Une étude psychologique des opérations Desert Shield et Desert Storm pendant la guerre du Golfe ; à travers les yeux d'un tireur d'élite américain qui doit gérer l'infidélité de sa femme.Une étude psychologique des opérations Desert Shield et Desert Storm pendant la guerre du Golfe ; à travers les yeux d'un tireur d'élite américain qui doit gérer l'infidélité de sa femme.Une étude psychologique des opérations Desert Shield et Desert Storm pendant la guerre du Golfe ; à travers les yeux d'un tireur d'élite américain qui doit gérer l'infidélité de sa femme.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 victoires et 12 nominations au total
Avis à la une
The old war movies are so simple. Our heroes are eventually going to meet that adversary and finish the issue. This is a film about the boredom, the alienation, the disconnectedness that takes place in wartime. The men in this film are hung out to dry in the desert. Remember the first gulf war was fought mostly with high tech weapons and bombing runs. Of course, there were ground casualties and close fighting in some places, but this film is more about the tension that develops when those with their fingers on the triggers are made to stand down. I think the most gripping part of the film is when the oil fields are burning a and sludgy rain of oil ash and black particles rain from the sky. These guys suffocate on this. It's like a plague from the Bible. All they can do is trudge through it. There is much more to this film, but the bottom line is what the heck is the enemy and what do we poor soldiers have to do to confront it? The answer in this case is to wait and see.
In 1989, Anthony Swofford (Jake Gyllenhaal) is getting trained in a U. S. Marine Corps boot camp by the choleric, hard-boiled Drill Instructor Fitch (Scott MacDonald). After finishing boot camp, "Swoff" is dispatched to Camp Pendleton. Anthony Swofford talks us through his Marine training and service in 1991 Gulf War, is also about an institutionalised man in existential meldown. Anthony is approached by Staff Sergeant Sykes (Jamie Foxx), a Marine "lifer" who invites Swofford to his Scout Sniper course. He is selected to be trained as a sniper and paired with his roommate Troy (Peter Sarsgaard), who becomes Swofford's spotter. Every man fights his own war !. Welcome To The Suck !
This is the story of a 20-year-old boy in the war of Iraq, a life that has little to do with what the newspapers and television offered. It's not often that a film captures exactly what it must have been like for a person to live through the Gulf War as a soldier, but Jarhead partially succeeds. The focus is on a youth who yearns to do what's expected -Are we ever going to get kill anyone ?. The movie's strong suit is vagueness, presenting combat as a semi-surreal state of ignorant expectation and dislocated experience. These warriors loll in the desert awaiting action or attempting to make sense of its consequences. Apart from a few caustic asides about oil and censorship there's barely a glance at life outside the barracks let alone any contemporary resonance.
It is contemporary war seen from the surface with the images of oil wells burning in the night, like comets fallen from the sky, there were recruits laughing and reveling, and full of enthusiasm, and at the same time frightened by the idea that the battle could surprise them behind the next dune or hill. However, the infernal situation in which they live is compensated with their eternal loyalties, camaraderie that nothing could break, unlikely friendships, creating a brotherhood of 'Jarheads' who have sworn eternal fidelity. A gripping and powerful story packed with hard-hitting experiences , drama comedy and many swearings and bad language.
Well starred by Jake Gyllenhaal who began his film career with ¨City Slickers¨ by Ron Underwood. After that, he made ¨Donnie Darko¨, ¨Bubble Boy¨, the drama ¨Moonlight mile¨, a disaster film: ¨The day after tomorrow¨and the interesting thriller ¨Zodiac¨. Achieving his greatest success with the highly awarded ¨Brokeback Mountain¨for which he obtained an Oscar nomination for best supporting actor. He's well accompanied by a good cast such as: Peter Sarsgaard, Scott MacDonald, Jamie Foxx, Lucas Black, Kevin Foster, Brian Geraghty, Dennis Haybert and Chris Cooper.
This wartime picture was well directed by Samuel Alexander Mendes , though with no too much originaly. Sam Mendes was born in the United Kingdom as part of his family of Portuguese descent. In 1996 he filmed "Company" for television, a musical by Stephen Sondheim. Thanks to his admiration for his adaptation of ¨Cabaret¨ music. Which won several Tony Awards, Spielberg gave him the opportunity to begin a film career when DreamWorks produced American Beauty in 1999, winner of the Oscar for best picture and best director. Sam Mendes is a good director who has made some successful films played by important actors , such as : Jarhead , American Beauty , Revolutionary road , this Road to perdition and two Bond movies : Skyfall and Spectre . Rating: 6.5/10 . Above average. Well worth watching . Essential and indispensable watching for Jake Gyllenhaal fans.
