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IMDbPro

Paris, je t'aime

  • 2006
  • Tous publics
  • 2h
NOTE IMDb
7,2/10
76 k
MA NOTE
POPULARITÉ
4 985
533
Paris, je t'aime (2006)
Theatrical Trailer from First Look
Lire trailer2:14
16 Videos
99+ photos
Quirky ComedyRomantic ComedyComedyDramaRomance

Au fil des quartiers, des histoires d'amour passager, voilé, mimé, vampirisé, malmené ou révélé...Un Pari(s) moderne émouvant et drôle, un film plein de vie(s) sur le thème de l'Amour.Au fil des quartiers, des histoires d'amour passager, voilé, mimé, vampirisé, malmené ou révélé...Un Pari(s) moderne émouvant et drôle, un film plein de vie(s) sur le thème de l'Amour.Au fil des quartiers, des histoires d'amour passager, voilé, mimé, vampirisé, malmené ou révélé...Un Pari(s) moderne émouvant et drôle, un film plein de vie(s) sur le thème de l'Amour.

  • Réalisation
    • Olivier Assayas
    • Frédéric Auburtin
    • Gurinder Chadha
  • Scénario
    • Tristan Carné
    • Bruno Podalydès
    • Paul Mayeda Berges
  • Casting principal
    • Juliette Binoche
    • Leonor Watling
    • Ludivine Sagnier
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    76 k
    MA NOTE
    POPULARITÉ
    4 985
    533
    • Réalisation
      • Olivier Assayas
      • Frédéric Auburtin
      • Gurinder Chadha
    • Scénario
      • Tristan Carné
      • Bruno Podalydès
      • Paul Mayeda Berges
    • Casting principal
      • Juliette Binoche
      • Leonor Watling
      • Ludivine Sagnier
    • 142avis d'utilisateurs
    • 165avis des critiques
    • 66Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 2 nominations au total

    Vidéos16

    Paris, Je T'aime
    Trailer 2:14
    Paris, Je T'aime
    A Guide to the Films of Alfonso Cuarón
    Clip 1:49
    A Guide to the Films of Alfonso Cuarón
    A Guide to the Films of Alfonso Cuarón
    Clip 1:49
    A Guide to the Films of Alfonso Cuarón
    Paris, Je T'aime
    Clip 1:20
    Paris, Je T'aime
    Paris, Je T'aime
    Clip 0:52
    Paris, Je T'aime
    Paris, Je T'aime Scene: Tuileries
    Clip 1:20
    Paris, Je T'aime Scene: Tuileries
    Paris, Je T'aime Scene: 14Eme Arrondissement
    Clip 1:23
    Paris, Je T'aime Scene: 14Eme Arrondissement

    Photos169

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    Rôles principaux85

    Modifier
    Juliette Binoche
    Juliette Binoche
    • Suzanne (segment "Place des Victoires")
    Leonor Watling
    Leonor Watling
    • La maîtresse (segment "Bastille")
    Ludivine Sagnier
    Ludivine Sagnier
    • Claire (segment "Parc Monceau")
    Fanny Ardant
    Fanny Ardant
    • Fanny (segment "Pigalle")
    Julie Bataille
    • Julie (segment "Tuileries")
    Leïla Bekhti
    Leïla Bekhti
    • Zarka (segment "Quais de Seine")
    Melchior Derouet
    • Thomas (segment "Faubourg Saint-Denis")
    • (as Melchior Beslon)
    Seydou Boro
    • Hassan (segment "Place des Fetes")
    Steve Buscemi
    Steve Buscemi
    • Le touriste (segment "Tuileries")
    Sergio Castellitto
    Sergio Castellitto
    • Le mari (segment "Bastille")
    Willem Dafoe
    Willem Dafoe
    • Le cowboy (segment "Place des Victoires")
    Gérard Depardieu
    Gérard Depardieu
    • Le patron (segment "Quartier Latin")
    Cyril Descours
    • François (segment "Quais de Seine")
    Lionel Dray
    • Ken (segment "Quartier des Enfants Rouges")
    Marianne Faithfull
    Marianne Faithfull
    • Marianne (segment "Le Marais")
    Ben Gazzara
    Ben Gazzara
    • Ben (segment "Quartier Latin")
    Hippolyte Girardot
    Hippolyte Girardot
    • Le père (segment "Place des Victoires")
    Maggie Gyllenhaal
    Maggie Gyllenhaal
    • Liz (segment "Quartier des Enfants Rouges")
    • Réalisation
      • Olivier Assayas
      • Frédéric Auburtin
      • Gurinder Chadha
    • Scénario
      • Tristan Carné
      • Bruno Podalydès
      • Paul Mayeda Berges
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs142

