Orgueil et préjugés

before i start, i would like to say this. i can read, have read the book, and i read the title of the movie before watching, as should you all. quite disappointed in all the pompous idiots filled with prejudice about the movie.

I know that another version of the well-mined Jane Austen classic would need to be brilliant indeed. Such diverse and beautifully written characters and such a delightful plot, so deeply rooted in a profound understanding of human nature, are timelessly attractive to directors, actors and audiences alike. So give them a break. you couldn't do any better.

Lets start with Mr Darcy. Darcys embodied by Olivier, Firth and now Matthew McFadyen bring differently significance to enjoy in the proud and socially awkward leading male role. Where Olivier and Firth gave us an aloof, arrogant Darcy encased rigidly in a shell so impenetrable it was almost impossible to believe he had been moved by Lizzie's sardonic criticisms or attracted by her spirited independence, McFadyen shows a more accessible Darcy. He's vulnerable, even fragile behind his stiff manners. His aloofness is more believably from social inadequacy than arrogance, yet he is believably constrained by his social standing to regard decorum, fortune and propriety in a wife's family as significant in his choice of a bride. His capitulation to Lizzie is therefore more believable.

Similarly Garson, Ehle and Keira Knightley illustrate the lively intelligence, sharp-minded wit and wry humour of Elizabeth Bennet in equally shining ways that nevertheless bring out different aspects of the character. Keira Knightly's performance as Elizabeth Bennett is by far her best, as she sparkles in this role.

The two have a chemistry that i had yet to see on the big or small screen - one that mirrors real life romances. the dislike on both accounts is obvious, watching it grow to love was beautiful and stunning. the love story is heart-felt and sweetly, deeply affecting to a level that modern romantic comedies rarely achieve. I found this movie to be a a richly photographed, memorable ensemble production in which the romance is predominant over the drama but does not eclipse it. though my one disappointment - the ending?! of course i wanted to see them kiss, who didn't? but the shots of them arguing in the rain, and as they draw close with the sunlight shining between them was breathtaking.

Giving due significance to the rural environment which plays such an important part in the story, the cinematography captures wide frames of soft, misty fields, copses and winding country roads as an environment which underscores the gentle manners and passionately beating hearts beneath empire gowns and ruffled shirts. The surroundings both detract from the humans and function as appropriately natural settings for the dramas of human nature.

Keira Knightley's swan-like Elizabeth moves with energy and grace, hotly opinionated and profoundly moved by principles and prejudices, and magnetically drawn by the seeming arrogance, reticence and gallant behaviour, finally revealed, of Mr Darcy. For two centuries Elizabeth Bennet has been a heroine much admired for her self-contained independence within a culture more conditioned to female submissiveness. Knightley's portrayal is true to the original.

All in all, i must give this movie 5 stars, 10 out of 10, 100 % brilliance. The story itself, the characters, the actors, everything that was in the movie 'bewitched me body and soul'. i have never been more moved by a movie, especially not one where i found it to be as hilarious as it was moving.

Jane Austen's tale of love and economics reaches us once more with the energy of a thorough novelty. "Pride and Prejudice" has been a favorite novel of mine since I first read it and I've seen Laurence Olivier and Greer Garson, Colin Firth and Jennifer Ehle and now Matthew MacFadyen and Kiera Knightly. Amazingly enough I've never been disappointed. The material seems to be full proof. Colin Firth's Darcy, in many ways, is the Darcy I've always imagined. He's been an actor I've followed feverishly since his glorious Adrian LeDuc in "Apartment Zero", Matthew MacFadyen was totally new to me but he managed to create that sense of longing that makes that final pay off so satisfying. Kiera Knightly is a ravishing revelation. I must confess, I didn't remotely imagined that she was capable of the powerful range she brilliantly shows here. The other big surprise is Joe Wright, the director, in his feature film debut which is more than promising, it's extraordinary. The photography, the art direction and the spectacular supporting cast, in particular Donald Sutherland and Brenda Blethyn, makes this new version of a perennial classic a memorable evening at the movies

Pride and Prejudice has always been one of my favourite books, so any screen incarnation has to live up to certain personal expectations of character, style etc. And of course, there is the gold standard of the 1995 BBC series, which, as other reviewers have pointed out, had the luxury of several episodes to cover a story that here takes just two hours. So I was truly delighted to enjoy this movie so much. It had a lot to live up to.

