Two for the Money

Two for the Money is a decent, diverting picture. The material at times seems a little beneath these fine actors, but the film ends up hitting enough of the right notes to make it worth seeing.

Matthew McConaughey would seem a little out of his league on the same screen with Al Pacino and Rene Russo. By the end of the film, you will most likely feel that he's more than held his own, however. McConaughey plays a former college football star who sees his chances of a professional career destroyed by a serious injury. He quickly finds himself picking college football games for a low-rent betting line. With all of his past experience as a player, he does quite well with it. Well enough to attract the attention of Al Pacino, who runs a more up-scale operation in New York. By the end of the first half hour, McConaughey is picking all kinds of football winners, and making Pacino a ton of money. As you would expect, this success does not last very long as various egos spiral out of control and the betting gods turn on our heroes as they eventually do to all of us. The film is more of a character study about the minds of gamblers and lost identity than it is about the workings of an actual betting organization. Overall, it works on a couple different levels.

Pacino is fine, but not as out of control as you might hope. His character has a bad heart, so any typical Pacino tantrums are not really in order for him. He brings as much dignity as one could to the role of an addicted gambler, though. Rene Russo is terrific as his long-suffering wife and a former junkie. Pacino at some points seems to be trying to lose her to McConaughey. He being one of those terribly afflicted gamblers who only feels alive when he's just lost everything he wagered. The supporting cast is pretty good, too. Jeremy Piven is always appreciated, and so is the appearance by Armand Assante.

The best scene in the film takes place at a betting support group meeting that Pacino and his new protégé walk in on. Pacino, being a hopeless gambler himself shows empathy toward these degenerates, then has the nerve to pass out his business card to them!!! The logic I guess being that if you people have to lose, you might as well do it through a fellow degenerate gambler.

The biggest flaw I noticed was too many shots of McConaughey without his shirt on. Yes, the guy has great abs, but we don't need to see so much of them!! Overall this is a good film with some interesting things to say about people who bet. Notice how in the end, the "experts" are really just like the guys they take calls from. During the big games, we're all just sitting there with a beer in our hand, hanging by every first down or dropped ball.

7 of 10 stars.

The Hound.

There is a scene at the beginning of the film that seems to set the tone of "Two for the Money". We watch as Walter Abrams is talking on the phone with someone who will not be able to provide an elephant for his daughter's birthday party. Walter barks to his assistant, "Get me Ringling". When the call finally comes through, he demands to know whether he is talking to Barnum or Bailey, which is a funny line. Wasn't P.T. Barnum himself the man famous for that quotation about a sucker being born every minute?

Walter Abrams is a man who is in the sports betting business. He and his associates stand to make millions out of the jerks they pursue to do their betting with his firm. Having found a new rising star, Brandon Lang, a man that knows a lot about the intricacies of point spreads and picking winners. Walter wants to transforms him into a man who can bring more money into his outfit.

In order to do that, Walter must groom him to "look" the part. As such, Brandon becomes John Anthony, the man who can produce fabulous results every week end during the football series. Brandon gets to meet the insiders, but little does he know who he is dealing with, or much less, what is expected of him. After all, he is just as good as the winners he can produce.

The film, directed by D. J. Caruso, a man who has worked extensively in television, has a glossy look. The screen play by Dan Gilroy could have used some tighter editing, because at two hours it feels a bit long.

Al Pacino, as Walter, has some good moments; we have seen him in better roles, and this one is a composite of other things he has done before. Mr. Pacino compensates when the screen play is not going anywhere by applying an intensity that doesn't go well with the others playing opposite him. Matthew McConaughey is a light weight actor who, aside from his good looks, doesn't bring anything to this story. Rene Russo is obviously a tall woman who towers over Mr. Pacino in most of their scenes together. Their relationship doesn't come across as being a real thing. Jeremy Piven and Armand Assante make good contributions in supporting the principals.

While "Two for the Money" is by no means a horrible film, it just doesn't have anything new to say.

Matthew McConaughey is Brandon Lang, a former college football star who devastated his knee and was never able to play professionally. Six years later he's recording "sports predictions" for a 1-900 number in Las Vegas and living with his mom and younger brother, still dreaming of playing professional football one day. He never hears from the Cowboys, but he does get a call from Walter Abrams (the Godfather himself, Al Pacino), an entrepreneur who runs his own sports betting business, inviting him to move to New York and work for him.

Though Brandon Lang is the hero of the story, Walter Abrams is the beating heart of Two For The Money. He's a recovered gambling addict who runs his own empire of "sports betting advisers." No other film has ever explored the psyche of the gambling addict so precisely and intimately. Abrams describes what it feels like to win, but even more fascinatingly, he discusses the addict's subconscious desire to loose it all. Gambling addicts don't bury themselves in debt because they're sure they can win. They do it because they need to loose everything to feel alive.

Two For The Money is better than I expected. The characters are rich and complex and the story is never dull. Hell, this movie is worth seeing for the topless McConaughey shots alone.

Al Pacino carries this film all by himself.

I can't think of a way that this could have been made without Pacino. Sure, Matthew McConaughey and Rene Russo gave convincing performances, but Pacino makes you feel sorry for the miserable, empty shell of a man he is.

The plot was amazingly intricate and well carried, but (once again) without Pacino it would not have been delivered nearly as well. I think that they should have found a way to include a small explanation as to how sports betting works, so the fans who came in just to see Pacino would be able to understand how it works. Also, at times the movie just dragged on and on and on...

I still think that Al Pacino is that movie. Pacino really extends himself the way he always does to keep the movie alive and moving. His character was one of the most miserable men I have ever seen, and while i hated him, I still identified a small part of myself with him, and that is the sign of a truly great actor.

7/10

Six years after a career-ending injury, former college football player Brandon Lang (Matthew McConaughey) is doing little more than a phone service for gamblers. After some amazing success, he is lured to NY to join Walter Abrams (Al Pacino) in his business of gambling predictions. It's a fast talking adrenaline junkie's business and Walter's wife Toni (Rene Russo) tries to keep ever present dangers in check.

The story isn't that exciting. The characters are questionable. The big takeaway is the acting. Matthew McConaughey is a master of this brash young guy. He works well with the master Al Pacino. Al has more intensity than the rest of the cast. And Rene Russo has that superior regal airs about her. The movie starts well, but it does slow down around the middle. It is just too long, and the second half gets quite tiresome. Maybe the Pacino intensity wore me out. At the end, I really didn't care about anybody in the movie.