The Work and the Glory

Gerald Lund's fictionalization of the origins of the Mormon Church gets its start in The Work And The Glory. His character creations, the Steed family move west from their farm in Vermont and go to the fresh area of Western New York and as fate would have it, settle on a tract of land near the town of Palmyra.

Where they hire Hyrum and Joseph Smith as laborers to clear the rather large plot of land they've acquired. Joseph is a figure of controversy in the community, he has said that at the age of 14 angels appeared to him and promised that some gold tablets telling the story of a lost North American civilization would be given to him and he would be given the ability to translate from the lost language of said civilization.

Joseph Smith as played by Jonathan Scarfe is a figure who has divided his community of Palmyra. Some see him as divinely blessed, others feel his inspiration is from an evil source. That division spills over into the Steed family.

As if that isn't enough the two older Steed brothers, Eric Johnson and Alexander Carroll are divided not only about Smith, but are also rivals for the local merchant's daughter played by Tiffany Dupont. Johnson starts running with some of the local toughs as well and he's alienated from his parents Sam Hennings and Brenda Strong. But Carroll believes that Smith is the real deal and Hennings is against Smith while Strong wants to see he gets an even break in the marketplace of ideas. It's what Carroll says their grandfather fought in the American Revolution for.

You don't have to be a believer in the Latter Day Saints church to appreciate a well written story that a well crafted piece of cinema was made from. You couldn't have shot The Work And The Glory in present day Palmyra as the place doesn't look anything remotely like it was during America's Era of Good Feelings. The makers of this film did a remarkable job in making Johnson City, Tennessee look like 1820s Palmyra with the Erie Canal running down the center of the town.

I'm sure this film is shown at LDS gatherings a lot and well it should as it brings their history alive and renders it understandable. And its good for us Gentiles who want to know about such things.

Religion as a subject for movies can be very tricky. On the one hand, some people often dismiss out of hand any movie that has a religious theme. They think of them as nothing more that an effort at proselytizing and preaching. Many people avoid these movies like the plague. However, on the other hand, over the years many movies with religious elements have been made which won wide acceptance. The epics such as The Ten Commandments come to mind, but also along the way there have been historical little movies that manage to be appealing to a wide audience in spite of their religious themes. Movies like Boys Town, The Bells of St. Mary and The Song of Bernadette come to mind. These are movies that inspire and uplift us, but also entertain us at the same time. The Work and the Glory is a worthy new entrant into this category.

The Work and the Glory can't avoid the subject of Mormonism. That is what it's about. So they just present the Mormon facts honestly and sincerely, without preaching, or excuses, or embarrassment. The movie is about the founding of the church by Joseph Smith as seen through the eyes of the fictional Steed Family. Their introduction to Mormonism and Joseph Smith causes family rifts and tensions that provide the dramatic action for the movie.

The movie is beautiful; with wondrous cinematography, a glorious soundtrack, solid acting by a professional cast and exquisite attention to period detail. (This period in US history is sandwiched between the American Revolution and the Civil War and hardy ever gets any attention. This movie transports you back to that age and time splendidly and effortlessly.)

The love triangle between the two Steed brothers and the wealthy merchant's daughter are genuinely and tastefully portrayed, but the real genius of the movie lies in its depiction of the almost reluctant person of Joseph Smith. The boy who saw the vision, and almost against his own will and at great personal peril, was selected to be the vessel for the founding of Mormonism.

He has a very human spirit and an accessible warmth that is very appealing.

There is nothing of the austere and pompous personality you would expect in a religious icon.

Anyone, Mormon or not, who wants to be enthralled by a beautifully staged, historically significant slice of Americana would do well to see this movie.

You shouldn't let your prejudices, pro-Mormon or anti-Mormon color your experience. Just let the movie wash over you and take your breath away. It's worth it.

Because I was very disappointed in this movie. This movie to me was no better than any daytime made-for-T.V. special on some religious channel. The acting and storyline were so horrible and forced my friend and I laughed and joked throughout the whole flick. At the beginning of the movie we were surprised and glad we were alone and the only people in the whole theater; ten minutes into the movie we found out why. The actors had absolutely ZERO credibility, the dialog was inane, and just how did everyone seem to have the most beautiful, shiny, perfectly shaped, pearly white teeth when dentistry was almost non-existent back then? Hmmm...The only thing I did like was the great cinematography, as there were some really gorgeous Tennessee landscapes. Good scenery, bad script.A sugary, homogenized waste of what could have been a really good movie. Two thumbs down.(unless you are Mormon then you'll probably LOVE this movie, easy now...it's only my opinion) ;)

My wife and I had just completed reading all nine volumes of TW&TG just a month or so previous to our taking in the motion picture. We are fortunate that we live in one of the few areas outside the Wasatch Front that is privileged to get these films for short engagements at one single Mega-plex here in west Houston.

I had read reviews here and elsewhere that had led me to believe the quality of the acting would be "below average," but I have to say that I cannot agree. No one is bucking for an "Oscar" here but the acting is at least on the level of your typical made-for-TV miniseries, the like of which were popular in the late-70s and 80s. Even some of the minor characters like that of "Will Murdock" were played quite believably; I did not note much in the way of "hammy" quality even in those scenes where you might expect it (crowd scenes e.g.) With minor changes the story was faithful to the first volume of Lund's "nonology," and although I thought the part of Joseph Smith Jr. was ably played the focus really was on the Steed family and friends and the reactions of those protagonists to what was transpiring.

They spent a good amount of script-time on the conflict between the family members--especially Joshua and his father--and I thought did a good job of efficiently moving the story along without the benefit of "backstory" that the novel affords.

I think I enjoyed most of all the seemingly accurate depiction of American frontier life in the 1830s (even though like the book, the dialog is glaringly "modern"), and the score.

The music's effectiveness was accompanied by a very good audio track that allowed a clear understanding of what was being said (even asides by "extras" during crowd scenes). The sound quality overall was just superb.

The camera work was likewise. I am amazed at how well-lighted even a low-budget film like this can be given current technology. There were a few scenes that were rather dim, but I thought this actually contributed to the feeling of being there at a time when coal-lamps were the source of light after dark. One scene of this type that comes to mind was that of Mary Ann Steed reading the concluding verses of the Gospel of John early on an Easter Sunday.

All in all, I quite enjoyed this film and will be sure to pick it up on DVD when it is released. I am quite critical of independent LDS films because I think too many of them fail to measure up to the standards set by the BYU Film Department/LDS Film Studios' official releases for the Church, most of which are about as good as they come.

I thought The Work and the Glory set the bar a little higher, and hope that the production company is able to realize a profit on the release so that we might possibly look forward to a continuation of the Steed saga in future releases based on the Lund series of books.

I have read 6 of the 8 books in The Work and the Glory series and have been awaiting this movie. I thought the photography was excellent and the music was moving. The acting was good although Joshua Steed rolled his eyes and huffed just a bit too much in the beginning. But his blue eyes make you forget the bit of over acting.The costumes were great.I enjoyed this movie very much I hope that it is successful enough to make a sequel.The movie stayed very close to the plot of the book so as not to disappoint those of us who couldn't put the books down.I don't know where they filmed it but the landscapes were gorgeous. I liked the shot of Lydia Mcbride's walking up the hill it was beautiful.I have had fun looking up the actors to see what they have been in. Mary Ann Steed or Brenda Strong was a surprise to know that she was Sue Ann Mishkie on Seinfeld. What a versatile actress she is.She did a great job as the mother of the Steed family.