Quatre filles et un jean
Titre original : The Sisterhood of the Traveling Pants
- 2005
- Tous publics
- 1h 59min
NOTE IMDb
6,5/10
67 k
MA NOTE
Quatre meilleures amies élaborent un plan pour rester en contact les unes avec les autres alors que leurs vies prennent des directions différentes : elles se passent une paire de jeans qui s... Tout lireQuatre meilleures amies élaborent un plan pour rester en contact les unes avec les autres alors que leurs vies prennent des directions différentes : elles se passent une paire de jeans qui s'adapte parfaitement à chacun de leurs corps.Quatre meilleures amies élaborent un plan pour rester en contact les unes avec les autres alors que leurs vies prennent des directions différentes : elles se passent une paire de jeans qui s'adapte parfaitement à chacun de leurs corps.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 14 nominations au total
Maria Konstadarou
- Yia Yia
- (as Maria Konstandarou)
Jacqueline Ann Steuart
- Lena's Mother
- (as Jacqueline Stewart)
Avis à la une
Besides the fascinating documentary "Mad Hot Ballroom," another worthy attraction that probably got 'buried' by the Hollywood summer blockbusters is director Ken Kwapis film, "The Sisterhood of the Traveling Pants," based on the novel by Ann Brashares.
It is a cleverly edited, heart-warming travelogue/diary of four good friends during their first summer apart after graduation. America Ferrera (fantastic in "Real Women Have Curves" 2002) as Carmen, Alexis Bledel as Lena, Blake Lively as Bridget, Amber Tamblyn as Tibby, who ran into young Bailey - portrayed by Jenna Boyd (brilliant in director Ron Howard's "The Missing" 2003 opposite Cate Blanchett, Evan Rachel Wood and Tommy Lee Jones). There are life lessons from watching the different experiences each of them goes through - new places, new faces, new emotions that each of them encounters/discovers in their segments. The link between each of their summer adventures/activities is a pair of jeans they 'sworn' to share.
What a novel idea to present the various aspects of growing young women: Lena's Greek adventure spending with distant relatives and meeting Kostos, turned into a mini-version of Romeo and Juliet with family feud (verbal/non-verbal arguments vs. physical conflicts). Blake's energetic sporting camp environment with new companions eventually forces her to break out of her 'façade' of bravado behavior and the truth of parental longing surfaces. Carmen's journey raises emotional havoc as she struggles with the unexpected event of her father re-marrying, having to deal with new family members vs. her wish of spending quality time alone with Dad. Tibby may be doing nothing exotic or literal travels, but staying in hometown, working at the Mart, with the surprised 'intrusion' by Bailey the precocious 12 year old becoming her self-invited video assistant, somehow provided enriched life lessons. Unanticipated, the four friends bonded deeper and helped each other through stumbling hurdles, maturing expansively this one memorable summer.
I enjoyed this film better than the 1995 "Now and Then," a movie also about four girlfriends, with two sets of known actresses: Christina Ricci, Thora Birch, Gaby Hoffmann and Ashleigh Aston Moore as the young Rosie O'Donnell, Melanie Griffith, Demi Moore and Rita Wilson. "Traveling Pants," even though with budding young actresses, provided more in-depth emotional journeys, life wisdom, and picturesque romantic Greece for added value. This may be more of a 'girly' film, but certainly a family entertainment (likened to Disney quality productions like "The Parent Trap").
Also highly recommend a similar theme of five girlfriends (actually three plus a pair of twin sisters) film in Korean, written-directed by Jae-Eun Jeong, "Take Care of My Cat" 2001. It has a more gritty approach, included tough scenarios/facts of life to each girl's family background influences, the trials and tribulations of keeping up friendships fresh out of school. Heart-wrenching at times yet the youthful energy retained, the hopes and dreams, little romances and arguments, along with their (pager/email) cell phones constantly ringing/reaching for 'connections.'
It is a cleverly edited, heart-warming travelogue/diary of four good friends during their first summer apart after graduation. America Ferrera (fantastic in "Real Women Have Curves" 2002) as Carmen, Alexis Bledel as Lena, Blake Lively as Bridget, Amber Tamblyn as Tibby, who ran into young Bailey - portrayed by Jenna Boyd (brilliant in director Ron Howard's "The Missing" 2003 opposite Cate Blanchett, Evan Rachel Wood and Tommy Lee Jones). There are life lessons from watching the different experiences each of them goes through - new places, new faces, new emotions that each of them encounters/discovers in their segments. The link between each of their summer adventures/activities is a pair of jeans they 'sworn' to share.
