À la fin des années 1980, un gangster de bas niveau nommé Jackie DiNorscio se défend au tribunal dans ce qui est devenu le plus long procès pénal de l'histoire judiciaire américaine.À la fin des années 1980, un gangster de bas niveau nommé Jackie DiNorscio se défend au tribunal dans ce qui est devenu le plus long procès pénal de l'histoire judiciaire américaine.À la fin des années 1980, un gangster de bas niveau nommé Jackie DiNorscio se défend au tribunal dans ce qui est devenu le plus long procès pénal de l'histoire judiciaire américaine.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
- Alessandro Tedeschi
- (as Nick Puccio)
Avis à la une
The acting like I just said was great from Vin Diesel. Diesel has shown in the past some great supporting performances. With this movie he clearly showed that he can give a real acting performance. The way he displayed his character as a loud mouth, slick talking mafia man was just so genuine and real. He made me laugh every five minutes and still was able to draw me into the movie as a serious character. The supporting performances were nice here to from Peter Dinklage and Alex Rocco.
The directing was very good if not great as well. When it comes to any film involving court Sidney Lumet is the man who should direct it. This is the man who directed 12 Angry Men and The Verdict which are probably the two of the top five court movies ever. This time though he is able to perfectly balance the comedy and drama of this movie to make this film very engaging and exciting to watch. Sidney Lumet once again proves to me at least why he is one of the most creative and best movie directors ever.
The writing was perfect for this movie. In a way the movie was making fun of itself which is always nice to see in these type of comedies. Together with Diesel the writing made for some many laugh-out-loud scenes. Sidney Lumet with his directing and writing really is able to show that a real-life courtroom drama can realistically funny too.
My advice is to definitely watch this movie if you have not. It is not a superficial meaningless movie and believe it or not is a little inspiring. Creativity in movies at its best.
The story isn't surprising, but it does carry a bit of a cultural wallop, and Deisel, using dialog drawn from actual courtroom testimony is able to convey a real sense of outrage over being societal discrimination. It is a testimony to Lumet's direction, that the film never veers into the didactic or preachy.
The real surprise to me was Annabella Sciorra. The print I saw had no credits, so I wasn't expecting her and it took me a bit to place her face. She was electrifying. She truly lit up the screen in her 5 minutes. In an extended dialog with Diesel as her husband, she goes from dispassion, to jealousy, to outrage, to sexual hunger in the most nuanced and natural performance I have seen in a long while. Sciorra is a major talent and needs to get some larger roles, maybe even a few where she isn't the Wife/Fiancée of a N.J. mobster.
My one concern is why is it I always leave movies with organized crime themes rooting for or embracing the criminals. Their life style certainly is not most people would wish to emulate but yet most films which portray them don't manage to tap into the conscious citizen in all of us, somehow the writers and producers undermine your sense of right and wrong and render you powerless to pass negative judgement on the criminal.
With that aside, I thoroughly enjoyed the movie and welcome feedback on my commetns regarding my rant.
This turns out to be a classic New York Lumet film with all the trimmings. Vin does some of his best work to date (and I actually like some of his other films. This is not the all in the head of the writer trick - the transcript is the real heart of the film and so the key is truly bring to life the real words. That's not a simple thing. Lumet has the right balance to make it all work.
For those that would ignore or wait for the DVD, take a chance and see with an audience. You do not get this kind of film from a great director of Lumet's caliber every day.
The story is about the life and trial of Jackie DiNorscio, a lower level mobster who was prosecuted along with a huge group of other co-conspirators in what turned out to be the longest trial in US history...nearly two years long!! And, during he course of this trial based on the RICO statute, each defendant ended up having their own lawyers...except for DiNorscio...who, insanely, decided to defend himself! What?! Some seemingly dim New Jersey mobster defending himself?!
The film amazed me because although I don't like mobster films at all, I was mesmerized by the story...mostly because it's supposedly true. And, oddly, Diesel made you almost like the guy...almost. His performance was very compelling...and well worth seeing.
By the way, if you are concerned about adult content, there is a lot of very harsh language but not much else. Very little violence, no nudity and only a bit that might make parents feel uncomfortable about letting their kids or mother watch the movie. Interesting from start to finish and never dull.
Le saviez-vous
- AnecdotesJackie DiNorscio picked Vin Diesel to play him. Much to Diesel's surprise, DiNorscio wanted Diesel cast after watching Fast and Furious (2001).
- GaffesIn the end titles "DiNorscio" is misspelled as "DiNorcio".
- Citations
Giacomo 'Fat Jack' DiNorscio: Judge.
Judge Finestein: Yes, Mr. DiNorscio?
Giacomo 'Fat Jack' DiNorscio: Can I talk to you?
[approaches the bench]
Giacomo 'Fat Jack' DiNorscio: I wanna apologize for my action in court before. I want you to understand... whatever I said, I meant no disrespect to you. I respect you more than any other judge I ever faced, and I faced a lot of them.
Judge Finestein: Okay, well, thank you, Mr. DiNorscio.
- ConnexionsFeatured in The 77th Annual Academy Awards (2005)
- Bandes originalesWhen You're Smiling (The Whole World Smiles with You)
Written by Mark Fisher, Joe Goodwin and Larry Shay
Used by permission of EMI Mills Music, Inc.
Performed by Louis Prima
Courtesy of Capitol Records
Under License from EMI Film & Television Music
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Find Me Guilty
- Lieux de tournage
- Newark, New Jersey, États-Unis(courthouse)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 13 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 173 643 $US
- Week-end de sortie aux États-Unis et au Canada
- 628 000 $US
- 19 mars 2006
- Montant brut mondial
- 2 636 637 $US
- Durée
- 2h 5min(125 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1