Ajouter une intrigue dans votre langueTony Kleinman and his partner, former professional athlete Bernie Widman, co-host a television talk show in Philadelphia devoted primarily to sports and athletes of all disciplines.Tony Kleinman and his partner, former professional athlete Bernie Widman, co-host a television talk show in Philadelphia devoted primarily to sports and athletes of all disciplines.Tony Kleinman and his partner, former professional athlete Bernie Widman, co-host a television talk show in Philadelphia devoted primarily to sports and athletes of all disciplines.
- Récompenses
- 2 nominations au total
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I'm a sports guy and I watch ESPN rather regularly, including Kornheiser on PTI. I also was a HUGE Seinfeld fan. So naturally, I thought this would be a show worth watching. Boy, was I wrong. "Tony" is one of the most wimpiest characters ever created next to Screech from Saved by the Bell and Mark from Step by Step. His character and his relationship with his daughter really give parenting a bad name. This show pretty much follows the new age mantra of "don't punish your kids, listen to what they have to say" BS. In one episode, Tony punishes her daughter only to feel - you guessed it - bad about it. So he tries to find ways to reward her so he wouldn't have to go through with the punishment. My God!
It seems they are really only trying to develop two characters in this show, Tony and his daughter. The "son" has a handful of lines in each episode and is portrayed as semi-retarded or highly addicted to the wacky weed. The mother hardly says a word and seems overly passive towards her kids. If someone was walking down the street and saw this group of people together, they wouldn't think they were a family. The show hardly talks about sports (Gee, wouldn't you think that a show based on a sports writer would have something to do with sports). I give this show the rest of the season and then the Axe. Side note: The opening credits sequence....LAME. Feels like something out of the 80's.
It seems they are really only trying to develop two characters in this show, Tony and his daughter. The "son" has a handful of lines in each episode and is portrayed as semi-retarded or highly addicted to the wacky weed. The mother hardly says a word and seems overly passive towards her kids. If someone was walking down the street and saw this group of people together, they wouldn't think they were a family. The show hardly talks about sports (Gee, wouldn't you think that a show based on a sports writer would have something to do with sports). I give this show the rest of the season and then the Axe. Side note: The opening credits sequence....LAME. Feels like something out of the 80's.
This is by far the worst sitcom, since My Mother the Car. Jason Alexander is a fine actor, but his George Costanza routine does not work outside of Seinfeld. It's grating and more embarrassing than funny. I tried to give the show a chance, but after four shows I gave up on it. It gets old, seeing the same idiotic, unbelievable behavior show after show
This is the First Monday night CBS sitcom I have refused to watch in many years. With their tradition of excellent sitcoms, it's beyond comprehension why they put this clunker between such fine shows as Still Standing, Everybody Loves Raymond, and Two And a Half Men. I prayed that the show wouldn't make it past mid-season, but my prayers weren't answered. One can only hope that somebody at CBS comes to their senses, and realizes that there is absolutely no substance to the show, and that it is "not" entertaining.
This is the First Monday night CBS sitcom I have refused to watch in many years. With their tradition of excellent sitcoms, it's beyond comprehension why they put this clunker between such fine shows as Still Standing, Everybody Loves Raymond, and Two And a Half Men. I prayed that the show wouldn't make it past mid-season, but my prayers weren't answered. One can only hope that somebody at CBS comes to their senses, and realizes that there is absolutely no substance to the show, and that it is "not" entertaining.
A TV series treatment of Sportswriter and ESPN commentator Tony Kornheiser's articles and essays is the basis for this show,which pair's Seinfeld's sharp comedic loser extraordinaire Alexander with jovial sitcom vet Malcolm Jamal Warner as very thinly disguised surrogates of Kornheiser and his co-host on ESPN's "Pardon the Interruption" columnist Michael Wilbon,respectively.
There might be fertile room for comedy here,and Alexander seems a little better fit for this than the previous "Bob Patterson",but this show couldn't relay to you enough how completely out of control he was with his family. Sure,his wife(Wendy Makkena)is sweet and basically supportive,but their kids,particularly the daughter(Daniella Motta) but I suppose even the son(Will Rothar)to a lesser degree,seem to regard their dad with an unrelenting source of aggravation. To make matters worse,at work,he is almost constantly falling behind his popular co-star in terms of respect or attention. All of this may not SOUND like bad elements for the show,but the show seemed to kind of hammer away at the same note,episode after episode,and it becomes pretty tiresome in a hurry.
Not a terrible show,but could've been better.It seems like of late,other than "Duckman",he seems to be more comfortable in guest roles("Monk","Friends" to name a few). I honestly believe Mr.Alexander has a pretty good show left in him A.S.(After Seinfeld),but as of yet,I haven't seen it.
There might be fertile room for comedy here,and Alexander seems a little better fit for this than the previous "Bob Patterson",but this show couldn't relay to you enough how completely out of control he was with his family. Sure,his wife(Wendy Makkena)is sweet and basically supportive,but their kids,particularly the daughter(Daniella Motta) but I suppose even the son(Will Rothar)to a lesser degree,seem to regard their dad with an unrelenting source of aggravation. To make matters worse,at work,he is almost constantly falling behind his popular co-star in terms of respect or attention. All of this may not SOUND like bad elements for the show,but the show seemed to kind of hammer away at the same note,episode after episode,and it becomes pretty tiresome in a hurry.
Not a terrible show,but could've been better.It seems like of late,other than "Duckman",he seems to be more comfortable in guest roles("Monk","Friends" to name a few). I honestly believe Mr.Alexander has a pretty good show left in him A.S.(After Seinfeld),but as of yet,I haven't seen it.
I've spent some time reading the comments on this site about "Listen Up." The show, although doing well rating wise, does not appear to be a favorite amongst IMDb users.
