La Voie Du Jiang Hu

In my opinion, this movie is to Chinese cinema what the likes of Scarface and Taxi Driver and The Godfather are to American cinema. They're genre pieces, and many people who don't like that genre won't like the movie. And many who do like the genre will find some problem with it, too. But they are important classics that will leave footprints on whatever comes after. Therefore everyone needs to watch them and decide for themselves. I am in no way making a direct comparison between Jiang Hu and the American movies I listed. I know of nothing from Hollywood that directly compares. However I feel its following and its importance have yet to be discovered, and therefore have not been realized. It is shot beautifully, scripted masterfully and cast perfectly. And, if you have the chance, buy the special edition. The packaging and presentation are so absolutely top-shelf that I truly have not seen anything nearly this grand from any American distributor for ANY American movie. My friends will have to come to my house if they want to watch it. I refuse to loan it out.

There was much hype about the latest crime underworld movie called Jiang Hu. Sad to say it didn't do so well in the Hong Kong Box office and it was repeatedly slammed by Critics. Ironic though is that I find most non-official Critics such as fellow IMDb users, Internet users, and myself giving this film anywhere from thumbs in the middle to thumbs up. I'm probably not going to go much into the film since most reviewers have already elaborated on it. I am going to say though that it was sort of a waste to pit most of the "Infernal affairs" cast into this movie and yet you walk out not necessary caring for one of the characters. Andy Lau and Jacky Cheung are the highlights of the film though. Their dinner conversations on playing "Triad-chess" ignites the fuse on this film. Edison Chen and Shawn Yue surprisingly have improved on their acting on a margin of 80%. The last thing(s) that captivated me on this movie was the Musical Score, the wonderful lady- sung ballad in the opening and closing credits, and Chapman To's rendered Jiang Hu theme. For those who are looking for an abundance of Triad fight(s), look elsewhere. Sure this movie still has some violence, greed, lust, and full-on betrayals, but it is rather jelly-filled dialogue instead. Jiang Hu isn't a terrible movie but it isn't a best I've seen either. I give it a 7/10.

Jiang Hu seems to have met with surprisingly negative reviews for a new, all-star very slick gangster movie out of Hong Kong. Not too long, most fans were complaining that HK seemed to have stopped making this type of film altogether (and swearing that if they saw another romcom with Sammi Cheng they'd kill someone) - then we get one of the most interesting gangster films for years and everybody bitches. Go figure :p

Anyway, I thought the film was very enjoyable, with buckets of style and an above-average focus on character development. It suffers in places from trying to be too clever/cool for its own good (the moving table cam near the end was just ridiculous), and there's some awful acting (Chapman To especially), but there was also a lot to like (Jacky and Andy's performances for instance) and I found it compelling and entertaining to watch.

It should be noted that the film apparently ran into some trouble with the censors, and was substantially cut prior to release. There's a bunch of deleted scenes on the 2nd disc in the Mei Ah DVD, but unfortunately without subtitles. There was one particular scene, with Edison Chen and a dog, that isn't listed in the deleted scenes menu. However, if you choose "Play All" and skip to the end, you can see the scene. It's actually very short and I don't think it needed to be cut, and it does significantly hurt the plot development.

Anyway, if you miss the stylish HK gangster films of yore, be sure to check out Jiang Hu. It may not be the best of them, but it's definitely worth your time.

Before getting a copy of this, I looked into the details. Gangster movie? Cool. A hit on a mob boss? Interesting. Andy Lau? Even better. Jacky Cheung, Edison Chen, Eric Tsang, Wu Chien Lien, and Shawn Yu? Awesome.

I almost thought, "What is this, Infernal Affairs all over again?"

So I had pretty high expectations. I started the movie. I was pretty impressed throughout with the camera work. There was a definite style in this movie. But the movie seemed to head nowhere. I was more eager to see what happens in each scene rather than in the movie as a whole.

So it follows two punks about to kill and a mob boss trying to find his traitor. Big Deal. For an 85 minute movie it seemed to take forever to get there. And throughout most of the movie all I could think was, "So what? What does that have to do with anything?"

Then the ending hits. If you've read any of the other reviews, you'll know that it completely changes the whole movie. I have to admit, it was genuinely cool.

But should a movie completely hinge on a single plot twist? I think not, though I admit I can't really see how they could have done it any other way.

THE BOTTOM LINE: Despite the smart twist at the end, you will probably feel a little dissatisfied. However, if you want to see some stylish film-making, great acting, and find out what the plot twist is, definitely check it out. The movie is definitely made for the experience.

TRIAD UNDERWORLD is a little masterpiece of cinema. Though it was made in 2004 it is only now available in this country courtesy of Palisade Tartan Asia Extremes, but the wait was well worth it. Not only is the story (as written by Chi-Long To and Director Ching-Po Wong) mesmerizing through out the film, but the fact that it pulls a Guy de Maupassant-type ending that takes the audience by complete surprise. The aspect that makes this film an art work is the extraordinary creative cinematography by Charlie Lam and Kenny Lam: every frame of film is like a masterpiece of lighting and brilliant use of colors that give clues to the characters and the story - shots taken from beneath a glass floor during a fight, interludes of a near blank black screen except for windows of carefully suggestive color and luminous lighting, extensive use of slow motion photography during the very choreographed fight sequences all contribute to the mood of the Hong Kong underworld in the finest manner. The musical score by Mark Lui also deserves special recognition: often soundless mayhem is accompanied by ballades using both Eastern and Western thematic material.

The story seems rather straightforward: Triad leader Hung Yan-jau (Andy Lau)'s wife gives birth to a baby boy, and event that causes Hung to consider considers leaving the world of the gangsters. Hung's closest lifelong friend Left Hand AKA Lefty (Jacky Cheung) reminds Hung that Hung has always said he would leave the crime world if he had a wife and child. Lefty is more the playboy and both Hung and Lefty own spectacular restaurants. Should Hung decide to leave, taking his wife (Chien-lien Wu) and newborn son to New Zealand then the head of the Triad would pass to Lefty. Despite disagreements the two men stick together, especially when it becomes known that two young members of a rival gang Wing (Shawn Yue) and Turbo (Edison Chen) are out to become the next leaders of Hong Kong's famous 'jiang- hu' underworld and they are ordered by the competitive gang to Triad to kill Hung. There are brutal encounters and balletic street fights that take place outside the seeming quiet elegant restaurant dinner being observed by Hung and Lefty in honor of Hung's newborn boy. And at the denouement the roles of all concerned are revealed in a terrifically exciting manner! What had seemed to be action inside and outside is actually an amalgam of past and present!

The cast is uniformly excellent and the pace of direction is impeccable in arriving at the surprising ending. But the true glory of this film is the cinematic magic: a more artistic use of film would be difficult to imagine. This is one of those movies that should be part of the libraries of audiences who love fine thrillers and art lovers who are keen on performance art. Highly recommended.

Grady Harp