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7,4/10
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MA NOTE
Ajouter une intrigue dans votre langueAfter his twin brother is accidentally killed by vengeful bullies, a 12-year old boy and his friends face the harsh realities of death, teenage hormones, and family dysfunction.After his twin brother is accidentally killed by vengeful bullies, a 12-year old boy and his friends face the harsh realities of death, teenage hormones, and family dysfunction.After his twin brother is accidentally killed by vengeful bullies, a 12-year old boy and his friends face the harsh realities of death, teenage hormones, and family dysfunction.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 nominations au total
Michael C. Fuchs
- Kenny
- (as Michael Fuchs)
Joseph Foster
- Keith Gardner
- (as Joseph 'C.J.' Foster)
Adam LeFevre
- Gabe Artunion
- (as Adam LeFever)
Avis à la une
The minute this film started playing, I was hooked. The story follows three 12 year olds who are the normal kind of kids you expect to bump into in your neighbourhood. Each has their own issues, as do all 12 year olds, and it is not till an immensely tragic death amongst them occurs, that they start confronting their issues and start trying to deal with them in their own way. Each very different. The story unravels beautifully and there are times you feel like you need to look away, and start squirming with unease and shock, and times you literally burst out laughing and then cry as well.. Well, I did anyway. I would highly recommend this to pretty much everyone I know, I cant believe it slipped through the net, and I have only just seen it. An absolute gem. To say it is like Stand By Me is a bold statement, but a deserved one. Its of the same calibre. Watch it.
This is a haunting coming-of-age film about children, bound by a common, shocking tragedy, who struggle to get on with life and overcome their own troubling problems. Despite the severity of issues conveyed in this film's overlapping vignettes, it never becomes melodramatic. Artful screen writing and direction infuse humor in the telling of these children's stories---stories rich with characters who are colorful, but never contrived. All of the children provide very genuine, endearing performances---essential if the audience is going to empathize with them and their disturbing behavior. This movie will frequently make you uncomfortable---very uncomfortable. But no matter how horrifying and even monstrous these children's actions may be, they never lose their appealing and disarming qualities as children. These are very cool kids, even the most troubled, who easily win your affection.
During the course of the movie, one of the children queries the others by asking, "Do you know ninety-percent of people's problems are due to their inability to get over the past?" All of these children will be faced with this challenge. You hope all will overcome this obstacle, but sadly, not all of them will or should be able to get over their past.
During the course of the movie, one of the children queries the others by asking, "Do you know ninety-percent of people's problems are due to their inability to get over the past?" All of these children will be faced with this challenge. You hope all will overcome this obstacle, but sadly, not all of them will or should be able to get over their past.
Nice production, good script, outstanding casting, great young actors and well chosen music makes this a gem. One can complain about some of the extremes of the plot, but forgive the excesses and farcical elements for the sake of a well woven story. It begins with four kids, friends growing up in a middle-class neighborhood. A significant event splits the initial single thread into three, each following a child: the precocious Malee making her first amorous exploration; Leonard and his struggle with obesity, not only his but also of his immediate family; and the conflicted Jacob. While the film would classify as a drama, there is a good deal of humor to counterbalance the tension that is maintained throughout. The editing is superb in how it moves nimbly among the threads, keeping us always interested and curious about what will happen to the characters. The young actors deliver their parts with aplomb which combined with excellent directing should make this a success.
This movie is done very well and definitely engaging to watch, but perhaps not quite to my taste.
This is a movie about a tight group of 4 children -- a precocious girl, an overweight boy, and twin brothers, the more out-going who is killed in an accident. The funeral starts the journey of understanding the lives of the remaining 3 -- not only how the family deals with the murdered son/brother, but how the overweight boy deals with his obesity, and how the young girl deals with her mother and absent father.