    7,275.7K
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    Avis à la une

    Benedict_Cumberbatch

    Enchanting Mosaic About Love and Other Things in Between

    18 directors had the same task: tell stories of love set in Paris. Naturally, some of them turned out better than others, but the whole mosaic is pretty charming - besides, wouldn't it be boring if all of them had the same vision of love? Here's how I rank the segments (that might change on a second viewing):

    1. "Quartier Latin", by Gérard Depardieu

    One of the greatest French actors ever directed my favourite segment, featuring the always stunning Gena Rowlands and Ben Gazzara. Witty and delightful.

    2. "Tour Eiffel", by Sylvain Chomet

    Cute, visually stunning (thanks to the director of "The Triplets of Belleville") story of a little boy whose parents are mimes;

    3. "Tuileries", by Ethan and Joel Coen

    The Coen Brothers + Steve Buscemi = Hilarious

    4. "Parc Monceau", by Alfonso Cuarón ("Y Tu Mamá También", "Children of Men"), feat. Nick Nolte and Ludivine Sagnier (funny);

    5. "Place des Fêtes", by Oliver Schmitz, feat. Seydou Boro and Aissa Maiga (touching);

    6. "14th Arrondissement", Alexander Payne's ("Election", "About Schmidt") wonderful look for the pathetic side of life is present here, feat. the underrated character actress Margo Martindale (Hilary Swank's mother in "Million Dollar Baby") as a lonely, middle-aged American woman on vacation;

    7. "Faubourg Saint-Denis", Tom Tykwer's ("Run Lola Run") frantic style works in the story of a young actress (Natalie Portman) and a blind guy (Melchior Beslon) who fall in love;

    8. "Père-Lachaise", by Wes Craven, feat. Emily Mortimer and Rufus Sewell (plus a curious cameo by Alexander Payne as...Oscar Wilde!);

    9. "Loin du 16ème", by Walter Salles and Daniela Thomas (simple but moving story from the talented Brazilian directors, feat. Catalina Sandino Moreno);

    10. "Quartier des Enfants Rouges", by Olivier Assayas ("Clean"), a sad story feat. the always fantastic Maggie Gyllenhaal;

    11. "Le Marais", by Gus Van Sant, feat. Gaspard Ulliel, Elias McConnell and Marianne Faithful (simple, but funny);

    12. "Quartier de la Madeleine", by Vincenzo Natali, feat. Elijah Wood and Olga Kurylenko;

    13. "Quais de Seine", by Gurinder Chadha;

    14. "Place des Victoires", by Nobuhiro Suwa, feat. Juliette Binoche and Willem Dafoe;

    15. "Bastille", by Isabel Coixet (fabulous director of the underrated "My Life Without Me"), feat. Miranda Richardson, Sergio Castellitto, Javier Cámara and Leonor Watling;

    16. "Pigalle", by Richard LaGravenese, feat. Bob Hoskins and Fanny Ardant;

    17. "Montmartre", by and with Bruno Podalydès;

    18. "Porte de Choisy", by Christopher Doyle, with Barbet Schroeder (mostly known as the director of "Barfly", "Reversal of Fortune" and "Single White Female").