I think the show is a decent show. There are some great lines (i.e. "I had no idea this little hair could produce this much debris") among others. The show has good jokes. But it does lack something. One thing I can say is that if someone were to tell me what the first two episodes were about I wouldn't be able to provide the answer. The first two episodes haven't really been about anything. The daughter bans her father from her soccer games in episode 1. In episode 2 she defies him and gets more earring holes. These are not story lines with which to base an entire episode on. There's little substance there. The show doesn't have any meaning. Yes, comedies are supposed to be funny and are not to be mistaken for films that are supposed to inspire or deliver some great message. But there needs to be something.
"Seinfeld" didn't really have meaning either but the jokes centered around the little quirky things we do in our lives. This helped us relate. It made us interested. One of the better sitcoms we've had over recent years has been "Frasier" (mostly in its early years) but one thing that "Frasier" managed to do was to blend jokes with substance. Many episodes featured a serious conversation between characters that put life into perspective and revealed some truth. "Listen Up" has yet to provide something for us to grab onto. Each episode needs a conflict - one that can provide some humor but at the same time be resolved in the end such that Tony Kleinman learns something.
As for Jason Alexander and his acting thus far I have to say he's done a fine job. The little things he does is what makes his performance great - His pump of the fist when his son tells him that he's reading a book of zip codes for instance. The only thing I could perhaps fault him for is going into his yell voice too often and always with the same tone. But for the most part I have enjoyed his performance.
Everyone seems to be talking about how he's acting like George Constanza from "Seinfeld" and I'd have to say that he is. But this isn't necessarily a bad thing. Actors aren't generally supposed to act like a million different things. Actors are selling themselves. A director looks for a certain look, a certain quality in the actor's voice, and checks to see if the actor can act. Jason Alexander is Jason Alexander and he's going to be himself when he performs. He was cast to be the character he has always been. He's not a character actor. He's not going to seem like an entirely different person with each show or movie he is in.
I think the show is a decent show. There are some great lines (i.e. "I had no idea this little hair could produce this much debris") among others. The show has good jokes. But it does lack something. One thing I can say is that if someone were to tell me what the first two episodes were about I wouldn't be able to provide the answer. The first two episodes haven't really been about anything. The daughter bans her father from her soccer games in episode 1. In episode 2 she defies him and gets more earring holes. These are not story lines with which to base an entire episode on. There's little substance there. The show doesn't have any meaning. Yes, comedies are supposed to be funny and are not to be mistaken for films that are supposed to inspire or deliver some great message. But there needs to be something.
"Seinfeld" didn't really have meaning either but the jokes centered around the little quirky things we do in our lives. This helped us relate. It made us interested. One of the better sitcoms we've had over recent years has been "Frasier" (mostly in its early years) but one thing that "Frasier" managed to do was to blend jokes with substance. Many episodes featured a serious conversation between characters that put life into perspective and revealed some truth. "Listen Up" has yet to provide something for us to grab onto. Each episode needs a conflict - one that can provide some humor but at the same time be resolved in the end such that Tony Kleinman learns something.
As for Jason Alexander and his acting thus far I have to say he's done a fine job. The little things he does is what makes his performance great - His pump of the fist when his son tells him that he's reading a book of zip codes for instance. The only thing I could perhaps fault him for is going into his yell voice too often and always with the same tone. But for the most part I have enjoyed his performance.
Everyone seems to be talking about how he's acting like George Constanza from "Seinfeld" and I'd have to say that he is. But this isn't necessarily a bad thing. Actors aren't generally supposed to act like a million different things. Actors are selling themselves. A director looks for a certain look, a certain quality in the actor's voice, and checks to see if the actor can act. Jason Alexander is Jason Alexander and he's going to be himself when he performs. He was cast to be the character he has always been. He's not a character actor. He's not going to seem like an entirely different person with each show or movie he is in.
The Cubs Curse, The Red Sox Curse....and now again the Seinfeld Curse. OK, I admit it. I watch Pardon the Interruption on ESPN. Or the show with the Yelling Guys, as my wife calls it. But I watch it for the sports info. Not because Tony Kornheiser is funny. Which he's not. Although he seems to think he is. He also seems to be under the delusion that he's clever. But all he's really good at is being loud. A sitcom based on him, and the characters he's created, would seem doomed. Especially a sitcom dogged with the tired writing, cardboard characters and banal situations of Listen Up.
On one level, I can see where the casting of Jason Alexander as the Kornheiser character (similar types) makes a certain kind of sense. But, of course, that still begs the question as to whether it was worthwhile to develop this stale show in the first place. And while the character of George Costanza was often hilarious as a cog in the big Seinfeld machine, Jason Alexander, now carrying the whole load on Listen Up, is forced to trot out all his old tricks. But, in the end, all he's really good at is being loud.
On one level, I can see where the casting of Jason Alexander as the Kornheiser character (similar types) makes a certain kind of sense. But, of course, that still begs the question as to whether it was worthwhile to develop this stale show in the first place. And while the character of George Costanza was often hilarious as a cog in the big Seinfeld machine, Jason Alexander, now carrying the whole load on Listen Up, is forced to trot out all his old tricks. But, in the end, all he's really good at is being loud.
Le saviez-vous
- AnecdotesMark Harmon had been in contention for the role of Tony, but he was deemed "way too good-looking" for the role. Tony Kornheiser, whose life was the basis of the show, was asked to read for the role, but the sportswriter turned down the offer, stating that he did not want to move to Los Angeles.
- Citations
Tony Kleinman: [meeting former Seinfeld costar Wayne Knight] Boy, you look really farmiliar. Have we met somewhere?
Buddy: I can't imagine where.
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