Adam & Paul

I saw this film twice and I really enjoyed it. I think that you cannot really compare it with Cowboys and Angels or Intermission (both of which I enjoyed) because it is much more surreal at times, the script is much less plot-driven and more focused on characters. It taps into a different cinematic tradition, much more 'European' than either of those two film. O'Halloran has an ear for language and accent, and allowing his characters to say some beautiful (simple) things: Paul says, frustrated, 'why can't things be easy, why can't we just be...relaxed'. It's not just about heroin addicts - it's about Dublin's invisible population, post-Celtic Tiger, those we don't want to deal with. The guy from Bulgaria takes some abuse from them and he replies 'who are you?', meaning they, i.e. two Irish men, are every bit as undesirable as he is. The humour in the film often consists of laughter that shocks you. The film is drawn out partly because the day in the life of an addict is very long and finding a score is SO important to them. The shock at my own relief when they did score was very apt in the film and I think skilfully done. It never preaches, just lets these sad characters be themselves. The cinematography is beautiful: Dublin comes out as a city of contradictions, with dirty back streets - where the Down's Syndrome boy is robbed - are juxtaposed with the flashy new 'Millenium Bridge', where Adam and Paul enjoy their hit. I do not consider this an "Irish" film and that is not why I would recommend it: it is beautifully scripted, acted and directed. It is just a great movie.

A film about two messers with much to live for and very little to love.

The two characters wake up on mattress in the middle of a field in which one of them finds themselves glued to;

Things cant possibly get worse for these to but that's all that seems to happen to these to supposedly harmless and unintentionally witty degenerates. The new breed of dubs who have hit rock bottom but seem to stay down there in a hopeless dead-headed fashion.

The dialog and characters melt into an almost beckett-like feel, but don't be fooled there is no particular art in this, but sheer desperation and hopelessness.

Both characters are met with hostility and mistrust almost everywhere they go.

One f**k up after another leads them into some kind of divine miracle of two bags of heroin that literally falls out of the sky.

The hardest thing about watching this film is working out whether it is a tragic- comedy or the lines and characters are actually played the way it would have been in real life. God know, if you have ever lived in Dublin these lads are all over the place. Lads who came from nothing with nothing to give the world let alone themselves but somehow survive in a frowned upon but reluctantly accepted way of life.

The movie struck a note with me and left me feeling sad and hopeless for our two leads. i guess there is no hope after all.

Like Intermission it had that 'real dublin' feel to it but i'd say even darker.

It deserves to be seen so far as it was probably made for a couple of hundred thousand euro's as the performances are strong and varied.

'this is not a commercial movie and 'i don't think it will make much of name for itself but it deserves to be seen by those who would appreciate it for what it is.

A slice of bleak reality in modern day Dublin city.

I first saw this film a couple of years back and had forgotten the names of the characters (a reflection on my memory NOT the film!). To my delight, I chanced to catch it again on TV this year.

Though it may help to have a liberal attitude, it's not necessary to be acquainted with the demi-monde depicted here to appreciate the truthfulness shown in its writing and execution. The dark humour is grotesque and incisive.... and very, very funny.

It might be easy to overlook the fact that the Down's Syndrome lad is actually an ACTOR doing his thing (because of the cringe-worthy nature of the scene here), but the incident serves to illustrate in a shocking way the amorality of the world that Adam and Paul inhabit. It's uncomfortable viewing, but its heart is in the right place.

That aside, there are more laugh-out-loud moments than the subject matter should hope to muster, and the senses of both pathos and revulsion at the end are masterfully combined. A truly unforgettable treat.

It takes some work to make anyone feel sorry for junkies but 'Adam and Paul' is a film that succeeds beyond any expectation. Yes, it shows the appalling lives of two junkies who have clearly been 'down so long' they have pretty much lost contact with reality, but it also makes you laugh, for even in their lives there is sometimes something amusing.

It's grim and the words 'with hilarious consequences' are not going to appear in my review, but the film does show there is still some humanity in them, particularly in the scenes with their pal. Yes, their condition makes them dislikeable people who are always on the look out for money to steal and people to scam from, but we are asked to appreciate that there is a glimmer of hope: no matter how dim.

A must see film, but make sure you're in an optimistic frame of mind before you go in, because 'Adam and Paul' will take its toll on the sunniest disposition.

One of the first comments in the movie becomes the corner post of the irony of urban life. Paul states "I feel sorry for those Bulgarians.." while living in conditions that are as bad as anywhere. The actors did a great job, and you feel hungry and cold and angst with them. If the director's intention was to get viewers to feel empathy for the main characters, it works well.

The setting, the boy's hometown neighborhood, provides links to the boys' past and some later conversation gives an indication how their state of affairs came to be. The pace is a bit slow, but dramatic rather than boring. Making movies about junkies, it's easy to be dramatic and provide impact, this one does well. Not as graphic as it could have been, but definitely satisfying. Entertaining and quite sobering, probably a good watch for any 14yr old urban male as an education of consequences.