East Broadway

Just came out of the screening in San Francisco today. Good audience reaction. Being an SAF, I'm all about supporting Asian American films. Yes, this is a clichéd romantic comedy. But the director and the actors do get the Asian family dynamics dead on. I was impressed by the actors they were able to get for this film e.g. Christine Baranski.

There is a slightly clever subplot to the film but I don't want to give it away. The business/legal issues portrayed in the film could have only been thought of by Fay's business school friends.

I liked Margaret Cho as the female best friend/sidekick. I think she could continue to play that role well in many other future films (Asian and non-Asian). If she doesn't mind being typecast as such.

OK, that's it for my very first film review!

Saw the film in Sausalito. Walked by the Marin Theater and saw a flier the producers were handing out describing the movie as charming. I don't usually go for romantic comedies but this lived up to their advertising. It is a really charming film with interesting twists, LOL funny in places and really endearing family scenes. I even choked up in a couple of places. All the actors were great and the two lead characters, Grace and Andrew, had wonderful believable chemistry. So often in movies like this chemistry between the two leads seemed forced. In Falling For Grace, you really want the two of them to get together in the end. The only actors I recognized were Margaret Cho, Christine Baranksi and Lewis Black and they were all great. The Chinese family I had never seen before but they were excellent. T The producer was there at the end and he gave interesting details that added to the wonderful theater going experience. I totally recommend!

Visit the official website "fallingforgrace.com" and check out the trailer to see for yourself - you will want to go see this movie.

'Falling for Grace' is very much as New York City as Woody Allen's cinematic world. The sound of the metro and the CANAL Street Pictures - the very first image on screen already gives one the New York and Chinatown feeling. If you've been to New York and its Chinatown, there are plenty of NYC locale hints you may recognize - but not a prerequisite. The film's original title is "East Broadway" for the Tribeca Film Festival 2006 entry, hence it's definitely New York, New York. The opening credit roll simply fascinates me: the thoughts behind it having each actor's name with Chinese character translations briskly displaying (equal opportunity whether Asian or not) and the Chinese film title playfully appearing like 'falling' for grace: "Sub Mein Ling Lone" - meaning "in every way refined." Refined being cultivated, polished, elegant, well-conceived. This film with its story, dialog, production details and effort behind it all, is very much 'every way refined.'

You might say the script is ambitious - written by director-producer Fay Ann Lee, who's also in the lead role of Grace Tang - so it is, yet it all comes together unobtrusively as you watch and follow the story unfolds, bringing smiles, chuckles, laughter and tears along the way. The dialog, including the Cantonese portions with easy-read subtitles, are well thought out and timely. Yes, coming out from Margaret Cho (the elegant side we get to see), the word "Jesus" can very well be the most endearingly delivered sound you'd ever heard. So a romantic comedy it is, with hints of political viewpoint on 'sweat shop' vs. big business intertwined, and family values, Chinese traditions rolled into one entertaining movie. A tall order and Fay Ann Lee and team delivered: with Gale Harold as Andrew, and wonderful supporting roles by Clem Cheung as Ba and Elizabeth Sung as Ma - the parents, Ken Leung as Ming the brother, even brief ones like Christine Baranski's 'emotional' line to son Andrew, and Ato Essandoh's Jamal quote so casually uttered at Central Park, "It's better to be disliked for what you are, than to be loved for something that you are not" - it's delightful.

Had waited a year for the film to debut in San Francisco. It was exciting when I first saw the theatrical trailer on screen at Sundance Kabuki two weeks before July 20 - I love it. The trailer is available for repeated 'play again' on Myspacetv.com ("www.myspace.com/fallingforgracemovie"). The catchy song "wonderful crazy" from Katelyn Tarver sure captures the spirit of this film, and it can be heard on both the official site of "East Broadway" ("www.eastbroadwaythemovie.com") and "Falling for Grace" ("www.fallingforgrace.com"): "it's so wonderful crazy, it's so beautiful out of control, kinda scary amazing …cos my life's so wonderful, crazy, crazy, crazy." The official site includes info on the team's trip to China, visit to Tsinghua University in Beijing and the original "Shanghai Tang" in Hong Kong.