The saga Jarhead is made up of: ¨Jarhead¨ (2005) by Sam Mendes with Jake Gyllenhaal, Scott MacDonald, Peter Sarsgaard, Jamie Foxx, Lucas Black. ¨Jarhead: Field of fire¨(2014) by Don Michael Paul with Cole Hauser, Stephen Lang, Bokeem Woodbine, Esai Morales , Jesse Garcia, Jason Wong, Josh Kelly.¨Jarhead: The siege¨ (2016) by William Kaufman with Scott Adkins, Charlie Weber, Dante Basco , Romeo Miller, Erik Valdez, Sasha Jackson, Dennis Haysbert. ¨Jarhead: Law of Return¨ (2019) with Devon Sawa, Amaury Norlasco, Amos Taman, Nicholas Aaron, Robert Patrick .
This is the story of a 20-year-old boy in the war of Iraq, a life that has little to do with what the newspapers and television offered. It's not often that a film captures exactly what it must have been like for a person to live through the Gulf War as a soldier, but Jarhead partially succeeds. The focus is on a youth who yearns to do what's expected -Are we ever going to get kill anyone ?. The movie's strong suit is vagueness, presenting combat as a semi-surreal state of ignorant expectation and dislocated experience. These warriors loll in the desert awaiting action or attempting to make sense of its consequences. Apart from a few caustic asides about oil and censorship there's barely a glance at life outside the barracks let alone any contemporary resonance.
It is contemporary war seen from the surface with the images of oil wells burning in the night, like comets fallen from the sky, there were recruits laughing and reveling, and full of enthusiasm, and at the same time frightened by the idea that the battle could surprise them behind the next dune or hill. However, the infernal situation in which they live is compensated with their eternal loyalties, camaraderie that nothing could break, unlikely friendships, creating a brotherhood of 'Jarheads' who have sworn eternal fidelity. A gripping and powerful story packed with hard-hitting experiences , drama comedy and many swearings and bad language.
Well starred by Jake Gyllenhaal who began his film career with ¨City Slickers¨ by Ron Underwood. After that, he made ¨Donnie Darko¨, ¨Bubble Boy¨, the drama ¨Moonlight mile¨, a disaster film: ¨The day after tomorrow¨and the interesting thriller ¨Zodiac¨. Achieving his greatest success with the highly awarded ¨Brokeback Mountain¨for which he obtained an Oscar nomination for best supporting actor. He's well accompanied by a good cast such as: Peter Sarsgaard, Scott MacDonald, Jamie Foxx, Lucas Black, Kevin Foster, Brian Geraghty, Dennis Haybert and Chris Cooper.
This wartime picture was well directed by Samuel Alexander Mendes , though with no too much originaly. Sam Mendes was born in the United Kingdom as part of his family of Portuguese descent. In 1996 he filmed "Company" for television, a musical by Stephen Sondheim. Thanks to his admiration for his adaptation of ¨Cabaret¨ music. Which won several Tony Awards, Spielberg gave him the opportunity to begin a film career when DreamWorks produced American Beauty in 1999, winner of the Oscar for best picture and best director. Sam Mendes is a good director who has made some successful films played by important actors , such as : Jarhead , American Beauty , Revolutionary road , this Road to perdition and two Bond movies : Skyfall and Spectre . Rating: 6.5/10 . Above average. Well worth watching . Essential and indispensable watching for Jake Gyllenhaal fans.
The saga Jarhead is made up of: ¨Jarhead¨ (2005) by Sam Mendes with Jake Gyllenhaal, Scott MacDonald, Peter Sarsgaard, Jamie Foxx, Lucas Black. ¨Jarhead: Field of fire¨(2014) by Don Michael Paul with Cole Hauser, Stephen Lang, Bokeem Woodbine, Esai Morales , Jesse Garcia, Jason Wong, Josh Kelly.¨Jarhead: The siege¨ (2016) by William Kaufman with Scott Adkins, Charlie Weber, Dante Basco , Romeo Miller, Erik Valdez, Sasha Jackson, Dennis Haysbert. ¨Jarhead: Law of Return¨ (2019) with Devon Sawa, Amaury Norlasco, Amos Taman, Nicholas Aaron, Robert Patrick .
I saw a promotional screening of the film, sponsored by my university. Following the screening was an audience Q&A with the author (and main character), Tony Swofford.
And it was no surprise that the very first question from the audience was, quite ambiguously, "Do you support the military?" When Swofford dismissed the question as too broad and complex to be answered with a simple yes or no, the inquirer followed up with, "Well, do you support the war?" Swofford dismissed this even more readily.
To me, this was perfectly representative of how the film handled its potential political implications.
As Troy says early on in the film, "To hell with politics. We're here now." And that's essentially how the movie went.
It bypasses the soapbox and simply tells you how it was, from the perspective of a single soldier. And while the opening boot camp scenes may seem like Full Metal Jacket Lite, the rest of the film is truly unique.
Sam Mendes directs with his usual brilliance, showing once again his affinity for bright, vivid color, even in the largely monochromatic desert.
Jake Gyllenhaal gives an excellent performance as Anthony Swofford, complemented by the able talents of Jamie Foxx and Peter Sarsgaard.
The film's only real flaw is that, like the war on which it was based, it's pretty slow, and not a lot really happens.