What a novel idea to present the various aspects of growing young women: Lena's Greek adventure spending with distant relatives and meeting Kostos, turned into a mini-version of Romeo and Juliet with family feud (verbal/non-verbal arguments vs. physical conflicts). Blake's energetic sporting camp environment with new companions eventually forces her to break out of her 'façade' of bravado behavior and the truth of parental longing surfaces. Carmen's journey raises emotional havoc as she struggles with the unexpected event of her father re-marrying, having to deal with new family members vs. her wish of spending quality time alone with Dad. Tibby may be doing nothing exotic or literal travels, but staying in hometown, working at the Mart, with the surprised 'intrusion' by Bailey the precocious 12 year old becoming her self-invited video assistant, somehow provided enriched life lessons. Unanticipated, the four friends bonded deeper and helped each other through stumbling hurdles, maturing expansively this one memorable summer.
I enjoyed this film better than the 1995 "Now and Then," a movie also about four girlfriends, with two sets of known actresses: Christina Ricci, Thora Birch, Gaby Hoffmann and Ashleigh Aston Moore as the young Rosie O'Donnell, Melanie Griffith, Demi Moore and Rita Wilson. "Traveling Pants," even though with budding young actresses, provided more in-depth emotional journeys, life wisdom, and picturesque romantic Greece for added value. This may be more of a 'girly' film, but certainly a family entertainment (likened to Disney quality productions like "The Parent Trap").
Also highly recommend a similar theme of five girlfriends (actually three plus a pair of twin sisters) film in Korean, written-directed by Jae-Eun Jeong, "Take Care of My Cat" 2001. It has a more gritty approach, included tough scenarios/facts of life to each girl's family background influences, the trials and tribulations of keeping up friendships fresh out of school. Heart-wrenching at times yet the youthful energy retained, the hopes and dreams, little romances and arguments, along with their (pager/email) cell phones constantly ringing/reaching for 'connections.'
For starters, i have to admit that i'm 21 and really enjoy the books (all 3 of them). Because of that i was pretty excited to see the film, even though i know it couldn't live up to the book. Sadly, i was correct.
The acting was actually quite good, as was the casting. The only character i didn't like the casting choice, regardless of the fact that she did a fine job, was Tibby. Tibby, in the book, is described as small, meek, and undeveloped. She didn't look/act that way, really.
The stories themselves were decent. Carmen and Bridget's were almost dead on (minus the fact that they left out a vital scene in the end of Bridget's). Tibby's pretty accurate, but they left out a whole lot. Lena's was completely changed, which i didn't understand why they did.
It's a teen chick flick so you expect insane cheesy moments. And the film is full of them. The soundtrack was horrible, in my opinion, making the film even more ridiculous at times. There were laugh out loud parts that probably shouldn't have been that funny.
I think if you're a 12-15 year old girl, this movie is great for you (or if you like teen chick flicks). It covers the crucial topics addressed in the book, but lacks the depth Brashares originally had. I suggest seeing it just to see it, but don't expect too much.
Also, if you're a guy, stay away. There were maximum 10 guys in the theatre when i saw it and each one looked 1/2 dead in the end.
The acting was actually quite good, as was the casting. The only character i didn't like the casting choice, regardless of the fact that she did a fine job, was Tibby. Tibby, in the book, is described as small, meek, and undeveloped. She didn't look/act that way, really.
The stories themselves were decent. Carmen and Bridget's were almost dead on (minus the fact that they left out a vital scene in the end of Bridget's). Tibby's pretty accurate, but they left out a whole lot. Lena's was completely changed, which i didn't understand why they did.
It's a teen chick flick so you expect insane cheesy moments. And the film is full of them. The soundtrack was horrible, in my opinion, making the film even more ridiculous at times. There were laugh out loud parts that probably shouldn't have been that funny.
