Ajouter une intrigue dans votre langueBoris Arkadin is a horror film maker. His pregnant wife was brutally murdered by a Manson-like gang of hippy psychopaths during the 1960s. He becomes a virtual recluse - until years later he... Tout lireBoris Arkadin is a horror film maker. His pregnant wife was brutally murdered by a Manson-like gang of hippy psychopaths during the 1960s. He becomes a virtual recluse - until years later he directs his own snuff inspired movies. He invites actors to take part in an audition at h... Tout lireBoris Arkadin is a horror film maker. His pregnant wife was brutally murdered by a Manson-like gang of hippy psychopaths during the 1960s. He becomes a virtual recluse - until years later he directs his own snuff inspired movies. He invites actors to take part in an audition at his country manor house - blurring the lines of what is real and what is fiction.
- Réalisation
- Scénario
- Casting principal
- Pamela
- (as Teri Harrison)
- …
- Marco Arkadin
- (as Teodor Necula)
- Hugo
- (as Sharif)
- …
- Inquisitor
- (as Daniel Pusleaga)
- Inquisitor
- (as Vali Vasilescu)
Avis à la une
It's a shame because there is a message in there, and the lead character does manage to say it in no uncertain terms during the movie, and that's because he has to. There's really no other way to get to the moral of this tale through the confusion.
The second of the opening scenes remind me of the British Television advertisement for a certain directory assistance number, cheesy 70's outfits, hairstyles and moustaches. The section is supposed to portray events in the past, and from the beginning you can see the poor acting. There is much overplaying to the camera, and scenes of actors looking as though they're trying to find something to do to fill the time until the Director yells cut.
The first of the scenes is equally as bad and amusing, but then we are expected to see that as it is supposed to be an old cheesy horror movie. Some grounding an basis for the entire movie, but also to show us the level of gore that we're going to be seeing. There's nothing slick or costly about the effects, they are cheap and cheerful, and although some might be deemed shocking, there's nothing really off-putting in the movie.
From these opening segments we return to the present day to find the ex-laird of Glenbogle (another British Television event) is indulging in some rather frisky behaviour, obviously in a desperate attempt to try and shed his previous TV nice guy image. It fails though, and throughout this movie he sticks out like a sore thumb.
The script is so confused that scenes just seem to happen out of nowhere. For instance suddenly we're all outside and there's a huge audience of onlookers watching events. This from the previous premise where we were all in a house being filmed by webcams. This is probably the best example of the confusion we were shown and felt.
It attempts, from an early stage, to address some issues on the Internet, freedom of speech, the fact that anyone can broadcast anything online. Yet it stumbles over them, readdresses them through the script, and doesn't really say much about them by the end of the movie. In fact at the end it seems to take a totally different tract altogether, and doesn't seem to have been about anything at all. Very confusing.
Add to all this that it's filmed poorly and seems to have been thrown together editing wise, and it's an altogether awful movie. IMDb lists this as still in Post Production, and perhaps we were treated to an early cut at the Edinburgh Film Festival 2005, who knows. It was just bad.
There were two moments though that actually got my feelings moving. One was when the ex-laird Alistair Mackenzie sits down at a computer while his girlfriend is away for the evening, starts a can of lager, and pulls up Google with a search for some porn. By the time he's on his third can you can see the searches getting worse. This actually raised a good laugh from the audience, and was something you could instantly connect to.
The second was a stabbing scene late on in the movie, a man is stabbed in the stomach, all the time you see his muscles moving and there doesn't look to be a special effect in sight. That was unnerving and is probably the only scene where you would consider the possibility that it was living up to its title.
There it ends though. The female lead Lisa Enos is weak and unconvincing, and what the hell has happened to Jeroen Krabbé, his role is awful.
I won't go on. There's nothing to redeem this movie bar a laugh and an awkward moment. I'd avoid like the title should have suggested.
I just expected something a lot different. It's kind of like with Natural Born Killers - a simple plot that could be a great movie, but the filmmakers make it too artistic and deep and ruining the simplicity.
I've an unhealthy fascination with the subject of snuff movies, and with Bernard Rose, director of the excellent Candyman, calling the shots, I had high hopes that Snuff Movie would be an insightful exploration into one of the most disturbing possible forms of film-making. Unfortunately, Rose's movie tries to be far too clever for its own good, with a twisty-turny plot that blurs reality and fantasy, featuring 'movies within movies' and a silly surprise ending that really isn't worth the wait.
3 out of 10: 1 point for the gore and another 2 for the female nudity (Rose's film might be aimed at the art-house/intelligentsia crowd, but at least the director seems to understand the importance of those horror fundamentals: a silicone enhanced bimbo having sex and a gratuitous shower scene).
The film had promise but was let down by poor acting and would have benefited from a larger budget. The plot twists and turns, and stumbles and falls... However there was something about this film that I liked, I just can't put my finger on what it was. Maybe i'm just not of high enough intelligence to fully understand it, or maybe it actually was just a terrible movie... I don't know. But I like not knowing. I wouldn't recommend this film to fans of 'Candyman' but i'd say its worth a watch if your into low-budget horror movies.
5/10 - purely because I watched it 3 days ago and i'm still thinking about it. So it can't be that bad, right???
This film is weirdly brilliant, nothing to what i thought it was going to be, to be honest, i never review films, and especially i never ever write them, but after watching this film..then reading the bad reviews i felt i had to step in..!! This film isn't bad, it isn't a failure, if you think that you obviously don't understand the point of the director, I'm 18 and i understand it fully, to understand it you need to loose the whole negativity attitude.
It started out a nightmare of a film, with cheap crappy camera shots, poor lighting, poor acting, then i realised that it is ALL THERE FOR A REASON.
You wont understand the film until you watch the last scene a few times over, but when you do you will feel satisfied with the knowledge that you actually understand what a genius director is trying to say..if you don't then it doesn't make it a bad film..
Cheers for listening, Chris
Le saviez-vous
- AnecdotesJeroen Krabbé (Boris Arkadin) agreed to take his role because of his friendship with director Bernard Rose.
- ConnexionsFeatured in The Dark Side of Porn: Does Snuff Exist? (2006)
Meilleurs choix
- How long is Snuff-Movie?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Snuff Movie
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 1 142 $US
- Durée1 heure 32 minutes
- Couleur
- Rapport de forme
- 1.85 : 1