NOTE IMDb
5,9/10
1,9 k
MA NOTE
Lors d'un mariage, la demoiselle d'honneur est témoin d'un crime affreux. Au poste de police, elle reconnaît la coupable, qui la menace alors de lui dérober un rein.Lors d'un mariage, la demoiselle d'honneur est témoin d'un crime affreux. Au poste de police, elle reconnaît la coupable, qui la menace alors de lui dérober un rein.Lors d'un mariage, la demoiselle d'honneur est témoin d'un crime affreux. Au poste de police, elle reconnaît la coupable, qui la menace alors de lui dérober un rein.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Karena Ka-Yan Lam
- Suen Ling
- (as Karena Lam)
Angelica Lee
- Chi Ching
- (as Lee Sinje)
Andy Chi-On Hui
- Raymond
- (as Andy Hui)
Raymond Ho-Yin Wong
- Ah-Keung
- (as Ho-Yin Wong)
Cho-yiu Wong
- Bridegroom
- (as Wong Cho Yiu)
Monica Siu-Kei Mok
- Hypnotism Teacher
- (as Mo Qi)
Carlos Tin-Cheung Koo
- Bestman
- (as Carlos Koo)
Cham-Sam Wong
- CID B
- (as Wong Cham Sum Sam)
Avis à la une
This Hong Kong production takes the old urban legend of a person waking up in a bathtub of ice with their kidney removed and spins it into a pretty solid and very well photographed thriller. Angelica (The Eye) Lee stars as a frail woman who gets caught up in the situation when she witnesses Karena Lam in the vicinity of a kidney theft that occurs at a hotel where she was attending a wedding. Several interesting (but predictable) plot twists are thrown in quite frequently. The musical score by Chan Kwong-Wing is very strong and most of the time punctuates the jumps well. The sound design helped to give "Koma" several scenes of creepiness. The photography was very strong with a lot of wonderfully lit scenes. The script is a step above what you usually see for a slasher type film with acting being a very strong component of the film.
Surprisingly pedestrian rendition of an premise handled far better in Stephen Frears "Dirty Pretty Things". Don't be misled either into thinking its a 'horror' film has it seems to have far more in common with the sexual revenge and contamination fears of 1980s classic Fatal Attraction. Indeed a boiled bunny might have made for a passing distraction more pleasant than the 88 minutes of increasingly grudging attention I was forced to expend on this hack work.
One can see why a combination of plastic oriental exoticism and hitchcock/ shining pastiches would appeal to fans of contemporary throw away horror, such as 'Saw' for example, but plastic characters, a dull visual palette and plotting mean there's little to warrant recommending it over any episode of CSI. Which is a poor recommendation indeed.
One can see why a combination of plastic oriental exoticism and hitchcock/ shining pastiches would appeal to fans of contemporary throw away horror, such as 'Saw' for example, but plastic characters, a dull visual palette and plotting mean there's little to warrant recommending it over any episode of CSI. Which is a poor recommendation indeed.
Never knowing which twist is coming next, Koma keeps viewers on their toes the entire film. As both leading ladies are living a life lacking that which they truly desire, only to discover it in the other, the develop a friendship in each other that has a cliff dive at every turn. The film keeps excellent pace, while keeping you guessing throughout, with an ending that makes you keep thinking of the characters after it's over. Who really won? Did anyone? Did everyone?
The urban myth in this modern Honk Kong thriller simply makes my skin crawl, and the film effectively pulls you along for an unnervingly captivating ride. However this dark concept is only a stepping tool for the premise to move along, then to focus upon it. Susan Chan's well-oiled story keeps the tempo tight, is held together by a strongly stimulating script and constantly stays busy with its cat-and-mouse layout. These do make up for the predictability of the film's material, and a silly surprise towards the end. Like the other user-comments have mentioned, the many twists that the framework throws up are pretty much foreseeable and some quite questionable, but director Chi-Leung Law still manages to competently construct slabs of unbearable psychological tension and grisly violence that teases the viewer. His direction might be economically executed, but he crafts out a stylishly bold and at times visual feast of perfect timing within his suffocating set-pieces. Going a long way to cementing a creepy atmosphere of despair, and uncertainty is that of a beautifully layered music score, which always packed a sudden sting and the sublime staging of Chi Ying Chan's crisp, moody cinematography. What really is the key of the success are the magnificently flawless lead performances of Angelica Lee and especially Karena Lam. Both bring humane, provocative turns that are truly convincing, and moving in every detail and the hazy relationship between the two characters is truly a complicated web. A very well made and professionally acted film, where from the get-go its faults seem immensely minor to disrupt a very entertaining, worthwhile story.
"Koma" is a wonderful thriller that is as intense as they come.The two leading ladies are not only stunningly beautiful,but extremely talented as well.Karena Lam of "Inner Senses" fame stars as Ling,a young woman who may be the kidney thief.Angelica Lee plays Ching,a frail woman who suffers from renal failure.She becomes a witness of kidney stealing and Ling may be involved into it.It quickly turns out that Ling had an affair with Wai,Ching's boyfriend.Ling gets cleared of the kidney thefts by the police and she starts to harass Ling."Koma" is filled with enough surprising twists to satisfy fans of suspenseful mysteries.The direction by Law Chi-Leung is flawless,the cinematography is astounding and the script is fresh and original.The film is stylish and offers plenty of mood and nail-biting tension,so I wasn't disappointed.Give it a look.10 out of 10.
Le saviez-vous
- ConnexionsReferences J.F. partagerait appartement (1992)
- Bandes originalesKoma
Composed by Kwong Wing Chan
Lyrics by Lin Xi
Sung by Karena Ka-Yan Lam (as Karena Lam)
Click Music Ltd. (Admin. by Music Nation), Gold Label Music Ltd.
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Détails
Box-office
- Montant brut mondial
- 903 959 $US
- Durée1 heure 28 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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