Ajouter une intrigue dans votre langueWhile WWII Allied officer Jack Rose is held prisoner in Germany's notorious Colditz Castle, he recruits a band of fellow escape artists in the ultimate break-out only to discover that the gr... Tout lireWhile WWII Allied officer Jack Rose is held prisoner in Germany's notorious Colditz Castle, he recruits a band of fellow escape artists in the ultimate break-out only to discover that the greatest betrayal awaits him on safe ground.While WWII Allied officer Jack Rose is held prisoner in Germany's notorious Colditz Castle, he recruits a band of fellow escape artists in the ultimate break-out only to discover that the greatest betrayal awaits him on safe ground.
- Victoire aux 1 BAFTA Award
- 1 victoire au total
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It starts off with some dashing suspense, but quickly dissolves into something like an episode of Desperate Housewives. (Love triangle, romantic obsession, deception, betrayal, bored inmates etc.)
All that's missing from Colditz is Teri Hatcher and a melted measuring cup.
Damien Lewis is excellent. Quite the opposite from his Band of Brothers character. Jason Priestly also has a nice small role. Again, he is nothing like his character on Beverly Hills 90210 (although I'm sure he must have felt some similarities between the two roles when he first read the script).
So, go ahead and watch it if you want to. But if you are a WWII enthusiasts (or not part of a romantic couple) then you're probably better off watching The Great Escape on DVD.
There are too few scenes showing how these prisoners actually spend their TIME, other than staring out the window. Escape plans which took months in reality are glossed over, and suddenly you see a bunch of guys on another daring attempt, almost out of the blue. The Colditz story is a fascinating one and the 1972 series is well worth seeing. This one, see it once and you really get how great the original was.
I thought this version had a love triangle that took up too much screen time and pulled the viewer into London too often. That defeats the purpose of creating the proper atmosphere for the viewer to feel what it was really like to be stuck in Colditz with very little hope of escape. I will say that the acting and sets are good.
Sadly Stuart Orme's 2005 miniseries does not even come close to the standards set by the previous adaptations of the tale. The tale oscillates from Colditz to London, and involves a tangled romance between Nicholas McBride (Damian Lewis with an incomprehensible Scottish accent) and Lizzie Carter (Sophia Myles). There are the usual regimental stereotypes (Tom Hardy, Laurence Fox), plus a benevolent senior officer based in London (James Fox). There is also a boffin improbably portrayed as an homosexual by Timothy West.
Peter Morgan and Richard Cottan's screenplay plods on to an inevitable conclusion, with most sequences taking place in darkened rooms either in the prison or in the offices of a branch of the Secret Service in London. The German officers are predictably sadistic ('ALLO 'ALLO has a lot to answer for in this context) while the United Nations of prisoners in the camp find it difficult to co- exist. The drama is engaging enough, but one wonders why anyone actually bothered to remake the story in the first place.
The movie title is taken from the famed German POW camp for Allied escapee officers. The filming in the Czech Republic gave some reality to the period and the place. And, it has some similarities to real prisoners who had been imprisoned at Colditz. The most striking of these is the character of Willis, played exceptionally well by Laurence Fox. Ironically, the real person he portrayed, Michael Sinclair, was called the Red Fox by the Germans. They had distributed his picture throughout Germany. The red-headed British captain may have been the most expert escape artist in WW II. He escaped nine times, including twice from Colditz. In this movie, Willis is finally killed when a German soldier shoots him. This scene is depicted about as it happened to Sinclair. He jumped the fence and was running to the woods when he was shot. He was the only prisoner in the six years of the Colditz camp to be killed while escaping.
But, this film otherwise has a major detraction from the story about Colditz Castle and the escape attempts. The first film about Colditz was in 1955. It had to condense much and the filmmakers made some changes, but it told the story as written by one of the first Colditz escapees, Patrick R. Reid.
Another American movie was made in 1971; and in 1972-74, the BBC ran a series with 28 episodes. Reid advised and worked on that series, and had written a follow-up book with more details. Now, jump forward 30 years, and someone at Granada TV thought this would be a good candidate for a remake. But, it couldn't copy the original. In fact, it should have the gratuitous female for romance and then some. So, the writers came up with a new story that they hoped would have appeal to modern audiences. The two-installment mini series was the result.
I don't know why they bothered to identify it with Colditz, except for the likely appeal from the name and real story. That was another way to draw people to the series. And, to be fair, it does show some realistic scenes about prisoners and escape attempts. But the story is much more about betrayal than it is about romance or escape from a POW camp. Those things surely are part of the story. But this more clearly is a story about a faithful girlfriend during wartime; a self-centered, rebellious and uncaring British soldier; and betrayal of another soldier, his girlfriend and his country by lustful persistence, lies, deceit murder and treason. So, for all of this, this rendition of "Colditz" is captivating and quite good. It has strong interest and entertainment appeal. I found myself wanting and looking forward to justice being done with the betrayer and lout.
I've not used character names here to keep the intrigue in the story for anyone who hasn't yet seen the film but would like to watch it. And by all means, if you haven't yet seen the original 1955 film with John Mills and Eric Portman, by all means watch for it to air or look for it in stores. It's worth the purchase price to have the real story and film.
Aspect ratio: 1.78:1
Sound format: Dolby Digital
(2 episodes)
A desperate POW (Tom Hardy) plots escape from Colditz after learning that a former inmate (Damian Lewis) has returned to London and stolen Hardy's fiancée (Sophia Myles).
Lively addition to the 'heroes of WWII' subgenre, filmed on location in London and the Czech Republic, and directed with cinematic flair by Stuart Orme (THE PUPPET MASTERS). Richard Cottan's screenplay (co-written with Peter Morgan, based on the book by Henry Chancellor and the 2000 TV series "Escape from Colditz") cross-cuts between events at Colditz castle - where Hardy and fellow inmate Laurence Fox (DEATHWATCH) hatch multiple escape plans, only to be thwarted by a combination of bad luck and reckless bravado - and the less-interesting relationship which develops between Lewis and Myles, though the two plot threads merge neatly for a melodramatic finale. Lewis gives the showiest performance, playing a selfish character whose charming demeanor masks a propensity for greed and violence, though Hardy and Fox are suitably intense in crucial supporting roles. James Fox (father of Laurence) and Timothy West make extended cameo appearances as senior members of MI9, while former teen heartthrob Jason Priestley plays a Canadian POW whose burgeoning drug habit pays lethal dividends. Fine cinematography and production values.
Le saviez-vous
- AnecdotesOne of the reasons Colditz was suitable to be refitted as a POW camp was that it was built on an outcropping of solid rock, making tunneling almost impossible. After serving as a general POW camp in 1939, it was later converted into a high security camp for recidivist escapees, the only amp in which guards outnumbered prisoners, the majority of the which were initially British, French, Poles, and Dutch. All in all, 130 prisoners escaped the grounds but depending on the source referenced, only 30, 31, or 32 of these were ultimately "home runs."
- GaffesAt about 32 minutes into part two, Jack is leafing through a German magazine. The photo on the cover was taken about a year later, during the Battle of the Bulge.
- Citations
Lizzie Carter: [as Nick is about to kiss her as they are dancing at the officer's club] I should go. It's getting late.
Nicholas McGrade: What, will you turn into a pumpkin or something?
[laughs]
- ConnexionsFeatures Jeune et innocent (1937)
- Bandes originalesWhere or When?
(uncredited)
Lyrics by Lorenz Hart
Music by Richard Rodgers (1937)
Instrumental version heard during officer's club dance.
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Détails
- Durée2 heures
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1