Breakfast on Pluto

I saw this on 10/2 at the NYFF-we got last minute tickets right up front. Neil Jordan was present at Q&A-an absolute treat. The film was simply wonderful from beginning to end--charming, emotionally satisfying, delicately nuanced and very powerful. The acting was sublime, as in all Jordan films. Cillian Murphy is so impossibly gorgeous and yet so fearless and skillful an actor, who uses his physicality to his supreme advantage. The Irish gang of three-Gleeson, Neeson and Rea, who usually appear in Jordan's films, were superb and touching as usual. There were wonderful casting touches--Bryan Ferry as a sicko, Gaivn Friday as a gay rockabilly, etc. The film was audacious, swerving mightily between broad comedy and grim tragedy. The most arresting elements were the amazing customes and the choice of 60s and 70s songs, something Jordan discussed in detail during the Q&A.

I urge all cineastes to catch this one-you will be amazed and deeply satisfied.

This spellbinding, tightly written, tightly wound, full speed ahead film is Neil Jordan's best work by far since his 1992 hit, "The Crying Game." And, interestingly, in this new film, Jordan returns to exactly the same intertwined themes that marked "Crying Game": the armed struggle of Northern Irish Catholics against the British Crown and gender bending.

Unlike the last minute revelations in "Crying Game," however, here the protagonist's transsexuality is placed front and center from the getgo. Cillian Murphy gives a bravura performance as Patrick "Kitten" Braden, in a story set in the 60s and 70s. Murphy oozes sensual vitality and is a world class flirt, but he's also genuinely kind and compassionate toward everybody.

The story is divided into 35 brief, fast paced "chapters" following Kitten's life over several years, first in a village near Belfast, later in London. The musical score, which is extraordinarily good, is an eclectic mix of everything from 40s pop tunes to Harry Nilsson and Van Morrison. Good supporting turns are provided by Liam Neeson, Ruth Negga, Stephen Rea, Gavin Friday and Brendan Gleeson. My top rated narrative drama of 2005: grade 10/10 A.

A masterpiece. I have not seen many of Jordan's other works, but I intend to give his career a thorough examining after seeing Breakfast on Pluto. I also now have an immense respect for Cillian Murphy. To go from 28 Days Later and Red Eye to the layered, mesmerizing performance of Pluto is astounding. The story of using fantasy to escape the harshness of reality is so appealing, one would think this movie could be accepted by the masses. Dreamy visuals, multi layered and realistic characters mixed with stark visceral violence and political mechanisms create an emotionally jarring experience unlike anything I have ever experienced before. I intend to go to the film again and perhaps again. And I urge everyone to go and see this film and support it. Instantly in my top ten all time favorite movies. Bravo Mr. Jordan and Bravo Mr. Murphy.

There's never been a character like "Kitten" on the screen before or an actor like Cillian Murphy for that matter. What a feast of a film! What a joyful race through a desolate existence dressed in smiles and hope and gratefulness. Neil Jordan's introduce us to this extraordinary real life character with the magical slant of a fairy tale. A lesson for all seasons. A unique portrait of a victim that behaves like a hero. The idea of victim doesn't even enter the orbit of his reality. How beautiful! I hope this marvellous film find its way to a large audience. I want everyone to feel what I felt. I was enthralled by the positiveness at the heart of its message. And if all this wasn't enough. Liam Neeson! Giving the best performance of his career as the most human of the imperfect humans that populate the planet. Do yourself a favour, put aside preconceptions and run to have breakfast on Pluto.

Cillian Murphy is superb as an alien of sorts finding its way in our midst. Giving the other cheek as if it was nothing. The goodness, Cillian Murphy, finds in his character goes - I'm sure - far beyond what the screenplay may have required. The goodness of his character feels private. A personal discovery. I hope I'm not making the character sound sentimental, because he/she's not, far from it and that is one of the many surprises to be enjoyed in a film full of surprises. Neil Jordan had already confronted sexual identity in the brilliant "The Crying Game" he, as far as I'm concerned, goes even further in "Breakfast On Pluto". There is no confusion here, everything is blatantly true. Moving beyond words. A mesmerizing piece of acting and film making of the purest kind. Don't miss it.