C.R.A.Z.Y.

This is an outstanding film. Quebec cinema is a hidden gem in North America and C.R.A.Z.Y. shines like a diamond among the lumps of coal put out by the big name studios in the U.S. Jean-Marc Vallée (director) proves that you do not need mega-bucks to make a quality film (C.R.A.Z.Y. cost 7 million dollars to produce). The acting is outstanding and it must have been a pleasure for the cast to work with such a great script and story. To call this a coming of age story or a coming out story would be selling it short. This is a film about family dynamics and it works on so many levels it is unfair and impossible to pigeon hole this film. Being an ex-patriot ( I am from the U.S. but now live in Montreal) I hope this films gets some play in the U.S. as it is too good to be missed. If it does not wait for it on IFC, Sundance or on DVD and see it then. Bravo to Jean-Marc Vallée and the cast and crew of this film...Outstanding work!

C.R.A.Z.Y. is simply one of the best movies of all time. It encapsulates a time and a place – Quebec in the sixties, seventies and eighties and evokes the era with an amazing sound track and jaw-dropping acting. You're there, in the moment with Gervais, played by Michel Côté who is the macho factory-working Dad.

He's the proud father of five sons but gradually realizes that one of them is a 'sissy' and takes this on personally in the jock world he inhabits. The father is a fully rounded character, not cast in the black and white mold so prevalent in other movies of this genre as his puzzled love for his fourth son Zac, played by Marc-André Grondin, is palpable.

The movie takes off in completely unexpected directions. Zac is totally uncomfortable with his sexuality and prays all the time for a 'cure'. He just wants to be like his brothers and earn the love and acceptance of his father. It is telling that for Gervais, he can accept his druggie son but not the one he suspects of being a 'fairy'.

There is a huge amount of humour in the movie, one scene in the cathedral with the boys' choir singing "Sympathy for the Devil" brought a joyful laughter to the audience I was in. It is that kind of movie. Gervais sings Charles Aznevour's hits with predicable regularity and has a thing for Patsy Cline and her music.

It is the era when everything was changing and insular Quebec, like the rest of the world, was being exposed to the outside world of David Bowie and Jefferson Airplane. Zac embraces all of these changes and struggles with his orientation.

Nothing is ever graphically portrayed, the plot is character driven all the way with incredible little sidelines and sidebars thrown in to add to the concoction. (One scene of a drunken brawl played to a beautiful opera piece comes to mind.)

Danielle Proulx, who portrays the mother, does not have much dialogue (typical of the era) but when she does speak it packs a wallop. She has a wonderful scene with Gervais where they discuss anal sex and a couple of others where her psychic ties to her son Zac are evident but never discussed.

The film just gets under your skin, you are there, in that microcosm of time when the world was changing so drastically and we just didn't know it. 9 out of 10. Take a bow Jean-Marc Vallée; you have an absolutely amazing talent! Bravo to the entire cast and crew. Movies are a pleasure when they're this special, and yes, I would see it again.

This film shines. It exudes something tangibly different in its at times sensual photography, its sinuous, undulating changes of speed and motion. The story is refreshing, in that, although familiar, it is seen from a new, reluctant perspective - for me at any rate. I loved the embattled religiosity, that there was a loose acceptance in that Zac respected the beliefs of his parents, but never hammers home their differences in that respect. In others, though, inevitably there will be conflict, and perhaps particularly at the time of setting. An excellent character study in so many ways - even secondary characters are satisfactorily fleshed out, or have enough about them to warrant sympathy. Well written, well scored, brilliantly acted, and photographed.

Must go buy, now!

(I wish I wrote this in french because I will not be able to mean all in English) This movie is simple but accurate. Sometimes the subject don't need to be complicated, the emotions are enough. The life of a family searching for happiness but who sometimes find misfortune in the path. The characters are all representative of many generations. Nostalgia will get most of people. The actors are all great especially Michel Côté, Marc-André Grondin et Pierre-Luc Brilliant. Video and audio editing come from genius. The music is O_O (read the Trivia and you'll understand). I have nothing more to say than this movie will give you what you awaited for. You have to see it ... again. Félicitations Jean-Marc !!!

Elsewhere in these reviews you been given excellent descriptions of performances and plot development. But, here and now, let's look a little deeper into our thinking about the three more important members of this C.R.A.Z.Y family: there's Michel Cote's "Dad"---he's the anchor around which "Zac's" life raft circles. And Marc-Andre Grondin's "Zac"---he's the one never so happy as when his father is accepting him.......acknowledging him. But never forget Danielle Proulx's "Mom"---she's every gay boy's "dream-delight" of a parent, the one who knows how to keep that 'different' child on an even keel.

Here's a film trip downright engineered to dig up / dredge out memories of times with "Dad".......times in car washing driveways, times of just-you-two car rides----"connecting times" you'd thought....you'd hoped......but maybe not. And for many of us, perhaps other not so happy memories raising their ugly heads-----yet despite such uneasy moments, we've still got to say: Thank you, Director Vallee.

Sudden inspiration!......did YOU catch it: Cote's "Dad" and Grondin's "Zac" are the 2-sides of the same coin. The two of them are more alike than any other 2 family members shown in this film. Sadly, how many wasted years and how much heartache til they found that out and, eventually, owned up to it. Repeating here, I believe a lot of "Dad's" 'problem' was that he sometimes realized he was a great deal more like "Zac" (or vice versa) than he was comfortable with. That's when their relationship would 'cycle down'. Ah, poor "Zac," how does one cope with that? Took him a very long time to figure out how to do so, didn't it?

Finally, one thing truly stands out for me, and that is how very difficult it has to be for an, essentially, first-time theatrical film actor to, let's face it, carry a 2+ hour movie.........this being Grondin's first-ever theatrical release film since reaching teenage. And as a final thought about Marc-Andre, why not admit it: what an amazing kid; even more, what a great 'package'.......what a gorgeous ass! What more could Grondin want from life?

PS--I'll tell you this---I'm gonna buy anything of Grondin's work that comes along. And Marc-Andre: if you're seeking an immigration sponsor, look no farther; I'm here.

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