    I could classify some segments as brilliant and others as average (or even slightly boring), but not a single of them is plain bad. On the whole, I give "Paris, Je t'Aime" an 8.5/10 and recommend it for what it is: a lovely mosaic about love and other things in between.
    8magicalimages

    18 directors talk love

    Just saw this tonight at a seminar on digital projection (shot on 35mm, and first feature film fully scanned in 6k mastered in 4k, and projected with 2k projector at ETC/USC theater in Hwd)..so much for tech stuff. 18 directors (including Alexander Payne, Wes Cravens, Joel and Ethan Coen, Gus Van Sant, Walter Salles and Gerard Depardieu, among several good French/ international directors) were each given 5 minutes to make a love story. They come in all shapes and forms, with known actors(Elijah Wood, Natalie Portman, Steve Buscemi ..totally hilarious..., Maggie Glyllenhall, Nick Nolte, Geena Rowlands ..soo good..and she actually wrote the piece she was in, Msr Depardieu and many good international actors as well. The stories vary from all out romance to quirky comedy to Alex Payne's touching study of a woman discovering herself to Van Sant and one of those things that happens anywhere..maybe? Nothing really off putting by having French spoken in most sequences (with English subtitles) and a small amount of actual English spoken, though that will probably relegate it to art houses (a la Diva.) Also only one piece that might be considered "experimental" but colorful and funny as well, the rest simple studies of sometimes complex relationships. All easy to follow (unless the "experimental" one irritates your desire for a formulaic story. Several brought up some emotions for me...I admit I am affected by love in cinema...when it is presented in something other than sentimentality. I even laughed at a mime piece, like no other I have seen (thank you for that!) The film hit its peak, for me, somewhere around a little more than half way through, then the last two sequences picked up again. Some beautiful shots of Paris at night, lush romantic kind of music, usually used to good effect, not just schmaltz for "emotions" in sound, generally good cinematography, though some shots seemed soft focus when it couldn't have meant to have been (main character in shot/scene). Pacing of each film was good, and overall structure, though a bit long (they left out two of what was to be 20 films, but said all would be on the DVD) seemed to vary between tones of the films to keep a good balance. Not sure when it comes out, but a good study of how to make a 5 min film work..and sometimes, what doesn't work (if it covers too much time, emotionally, for a short film.) Should be in region one when released, but they didn't know when.
    8Galina_movie_fan

    "If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life it stays with you,

    ... for Paris is a moveable feast." Ernest Hemingway

    It is impossible to count how many great talents have immortalized Paris in paintings, novels, songs, poems, short but unforgettable quotes, and yes - movies. The celebrated film director Max Ophüls said about Paris,

    "It offered the shining wet boulevards under the street lights, breakfast in Montmartre with cognac in your glass, coffee and lukewarm brioche, gigolos and prostitutes at night. Everyone in the world has two fatherlands: his own and Paris."

    Paris is always associated with love and romance, and "Paris, Je T'Aime" which is subtitled "Petite romances," is a collection of short films, often sketches from 18 talented directors from all over the world. In each, we become familiar with one of the City of Light 20 arrondissements and with the Parisians of all ages, genders, colors, and backgrounds who all deal in love in its many variations and stages. In some of the "petite romances" we are the witnesses of the unexpected encounters of the strangers that lead to instant interest, closeness, and perhaps relationship: like for Podalydès and Florence Muller in the street of Montmartre in the opening film or for Cyril Descours and Leïla Bekhti as a white boy and a Muslim girl whose cross-cultural romance directed by Gurinder Chadha begins on Quais de Seine. I would include into this category the humorous short film by Gus Van Sant. In "Le Marais" one boy pours his heart out to another boy confessing of sudden unexpected closeness, asking permission to call - never realizing that the object of his interest does not understand French.