The first thing I must say is that it is exquisitely photographed. The atmosphere set by the beautiful cinematography, is perfect. The film deserves to be nominated for an Oscar on that basis alone. I am in awe of the technical crew and director who could find such unspoiled vistas and such perfect weather in England, and I say that as a Brit who used to live very close to some of the eastern England locations! I sat right through to the end of the credits to see where it was shot, because I assumed it must have been filmed in some remote, rural, continental European locale. I felt quite ashamed that I had doubted the ability of my native land to still provide such delightful scenery! The mist rising off early morning fields, geese on a perfect farm pond, magnificent country estates and enormous trees more usually associated with California than England. Also perfect were the interiors. The air of genteel poverty in which the Bennets lived was well captured. The slightly down at heel scruffiness of the Bennet's farm and house, and the general dirtiness of 18th century life for most people, contrasted well with the ridiculous, rich fussiness of Lady Catherine de Bourg's house and the stark, museum-like beauty of Darcy's home.

The cast were excellent. I thought Rosamunde Pike as Jane Bennet was perfect, Simon Woods as Mr Bingley was charming although perhaps a little too puppyish, I enjoyed Donald Sutherland and Brenda Blethyn as Mr and Mrs Bennet and I'm one who thinks Matthew MacFadyen did a very good job as Mr Darcy, a characterization which was slightly more user-friendly than Colin Firth's 1995 Darcy. Also outstanding were Claudie Blakley as plain Charlotte Lucas, rescued from a life of unmarried oblivion by pompous Mr Collins (a very good Tom Hollander) and Kelly Reilly, as the bitchy Miss Bingley. Is Rupert Friend (Mr Wickham) destined to play Orlando Bloom's brother? Am I alone in seeing a similarity? Of course, Keira Knightley plays the title role of Elizabeth. I have followed her career closely since Bend it Like Beckham, and I thought this easily her best acting performance so far. She captured the playfulness and wit of Lizzie's bright mind wonderfully well, and made me think long and hard how truly frustrating it must have been to be an intelligent young woman in a world that expected nothing more of her than an ability to choose ribbon and to capture a husband possessed of money. The only possible slight criticism I might make, is that Keira Knightley is perhaps a little too waif-like to pull off the 18th century characterization entirely convincingly. She is stunningly beautiful, but her stick thin appearance alongside her more robust looking screen sisters, made her look as if Mr Bennet might well have doubted her parentage!

I really hated this - it is OK to modify scenes from the book, but to change the spirit of it completely is too much. And to change Jane Austen's witty dialogue for some of the dross, especially early on in the piece was definitely not an improvement.

This loud, grubby group were not my idea of the Bennetts or their friends. The Bennetts may have been poor and may well have lived in a shabby house, but they had more class than this lot.

As for the proposition that Darcy's aloofness was because he shy and not confident, he just seemed pathetic to me and Darcy should certainly not be pathetic.

Except for the scene where he gave a lovely smile - Mathew MacFadyen wore the same expression pretty much throughout, (which was not surprising as this Darcy was such a boring character), and Kiera Knightly just seemed much to flighty for Lizzy, she seemed more like Lydia.

To me - it is the Benny Hill version of P&P - no subtlety, little wit, almost just slapstick.

Thank God for the BBC.

This quintessentially English film is utterly charming - a very traditional interpretation of Jane Austen's 1813 novel that manages to entertain, amuse and even move. First time director Joe Wright has worked with television playwright Deborah Moggach's script and a wonderful collection of mainly British actors to delight us. The versatile camera-work, luscious countryside, grand settings, period costumes, and atmospheric music are evidence of a work on which much love has been lavished.

At the heart of this triumph is the delightful 20 year old Keira Knightley as the assured and sharp Elizabeth Bennett, the second of five daughters looking to be married off by an anxious mother. Knightley's rise in the thespian firmament has been meteoric and this is her best performance to date in a role for which she is perfectly cast. Matthew MacFadyen is suitably brooding and gauche as Mr Darcy, but the cast list is enlivened with splendid British character actors, including Brenda Blethyn as Lizzie's irascible mother, Tom Hollander as a diminutive cleric seeking a wife, and Judi Dench as the formidable Lady Catherine, plus the Canadian Donald Sutherland (Lizzie's wise father).

This is a Georgian world in which social conventions present a veritable minefield for indiscretions or misunderstandings and in which a formal dance can be as intricate an occasion as international diplomacy. Pride and prejudice are only two of the obstacles to be overcome before inevitably true love brings Lizzie and her dark knight nose to nose (we don't even see a kiss). Passionate stuff indeed.