In the strictest sense, I would have a hard time even classifying this as a war film, and it's certainly not a deliberately political film.
But in its own way, it tells an intense, personal story. Beyond that, you're simply left to make your own judgments.
7/10
And it was no surprise that the very first question from the audience was, quite ambiguously, "Do you support the military?" When Swofford dismissed the question as too broad and complex to be answered with a simple yes or no, the inquirer followed up with, "Well, do you support the war?" Swofford dismissed this even more readily.
To me, this was perfectly representative of how the film handled its potential political implications.
As Troy says early on in the film, "To hell with politics. We're here now." And that's essentially how the movie went.
It bypasses the soapbox and simply tells you how it was, from the perspective of a single soldier. And while the opening boot camp scenes may seem like Full Metal Jacket Lite, the rest of the film is truly unique.
Sam Mendes directs with his usual brilliance, showing once again his affinity for bright, vivid color, even in the largely monochromatic desert.
Jake Gyllenhaal gives an excellent performance as Anthony Swofford, complemented by the able talents of Jamie Foxx and Peter Sarsgaard.
The film's only real flaw is that, like the war on which it was based, it's pretty slow, and not a lot really happens.
In the strictest sense, I would have a hard time even classifying this as a war film, and it's certainly not a deliberately political film.
But in its own way, it tells an intense, personal story. Beyond that, you're simply left to make your own judgments.
7/10
Gritty story based on the true life experiences of Marine recruit Anthony Swofford, a naïve teenager who gets more than he bargained for beginning in basic training, then a long and hellish nightmare of combat after he's shipped off to Kuwait during Operation Desert Shield. Well-crafted, strongly acted, and extremely political the film certainly holds your interest, but the script is unfocused, the subject matter never truly compelling, and the momentum slows more and more as it goes along. Gyllenhaal is respectable as the reluctant Marine who finds himself in over his head, while Foxx is a powerhouse as his gung-ho sergeant. Starts off strongly, but gradually becomes conventional and loses its way. **½
Just saw an advanced screening of this tonight. While it isn't the film that has been so brilliantly advertised, it's a very solid film. It feels a lot like "Full Metal Jacket" early on, but with more humor. Then, it becomes an entirely new animal. More of a psychological study. I would actually call this the "Blair Witch Project" of war films in that you (and the characters) know the Boogeyman's "out there," you're just waiting for him to strike. And the longer you wait, the more stir-crazy you become within your own mind.
The acting is superb and the cinematography is stellar. It's an anti-war film without being distinctly liberal about it. It's a true story, and for the most part, Mendes tells it like it is. So, you can make your own judgment about it. But based off what you see, and all that happens, you have no choice but see the absurdity, not only in war, but perhaps in some of the USMC's tactics as well. It's heartbreaking to see what an experience like this can do to young men.
If you're looking for action, this is not the film you're looking for. No heroism, judgments, insight, or hope. Just the documentation and reflection of build up, the destruction of lives, psychological torment, boredom, camaraderie, and...waiting.
The acting is superb and the cinematography is stellar. It's an anti-war film without being distinctly liberal about it. It's a true story, and for the most part, Mendes tells it like it is. So, you can make your own judgment about it. But based off what you see, and all that happens, you have no choice but see the absurdity, not only in war, but perhaps in some of the USMC's tactics as well. It's heartbreaking to see what an experience like this can do to young men.
If you're looking for action, this is not the film you're looking for. No heroism, judgments, insight, or hope. Just the documentation and reflection of build up, the destruction of lives, psychological torment, boredom, camaraderie, and...waiting.
Le saviez-vous
- AnecdotesThe sex video breakup scene is actually a well-known legend that has been circulating in the American military since the late 1980s, and actually does happen.
- GaffesTroy gives the range from their position to the Iraqi officers in the control tower as "900 yards." His rangefinder and Swofford's rifle scope would both be configured in meters. The U.S. military uses the Metric system to ensure commonality with their NATO allies.
- Citations
D.I. Fitch: What the fuck are you even doing here?
Anthony 'Swoff' Swofford: Sir, I got lost on the way to college, sir.
- Crédits fousAt the end of the credits, Sykes can be heard calling out the following military cadence, with his platoon responding: 'All my life it was my dream/ To be a bad motherfucking U.S. Marine.'
- Versions alternativesMilitary theatrical versions of the film remove some footage, including the scene where a soldier dies during training.
- ConnexionsEdited into Jake Gyllenhaal Challenges the Winner of the Nobel Peace Prize (2010)
- Bandes originalesSomething in the Way
Written by Kurt Cobain
Performed by Nirvana
Courtesy of Geffen Records
Under license from Universal Music Enteprises
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- How long is Jarhead?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Soldado anónimo
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 72 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 62 658 220 $US
- Week-end de sortie aux États-Unis et au Canada
- 27 726 210 $US
- 6 nov. 2005
- Montant brut mondial
- 97 076 152 $US
- Durée
- 2h 5min(125 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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