    Some of the vignettes are poignant and even dark. In Walter Salles and Daniela Thomas' Loin du 16ème, Catalina Sandino Mareno (amazing Oscar nominated debut for Maria full of Grace) is single, working-class mother who has to work as a nanny in a wealthy neighborhood to pay for daycare where she drops her baby every morning before she goes to work. One of most memorable and truly heartbreaking films is "Place des Fêtes" by Oliver Schmitz. Aïssa Maïga and Seydou Boro co-star as two young people for who love could have happened. There were the promises of it but it was cut short due to hatred and intolerance that are present everywhere, and the City of Love and Light is no exception. Another one that really got to me was "Bastille", written and directed by Isabel Coixet, starring Sergio Castellitto, Miranda Richardson, and Leonor Watling. Castellitto has fallen out of love with his wife, Richardson but when he is ready to leave with the beautiful mistress, the devastating news from his wife's doctor arrives...

    I can go on reflecting on all 18 small gems. I like some of them very much. The others felt weak and perhaps will be forgotten soon but overall, I am very glad that I bought the DVD and I know that I will return to my favorite films again and again. They are "Place des Fêtes" that I've mentioned already, "Père-Lachaise" directed by Wes Craven that involves the ghost of one of the wittiest and cleverest men ever, Oscar Wilde (Alexander Payne, the director of "Sideways") who would save one troubled relationship. Payne also directed "14th Arrondissement" in which a lonely middle-aged post-worker from Denver, CO explores the city on her own providing the voice over in French with the heavy accent. Payne's entry is one of the most moving and along with hilarious "Tuileries" by Joel and Ethan Coen with (who else? :)) Steve Buschemi is my absolute favorite. In both shorts, American tourists sit on the benches (Margo in the park, and Steve in Paris Metro after visiting Louvers) observing the life around them with the different results. While Margo may say, "My feeling's sad and light; my sorrow is bright..." Steve's character will find out that sometimes, even the most comprehensive and useful tourist guide would not help a tourist avoiding doing the wrong things in a foreign country.
    8LeRoyMarko

    18 short films about the City of Lights

    Delightful film directed by some of the best directors in the industry today. The film is also casting some of the great actors of our time, not just from France but from everywhere.

    My favorite segments:

    14th arrondissement: Carol (Margo Martindale), from Denver, comes to Paris to learn French and also to make a sense of her life.

    Montmartre: there was probably not a better way to start this movie than with this segment on romantic Paris.

    Loin du 16ème: an image of Paris that we are better aware of since the riots in the Cités. Ana (Catalina Sandino Moreno) spends more time taking care of somebody else's kid (she's a nanny) than of her own.

    Quartier Latin: so much fun to see Gérard Depardieu as the "tenancier de bar" with Gena Rowlands and Ben Gazzara discussing their divorce.

    Tour Eiffel: don't tell me you didn't like those mimes!

    Tuileries: such a treat to see Steve Buscemi as the tourist who's making high-contact (a no- no) with a girl in the Metro.

    Parc Monceau: Nick Nolte is great. Ludivine Sagnier also.

    I've spend 3 days in Paris in 2004 and this movie makes me want to go back!

    Seen in Barcelona (another great city), at the Verdi, on March 18th, 2007.

    84/100 (***)
    vandino1

    Paris, mostly from directors who miss the point

    Sadly, this is an awful grab bag of mostly trivial stories. Certainly it is ambitious and interesting as a concept, and Paris looks beautiful, but the producers didn't rein in the directors and what appears winning in theory becomes a lazy mishmash in execution. Each director was given five minutes of screen time and two days to shoot their film. Almost all of the directors figured they could dispense with writers and do it themselves. A bit of ego, a bit of film school, and a misunderstanding that even five minutes of screen time requires a writer's hand, especially so since the short time frame demands concise story telling skills.

