I tre volti del terrore

Sergio Stivaletti IS ones of Italian Horror movie future, i see only DVD version, i can't see at cinema, but i think that movie collect all fashion of old movies that a lot of people love.

For an old movies fan like me, that love old style horror movies, it's a masterpiece, that show a very good direction, a nice photography, and old, simple, but good stories.

if you like old movie with actor like vincent price, peter cushing, directed by master of horror like Terence Fisher, Corman, Bava, Freda, and more, you like that movie, which is an honest homage to these old movies.

Stivaletti is ones of few men in Italy that try and risk in first person to produce that kind of movie, that actually are not more produced in Italy, but them are our past (yes, i'm an Italian guy), and i would like to be the present and future of Italian production.

how many people can tell to risk in first touch? in my mind i can think to people like R.rodrigez, S.raimi, but are few people, well, here there is another talented guy, Sergio stivaletti.

p.s. i ear English track, and i show (i show the movie, to be correct) to some my friends (not italians friends), Australian and German, and they tell my that is not so terrible English.

p.p.s. check first edition of mad max, and try to understand that mel Gibson told in that movie.... you discover that is not simple to act and talk fluently in English, also if is your first language.

The Three Faces of Terror is a horror anthology film made by special effects artist Sergio Stivaletti. Stivaletti worked with many of the luminaries of Italian horror, including Dario Argento, Sergio Martino and Riccardo Freda; and their influence appears to have rubbed off on him somewhat as while this isn't a great film by any stretch of the imagination; it's an interesting one that harks back to some of the classics of Italian horror; most notably Mario Bava's masterpiece Black Sabbath, of which the title is a direct reference. The first story also takes influence from the Bava film as a major plot point involves someone taking a ring from the finger of a dead person. While on a dig, a man takes a ring from the finger of a mummy and subsequently finds himself dealing with a curse - that being that he turns into a werewolf! The story is not as interesting as it could have been (certainly a recurring theme in this film) and that's a shame. He finally does turn into a werewolf at the end and as you would expect given the director's primary vocation, it features a good change sequence and the werewolf costumes isn't all that bad either.

The second story is probably the most inventive of the three and focuses on the subject of plastic surgery. A woman goes to see a surgeon with her friend; and requests that she has her face altered to look just like said friend. The doctor and the friend subsequently disappear; leaving the girl on a strange odyssey through the surgery. While inventive in theme, this theme is not particularly thick on the story side and that leaves it rather lacking as it doesn't really go anywhere. The final story was my favourite and is entitled 'Guardian of the Lake'. This simply focuses on a bunch of friends that go for a relaxing weekend at a lake and end up becoming dinner for a monster that happens to live in the lake. This film has some originality with regards to the wraparound story as each of the stories ends; before we get the final conclusion of each story once the third story has - apparently - finished. This doesn't particularly add anything to the film; but I don't think I've seen this in an anthology before. The conclusion to the wraparound is decent also - although anyone who has seen the British classic Tales from the Crypt won't be very surprised.

The name Sergio Stivaletti might not immediately ring a bell but this talented man has been part of the prominent Italian horror industry for over more than two decades now. Stivaletti is the regular special effects designer/make up artist of Dario Argento, Lamberto Bava and Michele Soavi (and isn't it true that we especially love their films for the visuals?) and in the late nineties he made his directorial debut with the terrific but regretfully overlooked "The Wax Mask". Stivaletti's Wax Mask already was a beautiful homage to the ancient Gothic wax museum thrillers but he really excelled oneself here with this nearly brilliant tribute to vintage horror. In a good old-fashioned anthology style (the references towards Mario Bava's "Black Sabbath" and Freddie Francis' "Dr. Terror's House of Horrors" are numerous) Stivaletti centers on three train passengers who're each served an eerie experience, involving three classic B-movie themes: the hideous lake-monster, a mad doctor and – my personal favorite – the werewolf! Two men and a woman are approached by this hypnotist, played by John Phillip Law from "Danger: Diabolik!", and they have a vision from looking into the crystal attribute he's carrying with him. In "The Moonring", two small crooks rob an Etruscan grave in command of a rich collector. One of them keeps a valuable ring for himself and he soon finds himself undergoing a horrifying transformation. The curse of the Etruscan mummy, attached to wearing the ring, is turning him into a ravenous werewolf! This first story was my absolute favorite! Not only because it features an authentic werewolf but because it has great sets, atmospheric scenery and wondrous gore! The werewolf metamorphosis is fantastic and, without a doubt, the best since "An American Werewolf in London". The numerous werewolf fans subscribed at this site should check out this film if it were only for the transformation. The second chapter – "Dr. Lifting" – works especially as a spoof towards the recent trend of unnecessary plastic surgery and as an ode to classic Gothic chillers in which obsessive doctors desperately attempt to succeed in face-transplantation. A young woman who already had a few beauty-operations enters the cabinet of Dr. Fisher (obvious reference to the famous Hammer director), with the request to look exactly like her actress friend Sandra. The coolness of this tale depends on the rhythmic use of beat music and the icky images of surgery tools. The gore in this story is outrageous and brutal and will definitely be appreciated by the most demanding horror fanatic. The third and final story catapults you straight back to the glorious 50's! This story represents the glorious creature feature and giant monster sub genre. A remote lake is inhabited by a cheesy monster that assaults young visitors upon their arrival.

The entire film is filled with a great, typically Italian musical score and Stivaletti proves himself to be a very gifted director who stood in the shadows of Italy's greatest for too long. Of course, I can't really claim that "The Three Faces of Terror" is a total masterpiece and must admit that the viewer has to endure a few regretful flaws. (Extra spoiler alert!) The wraparound story eventually becomes a bit tedious and I'm not sure if Stivaletti's idea to make all the stories end abruptly, only to bring them all together near the end, was such a good one. It sort of feels like the tension is being cut off at the climax... (End spoiler!) Nevertheless, this is a movie that proves a lot of things: European horror is not dead and there are still writers and directors that respect the genre and equally long for the old times. To me personally, it also proved that the Italien horror industry still easily beats the over-hyped Asian market. I saw "I tre volti del Terrore" at a festival, presented by Sergio Stivaletti himself. It was nice to witness an exclusive premiere but moreover I hope that this film will receive a world-wide release, so that it can reach the largest possible horror audience. If you have the change of seeing it: don't hesitate!

This movie is a mess. It is an anthology that is loosely connected together. The director makes a choice to split the end of each of the stories away and reveal them all as plot twists at the end. This makes each of the stories baffling and it is painful to watch.

The acting is terrible and the score is laughable. Skip this one.