I think if you're a 12-15 year old girl, this movie is great for you (or if you like teen chick flicks). It covers the crucial topics addressed in the book, but lacks the depth Brashares originally had. I suggest seeing it just to see it, but don't expect too much.
Also, if you're a guy, stay away. There were maximum 10 guys in the theatre when i saw it and each one looked 1/2 dead in the end.
Saw this movie with wife and two grand daughters. I was the only male in the audience--but, hey, there were only four people in the theater. And I think this is too bad. While I suppose this is a teenage chick flick, I thought it transcended most of that genre in that the main characters were intelligent, genuine human beings and not MTV stereotypes. The four actresses were up to the material and were able to convey their characters' strengths and weaknesses effectively. I also appreciated (as a male) that the young men in the film were shown as caring and decent--not just "dreamboats", funny sidekicks, or sex-crazed drunken frat boys--the other male stereotypes in so many films aimed at teens. This is a movie I think most females can relate to and that most mature viewers could enjoy except, maybe, for the guys who are still in arrested development and think that the only good movie is one where people and things get blown up or otherwise destroyed. And, hey, I like those movies too when they have a good script and good direction.
Originally I had to read this book as part of my job reviewing fiction that is aimed at teens through young adults. The most recent trend I've noticed is the current uprise in books that talk about the real B****es of the high school world. The sex scandals, the drug busts, the foul mouthed youth...I'm only twenty and books like these have me saying "What's with those kids today" This book wasn't about that. It was about something really admirable that I would hope to read more of, an honest friendship. Plus it was well written to the point I was *EAGER* to finish it. (A note to those who haven't read...the audio book is one of the best read I've heard in ages and is worse the listen, it has the same actress as the initial trailer announcer) So I became a fan of the book and have been following this movie ever since, and as a fan I have to say that their are elements I would have liked to see in the movie, but the cut (or at least the cut at the screening) was lengthy but appropriate and did the best I think they could have to capture the book.
The real heart of this movie though is between the chemistry of the main actresses. Most of them are playing parts a good five to six years under their actual age, and yes they don't all fit the images I had in the book...but it's what they present that shows off. I think it's the added and personal experience these girls have had to go through in real life, mostly from age and experience that helps them to really develop these characters. I admire these girls friendships and connections, and at the same time I envy them...and even further on, it's seems a little too hopeful for it's own good. The world would be a better place if people could hold on like these girls do, through thick and thin, death and marriage.
Still, this movie is an excellent movie for teen audiences, and it has a lot more depth than recent fluffbits based on novels and old stories (See Ice Princess, A Cinderella Story, Confessions of a Teenage Drama Queen, etc.) It also has enough older audience humor to relate to all ages, but not to the dark (albeit funny...in a twisted sort of way) point of popular hits such as Meangirls. Personally I think it would have done better to have been released around mothers day as it's a movie definitely targeted at the female group. Mom's...you'll like this, because it's not quite to the sappy point of the notebook and retains a lot of good-natured humor. (at the same time you may not because it does discuss some teen issues...and it might insight conversations with the offspring) As a guy though...I still think it was pretty damn funny, in a heartfelt sort of way.
The real heart of this movie though is between the chemistry of the main actresses. Most of them are playing parts a good five to six years under their actual age, and yes they don't all fit the images I had in the book...but it's what they present that shows off. I think it's the added and personal experience these girls have had to go through in real life, mostly from age and experience that helps them to really develop these characters. I admire these girls friendships and connections, and at the same time I envy them...and even further on, it's seems a little too hopeful for it's own good. The world would be a better place if people could hold on like these girls do, through thick and thin, death and marriage.
Still, this movie is an excellent movie for teen audiences, and it has a lot more depth than recent fluffbits based on novels and old stories (See Ice Princess, A Cinderella Story, Confessions of a Teenage Drama Queen, etc.) It also has enough older audience humor to relate to all ages, but not to the dark (albeit funny...in a twisted sort of way) point of popular hits such as Meangirls. Personally I think it would have done better to have been released around mothers day as it's a movie definitely targeted at the female group. Mom's...you'll like this, because it's not quite to the sappy point of the notebook and retains a lot of good-natured humor. (at the same time you may not because it does discuss some teen issues...and it might insight conversations with the offspring) As a guy though...I still think it was pretty damn funny, in a heartfelt sort of way.
