NOTE IMDb
7,2/10
50 k
MA NOTE
L'histoire raconte les débuts de Gengis Khan alors qu'il était esclave avant qu'il ne parte à la conquête de la moitié du monde en l'an 1206.L'histoire raconte les débuts de Gengis Khan alors qu'il était esclave avant qu'il ne parte à la conquête de la moitié du monde en l'an 1206.L'histoire raconte les débuts de Gengis Khan alors qu'il était esclave avant qu'il ne parte à la conquête de la moitié du monde en l'an 1206.
- Nommé pour 1 Oscar
- 16 victoires et 13 nominations au total
Baasanjav Mijid
- Esugei - Temudjin's Father
- (as Ba Sen)
Ayuur
- Sorgan-Shira
- (as A You Er)
Huntun Batu
- Altan
- (as Hong Jong Ba Tu)
Deng Ba Te Er
- Daritai
- (as E Er Deng Ba Te Er)
Su Ya La Su Rong
- Girkhai
- (as Su You Le Si Ren)
Histoire
Le saviez-vous
- AnecdotesDirector Sergei Bodrov and Production Designer Dashi Namdakov visited Mongolia's chief shaman in the capital city of Ulan Bator, so that they could ask permission to film a movie about Genghis Khan's life. The shaman told them that of all the people who have talked about making such a film, they were the only ones to ask his permission.
- GaffesThe Mongolian tribes, including the hordes that conquered their vast empire, rode on a very peculiar race of horses, stocky build, with relatively short legs and a large head. The horses used in the movie look like ordinary western horses
- ConnexionsFeatured in The 80th Annual Academy Awards (2008)
- Bandes originalesBeginning
Composed By Tuomas Kantelinen
Performed by Hamburg Film Orchestra, The London Session Orchestra, One Orchestra, Altan Urag
© 2008 X-Filme Creative Pool GmbH.
(p) 2008 Kinofabrika GmbH & Tuomas Kantelinen Ensemble.
Commentaire à la une
The most pleasing part of this film, I thought, was the excellent cinematography. Kudos to Roger Stoffers and Sergei Trofimov for an outstanding job photographing this movie, making the most bleak of landscapes look stunning many times and adding some wonderful closeup shots of objects and faces.
It's not a bad story, either, although not one that will keep you riveted to the screen for the full two hours. However, I wasn't bored, either, although some of the action scenes looked too repetitive with very hokey-looking special-effects concerning blood splashing out of people in the battle scenes. It did not look real, but as if it were drawn. It's ironic in that the production values seem to be so high with a such a nicely-filmed effort, yet the action scenes are staged like a B-movie.
In a nutshell, this is the story of how "Genghis Kahn," who is "Temudjin" throughout the movie, spent his tough early life and how he became the famous warrior. We just see how many hardships the man endured to become who he was later in life. He was never referred to as Genghis Kahn which, I learned hear, is a title more than a name. That must have come later, after he had control of all the Mongol armies, which is where the film ends.
Many times, it's a not a pleasant existence for "Temudjin," who was marked man from the age of nine. We see him spend many lonely hours held captive in different places. The looks on his face are memorable. Odnyam Odsuren ad the young "Temudjin" and Tadanobu Asano as the adult "Temudjin" both had extraordinarily photographic faces.
One of the few problems I had with the movie were understanding "the rest of the story" as certain scenes ended abruptly leaving me (and I assume other viewers) wondering "what happened?" His friends, though, were fun to watch and his bride was a beautiful, kind and strong woman, as pictured in this movie. Actually, I found this just as much of a love story as a war epic, and the romance angle was far more dramatic. The devotion the lead male and female had to each other, and the faithfulness and loyalty were inspiring, to say the least.
It's not a bad story, either, although not one that will keep you riveted to the screen for the full two hours. However, I wasn't bored, either, although some of the action scenes looked too repetitive with very hokey-looking special-effects concerning blood splashing out of people in the battle scenes. It did not look real, but as if it were drawn. It's ironic in that the production values seem to be so high with a such a nicely-filmed effort, yet the action scenes are staged like a B-movie.
In a nutshell, this is the story of how "Genghis Kahn," who is "Temudjin" throughout the movie, spent his tough early life and how he became the famous warrior. We just see how many hardships the man endured to become who he was later in life. He was never referred to as Genghis Kahn which, I learned hear, is a title more than a name. That must have come later, after he had control of all the Mongol armies, which is where the film ends.
Many times, it's a not a pleasant existence for "Temudjin," who was marked man from the age of nine. We see him spend many lonely hours held captive in different places. The looks on his face are memorable. Odnyam Odsuren ad the young "Temudjin" and Tadanobu Asano as the adult "Temudjin" both had extraordinarily photographic faces.
One of the few problems I had with the movie were understanding "the rest of the story" as certain scenes ended abruptly leaving me (and I assume other viewers) wondering "what happened?" His friends, though, were fun to watch and his bride was a beautiful, kind and strong woman, as pictured in this movie. Actually, I found this just as much of a love story as a war epic, and the romance angle was far more dramatic. The devotion the lead male and female had to each other, and the faithfulness and loyalty were inspiring, to say the least.
- ccthemovieman-1
- 22 nov. 2008
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Mongol: The Rise of Genghis Khan
- Lieux de tournage
- Inner Mongolia, Chine(location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 5 705 761 $US
- Week-end de sortie aux États-Unis et au Canada
- 135 326 $US
- 8 juin 2008
- Montant brut mondial
- 26 527 510 $US
- Durée2 heures 6 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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