Antares

Antares is based on secrets and lies in the classic Austrian style, we know from directors Michael Haneke and Ulrich Seidl. Antares focuses on three women, whose paths cross in a building complex. A married nurse who has a lover that hardly speaks. The lover is only interested in sex and taking nude pictures of her. The sex and pictures are a tad explicit. The other is a young girl who is lying to her boyfriend that she is pregnant. The boyfriend is happy, but that does not stop him from sleeping with the third woman, a divorced woman who has problems getting rid of her ex-husband. The three destinies bond together in a refined way.

With little budget (as the Austrian movie "industry" unfortunately has) obviously a director has to walk with different shoes than Hollywood. "Antares" is a good example of how to make the best of it.

In my point of view very often certain narrative concepts become so much in the thick of things, that characters turn secondary (I don't mean to say I don't like pictures which walk that way). IMO it is refreshing to see movies which succeed not to abstract too much, movies which do not take away too much from their characters because for example various storytelling concepts are requiring it.

With "Antares" for ~115minutes you get insight into various living conditions in Austria before something crucial happens. You see how people are, what their main problem is. And yes of course there is a clear idea behind this picture, but as I said before this idea is not imposed on the viewers. Solitude and isolation are crucial topics in "Antares". The entanglement of life's is another.

No doubt in a way several directors in this world have dealt with these very human aspects already. Only I haven't seen any other dealing with it in such genuineness like Spielmann - especially I haven't seen many other films from my country which managed to do that !

In a short: Authentic and real characters. Terrific writing and terrific acting. I especially enjoy the cynicism.All adds up to a real good austrian movie.

First off, the only reason I watched this is because the listing said it was in German (though I think the film is Austrian) and I rarely watch European films that aren't from the U.K. or France. In the first story, everything and everyone is utterly robotic, impersonal, and empty (even the sex). What's the point of even bothering with the sex when it's so meaningless and grimey? I suspect that people are giving this film more credit than it deserves because of the explicit sex in the first story, but they're gross, older people with flat, unimpressive bodies being increasingly weird. In the second story, we have a pair of selfish, co-dependent liars (one of which is constantly unpleasant and insecure) who shouldn't be together and don't actually even seem to be in love. You wonder why they even bother. In the third story, there are more miserable, unlikable people but worse because one is a rude, violent, woman-hating, bigoted sleazeball, and his wife can't manage to keep her doggone door closed to him even though she has no real reason to let him in. She keeps telling him it's over but keeps letting him in--why?? None of it moved me, though I committed to finishing it, but I just couldn't care less about the empty, unlikable shells of people. I can see why it got less favorable reviews by critics elsewhere.

S/N: The daughter's dancing is as emotionless and robotic and awful as her parents' relationship.

I watch this flick to explore the erotic genre , and its not bad at all you can give it a try , the movie is about three parallel stories running simultaneously and some how connected to each other

The film offers some real sex scenes , there are two of them in the beginning which are really erotic and you will enjoy totally after that the movie started to turn as drama is added in it.

So if you are looking for a movie with complete erotic genre then that's not the right one and if you are looking for a film that have drama with some romance then its the right one.

In a nutshell Antares is a terrific drama/erotic movie and I was pretty much surprised after watching this.

Gotz Spielmann is a true auteur. His film-making style is instantly recognizable, weaving a spell. What's going on in front of the camera can be merely someone shutting a door, a couple having explicit sex, a violent car crash, two people having an argument, but that camera is not moving. This makes you highly aware of everything in the frame and everything is there for a reason. You notice colors, especially white, black and red. Virtually no music, except some smoky sax over the credits. His constant use of medium shots remind you that you are not "there," you are just an observer.

The movie portrays a highly contrived, but nevertheless convincing, story on the theme of sexual betrayal. Three couples who live in the same apartment building (but do not know each other) are introduced and their stories are told, one at a time. We meet a very reserved nurse and mother who is having a passionate affair behind her husband's back. Then, a supermarket checkout clerk, not emotionally stable, who has falsely told her Yugoslavian boyfriend that she is pregnant in hopes of hanging on to him. Finally, a divorced woman dealing with a racist and thuggish ex-husband who won't let go.

As the movie progresses, odd events get explained. Once, a couple walking in the courtyard hear a woman scream. Later in the movie we see the scene of the screaming woman.

The movie generates an enormous amount of suspense as it unfolds. Will the nurse confess to her husband? Will the checkout clerk come clean about her false pregnancy? Will the divorced woman be seriously harmed by her increasingly erratic ex-husband? As the last question, it is answered in a harrowing psychological confrontation that will have you on the edge of your seat. What people are eating and where they eat it also seems to matter.

It leave it to others to explain the meaning of the roses in a vase, the dog trainer, the hooker on the corner and other apparent signifiers in the film.

If you liked this, be sure to check out Spielmann's "Revanche," which is even better.