. During the screening people were leaping like mad! After a while following this formula the film does turn around on itself and become something different. It's here that it becomes a lot more psychological and indeed, clever. There was a big feeling in this half of Event Horizon, particularly the flashbacks to being strapped in the chair, fast, multiple cuts of horror.
However during the latter half it also becomes confusing and very weird, yet I wish the whole movie had been like this. It could have abandoned its standard scare tactics and concentrated on the plot in the latter half, and this would have provided for a much more psychologically scary movie.
There's a particular moment near the end of the movie when a door closes in front of the lead, and your emotions are totally with the character at this point. Confusion for a few seconds and then a slow building understanding. It's a very good moment.
Still, however clever the entire ending is, I still felt it lacked clarity and subtlety. Dropping the scare formula of the first half would have brought a much better movie, and getting rid of the premise of scary sheep would have helped too. Perhaps it's a British thing, but sheep are not in the least bit scary, in fact coming from a Northern Scottish town sheep are considered far from scary. It just seemed to be a plot device that was struggling not to be absurd.
That said, you'll still leap, you'll still be scared, and when the film finishes you'll still like the conclusion.
Le saviez-vous
- AnecdotesAnnwn or Annwyn (pronounted "a-non") is the land of the dead, the underworld or Afterlife, in Welsh mythology. It is said to lay far in the west and could be accessed by the living through a door located at the mouth of the Severn once a year. Surviving from pre-Christian Celtic mythology, it's neither Heaven nor Hell in the Christian sense, and the living can enter spiritually or corporeally.
- GaffesEbrill is consistently mispronounced as 'Ebrith' ('Ebrydd' in Welsh, although there is no such Welsh word). There is no English equivalent for 'll' but it should be pronounced as something closer to 'Ebrych', similar to the 'ch' as in the Scottish 'loch' (although that sound also exists in Welsh).
- Versions alternativesAn alternate ending is included on the USA Region 1 DVD from Sony Pictures.
- ConnexionsEdited into The Dark: Alternate Ending (2006)
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- How long is The Dark?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Karanlık
- Lieux de tournage
- Devon, Angleterre, Royaume-Uni(on location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 £GB (estimé)
- Montant brut mondial
- 6 593 579 $US
- Durée
- 1h 33min(93 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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