Leçons d'amour à l'italienne

Considering that Italian comedy is kind of limited to 2 or 3 movies during the Christmas holidays,and that some of them are quite good (the ones with Leonardo Pieraccioni and Aldo,Giovanni & Giacomo)and some aren't (the Boldi & De Sica-movies),Manuale d'Amore was a bit of a surprise: released in March 2005,with a quite unknown director(Giovanni Veronesi,better known as a screenwriter,who was also behind Che Ne Sarà di Noi),a famous cast although only two actors were professional comedians (Carlo Verdone and Luciana Littizzetto),and a 4 episode-plot,reminiscent of classic Italian comedies,as well as Verdone's early films.

The story is simple but interesting,as it shows 4 different phases of love: 1.Tommaso (Silvio Muccino) falls desperately in love with Giulia (Jasmine Trinca)and spends the rest of the episode trying to get her; 2.Marco (Sergio Rubini) and Barbara (Margherita Buy) are a married couple in the middle of a crisis,and the whole situation is made funnier by the fact that the two actors were married in real life; 3.Ornella (Luciana Littizzetto) finds out that her husband is unfaithful and swears revenge; 4.Goffredo (Carlo Verdone)is suddenly left by his wife and tries to go on with his life,which won't be easy.

Veronesi tells the story in a very classic way (there are even characters commenting the events straight to camera),without using too much bad language (typical of the mediocre Christmas comedies)or any scenes of graphic nudity.

The cast is excellent: Muccino is one step closer to the stardom he deserves,Trinca,Buy and Rubini should do more comedies,while Littizzetto should do more movies. The real surprise,however,is Verdone,whose mature portrayal of an abandoned husband is miles away from his early,sketch-originated characters.His episode is a perfect mix of comedy and drama,and he deserved every bit of the David di Donatello he won for his performance(Best Actor in a Supporting Role).

So,if you want to watch a good Italian comedy,Manuale d'Amore is recommended.

It's a very well-made light-hearted, romantic comedy consisting of several small stories sorted out by the different stages of relationships. The stories were told in such a fluid way that you don't feel disturbed by the director's chronically linear view on relationships, although the figures in different stories were connected in a way or another.

The outstanding performances from every actor in this film also makes the everyday love stories naturally telling. Although the audience can share lots of jokes about relationships in this film, I also like that sometimes the actors talked to the audience directly through the camera. This is a skillful technique to get the audience's empathy and involvement.

Brava & carina - this film is surely very entertaining.

A flaw that I feared before watching this movie was stereotypes about love, like men playing tricks on women to conquer them or betrayals with best friends. As a matter of fact the movie is divided into various parts, each one describing a stage of love: falling in love, crisis, betrayal and abandon. The different mini-stories are tied with each other by characters who are somehow related and the end of the movie connects with the beginning as an ideal circle. Despite the same old stories about relationships and developments of love stories, this movie has anyway some good aspects. For example, each actor plays his own repertoire, displaying their qualities in what they do best and for what they're known for. The best sketches, in my opinion,are made by Goffredo, played by Carlo Verdone, and Marco, played by Sergio Rubini, who offer the sense of humor shown in their own movies.

Manual of Love (2005), directed by Giovanni Veronesi, is a charming and heartfelt ensemble comedy that explores the complexities of romantic relationships from various angles. The film is structured around four interconnected stories, each focusing on different stages of love - from the excitement of falling in love to the challenges of maintaining a long-term relationship, and everything in between.

The film's narrative is episodic, with each segment tackling a unique theme, such as infidelity, desire, breakups, and the yearning for companionship. The beauty of Manual of Love lies in its ability to explore these themes with a light touch, blending humor and pathos in a way that feels both accessible and deeply human. Though the storylines vary in tone, they all revolve around the vulnerability and complexity that love inevitably brings, offering both comic relief and emotional depth.

The ensemble cast, featuring a mix of established Italian actors like Carlo Verdone, Robert De Niro (in a small, memorable role), and others, bring the script to life with great chemistry. Each actor portrays a character at a different stage in love, giving the film a sense of universality. Verdone, who also co-wrote the script, shines as the director, balancing the comedic and dramatic elements in a way that makes the film feel both grounded and entertaining.

The cinematography and score complement the tone of the film, evoking the romantic, sometimes bittersweet atmosphere of Italy itself. The lush settings - whether it's a bustling Roman café or a quiet suburban apartment - provide the perfect backdrop for the characters' emotional journeys.

While Manual of Love may not break new ground in its exploration of relationships, it excels in its execution, offering viewers an affectionate, funny, and ultimately optimistic take on love in all its forms. It's a film that understands love's messiness and imperfections and doesn't shy away from portraying it with warmth and sincerity.

Ultimately, Manual of Love is an enjoyable film that captures the essence of romantic relationships in a way that feels both lighthearted and thoughtful. It's a warm reminder of the joys and struggles of love, making it a delightful watch for anyone who's ever been swept up in the whirlwind of romance.

A delightful movie about the many aspects of love. The director knows comedy, doesn't talk down to his audience, and together with the screenwriter, delivers some insightful and hilarious moments. I found the movie dragged, or rather annoyed, only during one short stretch. But that was more than offset by the incredibly funny and talented Carlo Vendone as the physician in the final segment. I, and the entire full house of the audience at the St. Louis International Film Festival, was with this film every entertaining step of the way. The entire cast delivers believable performances, in a film that moves at a happy, involving pace. Laughter is contagious... see it with a group.