It's been worth the wait. "Falling For Grace" is essentially a heartwarming and satisfying romantic comedy, cliché to some or not, it is a bold debut feature effort which can pass for a polished 'Hollywood' movie, and that's not bad at all. But being an independent film without big budget promotions, it definitely needs steady support and word of mouth to keep it circulating for wide distribution and successful following. May this be so. Kudos to the filmmakers of "Falling for Grace."

Kudos to Fay Ann Lee and her excellent cast for an enjoyable film experience! With a much smaller budget, "Falling for Grace" stands right up there with "Maid in Manhattan," "Wedding Planner," and others that have a strong female lead without succumbing to stereotypes of others. Very well-directed with the right touch of humor, the entire film cast gave authenticity to personal yearnings and conflicts and cultural differences, within the context of everyday New York City life and a Chinese family. Best wishes for a successful distribution of your film because it deserves to be seen by many, including those who may need a comedic break as they work through their personal situations and challenges.

"East Broadway" is an entrant in the Cinderella sweepstakes, and makes absolutely no bones about it. It is very handsomely photographed (it's shot like a mainstream movie, on 35mm film) and uses its New York setting -- Chinatown, Central Park, Chelsea Piers, the Upper East Side, etc. -- effectively. It's a romantic comedy with a central mistaken identity plot, a few subplots, and an original contribution to make in its interracial theme.

The comparison will inevitably be made by W.A.S.P.s like myself to "My Big Fat Greek Wedding," with Grace's Chinese identity being simply a variable in the minority/ majority equation, but that comparison will be very much beside the point, I've learned, to anybody Asian. Nia Vardalos being Greek does absolutely nothing to gratify Chinese-Americans (unless they identify with it) but Grace being Chinese does plenty. When I saw the film on Friday, I was sitting next to 5 Chinese-American girls who were grooving on the picture, and there were many other Chinese-Americans in the audience reacting strongly.

Apparently it's not been uncommon for Chinese people to speak to one another in American films using not only wildly different accents but different dialects -- a question in Mandarin would receive a reply in Cantonese. I'd be none the wiser, but a Chinese-American would be offended, and Lee was very careful that this film would be nothing of the kind. To the scenes in Grace's family's apartment, which were delightful to me subtitled, the reaction from the Chinese in the audience was simply uproarious – not just amusement but veritable Christmas morning delight. Before any Caucasian dismisses the film as unoriginal, such proprietary reactions should give him pause.

A film that stakes a claim to the romantic comedy genre, and to the Cinderella story, on behalf of Chinese-Americans, using all the familiar conventions of the genre, is staking an equal claim to those conventions, and consciously. Why eschew anything that can be made common cultural property in such an enterprise? The conventions, the expectations, the accustomed devices, are part of the loot. Using them is making a statement that they're yours as much as anybody's now that you've arrived. "East Broadway" – even in its conventionality – should be viewed as a triumphant statement of arrival.

Gale Harold looks great and turns on the romance (the kissing scene is pretty hot) but I see more than a standard-issue Prince Charming, and I think others will too. There's such mystery about him. We are left wanting more. Fay Ann Lee is attractive (if no Gong Li) and exudes intelligence. The supporting cast is good. Roger Rees chews the scenery a tad, but is more convincing as Gale's father than one might expect. Margaret Cho and B.D. Wong are particularly delightful. Ken Leung as the brother, and Clem Cheung and Elizabeth Sung as the parents, are extremely effective.

This film will stand or fall on audience reaction, and the audience I saw it with reacted strongly. The audience at the other four Tribeca screenings apparently did so as well. It's a crowd pleaser, not a critical darling, but it does exactly what it sets out to do, and what it sets out to be is partly an artifact of social progress. How many films achieve even their modest aims, and how many have even this much originality?