    Indeed, some of these film makers, e.g. Christopher Doyle, have barely sat in a director's chair, much less be worth trumpeting as members of an extraordinary group of visionaries. And the concept involves love stories and the love for Paris. What connection is there with this concept and the filmography of Joel and Ethan Coen? In fact the heavy American and British presence seems more mercenary than visionary from the producing end of things. Ben Gazzara and Gena Rowlands playing two Americans finalizing their divorce in a restaurant could have been filmed in New York or Chicago and shipped over to France for attachment to the movie. Worse, this episode relegates a giant of French cinema, Gerard Depardieu, to the minuscule part of the restaurant owner. There's nothing wrong with having some stories about tourists and expatriates, but this collection relies far too much on it. The bulk of the Parisians in this film are relegated to background chatter and bit parts. Surprisingly, even the city is relegated to background fodder. It appears that almost none of the film makers have any sense of Paris, or what to do with it given the opportunity to make a small film there. Many take place in nondescript indoor locations, or in the case of the Elijah Wood episode, a meaningless dark street straight out of 'Sin City.' Story wise, this is a director's film. Therefore the writing is weak and in some cases almost non-existent. In the case of Cuaron's episode with Nick Nolte, even the direction is non-existent (almost entirely a long shot track of Nolte yakking away to his nubile daughter as they walk down a street -- once again, a heavy American element with no trace of Paris except some dialogue). Some of the vignettes have "punchlines", while others merely fade away or end pointless and lost. The two most "commercial" feature Steve Buscemi in a cartoonish skit in a Metro station, and an absurd tryst between Elijah Wood and a vampiress. Both stand out but for the wrong reasons. Buscemi is forced to say nothing throughout his episode, and to behave like a punching bag for no reason. At least it IS snappily directed, and makes its point and ends with an exclamation. But it's also more clichéd American-in-Paris tourism. The Wood vampiress story not only doesn't belong in this film, it is also extremely predictable as a vampire sketch.

    Many of the other stories seem either a small part of a bigger film, or a made-up hodgepodge to fill five minutes. To each his own as to the merits of the results. Certainly this smörgåsbord provides enough promise in its theme to delight those who think they're getting a taste of Paris along with humanistic stories (rather than the usual gangster, spy, or sleaze films using the city for its location). But I think the producers should have demanded that the directors adhere to the concept rather than allow them free rein to indulge in half-thought out skits that have only an arbitrary connection to the locations of the title city.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Since the Coen Brothers knew they only had two days to shoot their sequence and were working on a very tight schedule, they elected to mount it in a metro station just in case it might rain.
    • Gaffes
      In the last segment, where the grave of Jean Paul Sartre and Simone de Beauvoir is shown, the audio and subtitles both say Simon Bolivar. This is not a goof; rather, it is showing that Carol (Margo Martindale's character) is not completely confident in French and/or history.
    • Citations

      Francine: Thomas, listen. Listen. There are times when life calls out for a change. A transition. Like the seasons. Our spring was wonderful, but summer is over now and we missed out on autumn. And now all of a sudden, it's cold, so cold that everything is freezing over. Our love fell asleep, and the snow took it by surprise. But if you fall asleep in the snow, you don't feel death coming. Take care.

    • Connexions
      Featured in Siskel & Ebert & the Movies: Mr. Brooks/Gracie/Surf's Up/Ocean's Thirteen/Paris Je T'aime/Crazy Love (2007)
    • Bandes originales
      Run to the Mosque
      Written by Craig Pruess

      (P) 2006 Victoires International

      (C) 2006 Emma Productions

      Segment "Quais de Seine"

    Meilleurs choix

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    FAQ20

    • How long is Paris, Je T'aime?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 21 juin 2006 (France)
    • Pays d’origine
      • France
      • Liechtenstein
      • Suisse
      • Allemagne
      • États-Unis
    • Site officiel
      • Juliette Binoche: The Art of Being - Official Fansite
    • Langues
      • Français
      • Anglais
      • Espagnol
      • Mandarin
      • Arabe
    • Aussi connu sous le nom de
      • Paris je t'aime
    • Lieux de tournage
      • Eiffel Tower, Paris, France
    • Sociétés de production
      • Victoires International
      • Pirol Stiftung
      • Canal+
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 13 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 4 899 278 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 39 242 $US
      • 6 mai 2007
    • Montant brut mondial
      • 17 489 601 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      2 heures
    • Couleur
      • Color
      • Black and White
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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