The heart of the movie really revolves around these near teenagers, and as a result, the coming-of-age experiences are highlighted. At times, I laughed awkwardly, probably out of embarrassment for one of the characters. Nothing wrong with this -- in fact, it's probably what the director was trying to achieve. I was also pulled into the bizarre logic the brother was going through -- through talks with his parents, and even more poignant, some of the very personal kid-to-kid conversations. The visual clues and the inter-actions to parents were all well chosen to create characters that were believable, 3-dimensional and full of conflict. Kudos to the director and actors on this fine work. In particular, the precocious young girl (Zoe Weizenbaum) was well-cast in a very strong, conflicted and convincing performance.
Overall -- well done. This is one of the best 'pre-teen-angst' movies I've seen in a long time.
This is a movie about a tight group of 4 children -- a precocious girl, an overweight boy, and twin brothers, the more out-going who is killed in an accident. The funeral starts the journey of understanding the lives of the remaining 3 -- not only how the family deals with the murdered son/brother, but how the overweight boy deals with his obesity, and how the young girl deals with her mother and absent father.
The heart of the movie really revolves around these near teenagers, and as a result, the coming-of-age experiences are highlighted. At times, I laughed awkwardly, probably out of embarrassment for one of the characters. Nothing wrong with this -- in fact, it's probably what the director was trying to achieve. I was also pulled into the bizarre logic the brother was going through -- through talks with his parents, and even more poignant, some of the very personal kid-to-kid conversations. The visual clues and the inter-actions to parents were all well chosen to create characters that were believable, 3-dimensional and full of conflict. Kudos to the director and actors on this fine work. In particular, the precocious young girl (Zoe Weizenbaum) was well-cast in a very strong, conflicted and convincing performance.
Overall -- well done. This is one of the best 'pre-teen-angst' movies I've seen in a long time.
Twelve and Holding (2005) ***1/2
Twelve and Holding is filled with some of the best performances by young kids as I've seen in a long time. Michael Cuesta directs the film very nicely and the film approaches a difficult subject of how young kids deal with tragedy and death head on. Though the film doesn't rank up there with Come and See, Forbidden Games, or Grave of the Fireflies, this is still a wonderful and delicate addition to that genre. The material in this film could have easily been turned into a nightmarish exploitation picture, but its done just right and focuses intently on the reality of these kids situations.
Leonard's parents seem to be more caricatures than realistic, and there are some aspects of the screenplay which could have used some fine tuning, but overall Twelve and Holding is a powerful, heartbreaking and tragic film, handled oh so delicately by Cuesta and especially the young actors and some of the adults as well(especially Jeremy "Dags" Renner, who'da thunk it).
A very nice little film that deserved a much wider audience than it got.
3.5/4
Twelve and Holding is filled with some of the best performances by young kids as I've seen in a long time. Michael Cuesta directs the film very nicely and the film approaches a difficult subject of how young kids deal with tragedy and death head on. Though the film doesn't rank up there with Come and See, Forbidden Games, or Grave of the Fireflies, this is still a wonderful and delicate addition to that genre. The material in this film could have easily been turned into a nightmarish exploitation picture, but its done just right and focuses intently on the reality of these kids situations.
Leonard's parents seem to be more caricatures than realistic, and there are some aspects of the screenplay which could have used some fine tuning, but overall Twelve and Holding is a powerful, heartbreaking and tragic film, handled oh so delicately by Cuesta and especially the young actors and some of the adults as well(especially Jeremy "Dags" Renner, who'da thunk it).
A very nice little film that deserved a much wider audience than it got.
3.5/4
Le saviez-vous
- AnecdotesAt 48 mins into the movie the game the three children are playing while discussing adoption is called The Game Of Life.
- GaffesJacob's birthmark changes in location, size, and color throughout the movie.
- Versions alternativesA deleted scene is included on the USA DVD.
- ConnexionsEdited into 12 and Holding: Deleted Scene - Malee Gives Back the Gun (2006)
- Bandes originalesDrive
Performed by Joe 90
Written by Chris Seefried
Performed by Adam Hamilton, Gary Derosa & Craig Ruda
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- How long is 12 and Holding?Alimenté par Alexa
Détails
Box-office
- Budget
- 400 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 96 464 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 456 $US
- 21 mai 2006
- Montant brut mondial
- 119 195 $US
- Durée
- 1h 35min(95 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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