Crazy Richard

This film is truly something special. I wasn't sure if it was real or fictional from the word go. The editing style is seat-of-your-pants, if a little chaotic and the music really makes you wonder if the filmmakers were telling a serious heart-on-your-sleeve melodrama or taking the Micky out of reality TV. Having watched it many times, I have come to the conclusion that this film is very much tongue in cheek and certainly not based on a true story! (in fact, the filmmakers and actors aren't even American!) At the heart of this tale is a universal journey - a desperate individual who will do anything to feel validated. His dilemma is amplified by the fact that he's an ex-child star who has grown up in front of the public and his outcome is far more extreme. This is great, dramatic low-budget Indy film-making. If only those Hollywood big wigs would take a leaf out of these guys books. Can't wait to see what else they come up with. But a warning: it is not a film for the faint hearted nor is it one for those who take their films too seriously!

Crazy Richard screened in Brisbane in February 2003 as a fundraiser for a local gay and lesbian community group.

I feel I owe my opinion of the film Crazy Richard to the world, because for me it has set a new precedent as the worst film I have ever seen in my life.

Making a pretentious film about a pretentious character doesn't result in a "double negative" result. It doesn't necessarily bestow any value in terms of cleverness.

Basically I believe the film combines the following elements: the characters were boring, the script was awful, dialogue unintelligible, filming poor, editing sloppy and music despicable. It could have been an acceptable 5 minute short - but to force more than that on an audience should constitute a crime against nature.

Everything that is done in Crazy Richard has been done dozens of times before by others - but these people succeed in doing everything worse.

The ideal way to make money from this film as a fundraiser is to have free entry, but charge $15 for anyone wanting to leave early.

Also note that the three glowing reviews that are listed here for "Crazy Richard" are by people who have only ever submitted one review. How suspicious is that?

The mock documentary starts out well enough. A pre-teen child star overdoses on drugs and ruins his acting career. Flash forward to the present, he is now seeking a comeback by starring in a late night gay comedy series. He claims to the media he is straight when he's obviously a flamboyant gay young man. He allows a camera crew to follow him around in hopes of creating a buzz that will make his series a hit and himself a star again. Problem is, he is still on drugs, caught making out with guys at gay clubs, and acting desperate for attention. The idea sounds hilarious. And the lead actor is cute in a very odd sort of way, and he delivers his lines very convincingly. But after a very funny start, the film starts to fall apart. Things that probably looked funny on a script didn't translate well onto film. The main problem here is the dark humor ends up not being funny. It just ends up being dark and tragic. It also pokes fun at drug abuse, desperation and death in a way that simply is not funny. It also seemed rushed and didn't allow enough time to tell the story or focus enough on the main star, who is the most talented actor in this film. That is a big mistake. I really was looking forward to this film and rented it on netflix the first day it was released. The description said the film was over 80 minutes, but the DVD ran just under one hour. No extras/bonus features are included either. I feel if you are going to make a comic take on such a dark subject, the story needs to be fleshed out and treated as a dark comedy without exploiting things that simply are not funny. In the recent past, way too many real life tragic events have happened to famous people and it's simply not funny to me. Think Dana Plato for example: nothing was funny about her fall from grace into drugs and death. It's tragic. It's almost like making a comedy about a murder or a horrible car crash and poking fun at it. I do hope the lead actor gets more parts in films. He's an interesting actor that I'd like to see more of. It's not his fault the writers and the director didn't know how to properly flesh out the story, instead of rushing it to a finish the last 15 minutes of the film without leaving the viewer satisfied. What a shame. Also, the actress playing the director of the documentary was so annoying, I wanted her to just shut up. She has a complete lack of any talent and whines and screams 4 letter words the entire time. I hope to never see her in a movie again.

Premise: A child star turned drug addict seeks a comeback on a gay-themed TV show.

Conclusion: Don't bother! I have seen some real stinkers from this studio and this one is right up there.

The only redeeming factor I saw was the actor portraying the main character, whose name, apparently, really is Richard Viede. He had some shining moments, particularly some facial expressions and glances, that could rival any of Hollywoods younger stars. Unfortunately, he does not have good enough looks, at least not with the makeup & hair they gave him for this.

The directing was non-existent. The gritty, hand-held cinema-graphic style was unrelenting. And the acting, save the lead, was worse than you find on the local community theater stage in Terre Huate, IN.

All that being said, the editor did the best they could with the material given. And that alone makes this not just a train-wreck, but the kind you can at least sit through.

I thought it was a well done movie. There a bit of a discrepancy in the supposed age of the child actor, but other than that I was moved by it. It's genre is supposed to be comedy, I guess, but I would view it more as a drama with certain comedic elements. Often times one can find the humorous even in extremely traumatic or disturbing situations. The lead actor, Richard Viede does an outstanding job in this movie and I look forward to seeing more works by him. The use of the camera was very authentic and never lost the feel of being authentic. The performances seemed natural and unforced. I think one can see Richard as an example of how so much fame at such a young age can have a profound influence on a child actor or actress.