The only magic realism in The Sisterhood of the Traveling Pants is the one, one-size-fits-all pair of jeans worn the four female friends, whose summer adventures bring a dose of realism magical only for the insights into life, the pain and pleasure that come in from age seventeen to the end. As a coming-of-age film, this ranks with the best of them for non-condescending, adult-like perceptions, with nary a "like" in the girls' vocabulary.
Two of these lifelong chums have summer romances that transcend the usual sun and sand trifles; the other two deal with even more substantial challenges, ones that involve connecting with family or friends after years of disconnection. Sisterhood of the Traveling Pants offers no easy solutions to questions about openness, sexuality, parental neglect, and death. Rather each girl has an epiphany that grows naturally out of the frustrations accompanying inexperience and immaturity.
Love on a Greek island while riding a scooter like Audrey Hepburn through the streets of Rome demands confronting the intrusions of family reminiscent of Romeo and Juliet; love on a beach in Mexico unleashes longing for a parent that goes beyond a beautiful boy; a new life for a parent means the death of an old one for a child; and teen alienation turns to acceptance and even love through the magic of a new friend.
None of these realistic setups for teen enlightenment can make an engaging film unless the actresses are believable, and in Sisterhood each young woman carries her role with deftness and sincerity sometimes not found in the most seasoned actresses. Special recognition should be given to Jenna Boyd as 12-year old Bailey, who believably transforms one teen from misogynist to humanist. This little actress has the chops to win the Oscar someday.
The ten rules of the sisterhood are dominated by the logistical one that states, "You must pass the pants along to your sisters according to the specifications set down by the Sisterhood." FedEx does the delivery; the girls supply the specific adventures that echo the anguish and resilience of being a teen in a society that sometimes doesn't care. You will care for each girl; I guarantee it as if it were a pair of Levis, sturdy and malleable, sexy and comfortable. Come to think of itthat's Sisterhood of the Traveling Pants.
Two of these lifelong chums have summer romances that transcend the usual sun and sand trifles; the other two deal with even more substantial challenges, ones that involve connecting with family or friends after years of disconnection. Sisterhood of the Traveling Pants offers no easy solutions to questions about openness, sexuality, parental neglect, and death. Rather each girl has an epiphany that grows naturally out of the frustrations accompanying inexperience and immaturity.
Love on a Greek island while riding a scooter like Audrey Hepburn through the streets of Rome demands confronting the intrusions of family reminiscent of Romeo and Juliet; love on a beach in Mexico unleashes longing for a parent that goes beyond a beautiful boy; a new life for a parent means the death of an old one for a child; and teen alienation turns to acceptance and even love through the magic of a new friend.
None of these realistic setups for teen enlightenment can make an engaging film unless the actresses are believable, and in Sisterhood each young woman carries her role with deftness and sincerity sometimes not found in the most seasoned actresses. Special recognition should be given to Jenna Boyd as 12-year old Bailey, who believably transforms one teen from misogynist to humanist. This little actress has the chops to win the Oscar someday.
The ten rules of the sisterhood are dominated by the logistical one that states, "You must pass the pants along to your sisters according to the specifications set down by the Sisterhood." FedEx does the delivery; the girls supply the specific adventures that echo the anguish and resilience of being a teen in a society that sometimes doesn't care. You will care for each girl; I guarantee it as if it were a pair of Levis, sturdy and malleable, sexy and comfortable. Come to think of itthat's Sisterhood of the Traveling Pants.
Le saviez-vous
- AnecdotesBlake Lively's (Bridget) father Ernie Lively plays her father in the movie.
- GaffesTibby's nose ring keeps changing locations between scenes. Sometimes it's on the middle of the nostril, sometimes it's too high up her nose to be real.
- Crédits fousWhen "These Days" by Chantal Kreviazuk is playing during the end credits, the pants look like the girls put all these designs on the pants of what their summer was like.
- Bandes originalesTime of Our Lives
Written by Paul Van Dyk
Performed by Paul Van Dyk featuring Vega 4
Courtesy of Mute Records
Under license from EMI Film & Television Music
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Un verano en pantalones
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 39 053 061 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 833 340 $US
- 5 juin 2005
- Montant brut mondial
- 42 013 878 $US
- Durée
- 1h 59min(119 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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