C.R.A.Z.Y.

(I wish I wrote this in french because I will not be able to mean all in English) This movie is simple but accurate. Sometimes the subject don't need to be complicated, the emotions are enough. The life of a family searching for happiness but who sometimes find misfortune in the path. The characters are all representative of many generations. Nostalgia will get most of people. The actors are all great especially Michel Côté, Marc-André Grondin et Pierre-Luc Brilliant. Video and audio editing come from genius. The music is O_O (read the Trivia and you'll understand). I have nothing more to say than this movie will give you what you awaited for. You have to see it ... again. Félicitations Jean-Marc !!!

Well, I'm not very good expresing myself in English. I would prefer to write it in Spanish or Basque, but I'll try to do as well as I can.

I've just seen this film and I think that is marvellous. I used to love french films, but the Franco-Canadian films are very great too (see if you can Leolo).

The director and the play writer has madden a fantastic work converging reality and fantasy at once. I mean, sometimes in the film we can see fantastic elemments but paradoxically these elemments don't take away eloquence and realism to the film.

The director also has used the comedy to tell us the story, and that's really thankful for the audience. We make fun as the same time we become sad. Make a good comedy is more difficult than producing a tear-jerked drama.

Please, just go to your closest cinema (theatre) and see it. If you ca in Original version with subtitles ( I haven't got that luck, the 99% of the films in Spain are dubbed. I've to wait for the DVD to enjoy the film in french)

PS. I'm sorry because of my English.

CRAZY was an exceptionally powerful and emotional film experience for me. This is an example of just how sublime the medium can be when everything comes together, cast, director, music. This film deserves to be graced with a string of awards and accolades.

I saw it in France with my late teens son, and we were both in tears at the end. I could not recommend more highly. I'd be interested in knowing whether it works in the same way for females, as for us it was a real father and son bonding experience. At times it felt like experiencing an intense poignant flashback experience of the epiphanies and rites of passage of one's own youth, and how we relate to our parents and siblings. A thoroughly uplifting experience.

To say it bluntly, it is to my advice the best Quebec movie ever made, and from a more global perspective a very good movie no matter what you choose to compare it to.

It is a story about a young homosexual (although it isn't clearly stated in the film, and it probably would be closer to the truth to say he's bisexual), born in the 60's. We see him evolving through the next three decades, with all the difficulties one might see in having troubles with sexual orientation in theses years (among which the perception of other people of his age, questions about himself because of the taboo nature of the topic, problems having it accepted by parents and so on).

There's many things that make me to say it's the best Quebec-made movie ever. First of all, it's actually quite different from anything else to come from Quebec, as far as I can think of it. This is quite surprising, since almost all the action takes place in this province. It's far more dramatic and emotional than anything else before (maybe saved Sur le Seuil which was more tragic). Besides, Quebec has always produced a lot of humor-oriented movies (les Boys, Quebec-Montreal, etc), which do have some charm but also feel like they have all been made out of the same recipe, Quebec humor being one of a kind. It's also successful in not falling into traditional clichés of Quebec society in a given period of time (a thing that Séraphin, for example, failed to do), but at the same time depicting quite accurately what life was like at the time. It's also successful in incorporating a very diversified soundtrack, using both songs from Quebec and American cultures. That lacked in many films, although in reality you actually get both pretty much equally. To be able to recognize this and deal with it is worth being recognized. The casting is also pretty strong, in part because of the performances of the actors but also because there are some new faces in it. Another annoying tendency in movies made in Quebec is that often see the same faces over and over again.

If you put it in a larger frame, it is still a must see that I believe will get it's fair share of attention and prices outside the province. That's a thing that the Invasions Barbares did, but other than that it's hard to think of much more. The song track, besides being very good, is also brilliantly used. For example, the music Zac listens to is very representative of theses decades (you get Pink Floyd, David Bowie) and evolves with the character, and is also used to create some insides between the characters (like Hier encore j'avais 20 ans, that is sung every Christmas). The three main antagonists in the movie (Zac, his brother Raymond and his father) have developed relationships with each other that are by no mean static, and in fact no even always antagonistic. Even though the story is told from Zac's perspective, he's far from flawless, as all the other characters, except maybe for the mother, who's more than often the neutral, moderated one in the many conflicts that arise. Some dialogs are actually quite funny (like the one about sodomy between Zac's father and his wife, in which Michel Côté shows he's a damn good actor).

Finally, I would say that the movie is also successful in not using easy clichés when it comes to homosexuality. Many movies got fucked up when it came to that topic, but this one doesn't. As I said before, Zac is supposedly homosexual, although it's never clearly stated and he might also just be bisexual. You don't get any real dirty stuff. The conservatives point of view on the matter are mentioned (by his fathers, among others), but aren't overwhelmingly present either. The movie is well-balanced.

It is rare for a Canadian film - as opposed to an American film shot in Canada which is commonplace - to have a worldwide distribution, but even rarer for us to see a French Canadian move, but this one is a delight. Set in the Quebec of the 60s and 70s, it is the story - amusing, quirky, poignant, sad - of Zac Beaulieu (the Z of the title) born on one Christmas Day as one of five very different brothers (the initial letters of the names of the others spell out C.R.A.Z.Y. and the song with this title features on the soundtrack).

Zac's doubtful sexuality is a problem for him, his girlfriend and his Catholic parents, especially the macho but loving father played by Michel Côté and the resolution of this situation is not without confusion and pain. The film is a triumph for Jean-Marc Vallée, who directed the film and co-wrote it, and he is well served by a sensitive and nuanced performance from Marc-André Grondin as Zac.