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IMDbPro

Mustafa Hakkinda Hersey

  • 2004
  • 1h 59min
NOTE IMDb
7,5/10
10 k
MA NOTE
Fikret Kuskan, Basak Köklükaya, and Nejat Isler in Mustafa Hakkinda Hersey (2004)
DramaThriller

Ajouter une intrigue dans votre langueA Turkish thriller about a man forced to confront his past after he loses everything in an accident.A Turkish thriller about a man forced to confront his past after he loses everything in an accident.A Turkish thriller about a man forced to confront his past after he loses everything in an accident.

  • Réalisation
    • Çagan Irmak
  • Scénario
    • Çagan Irmak
  • Casting principal
    • Nejat Isler
    • Fikret Kuskan
    • Basak Köklükaya
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,5/10
    10 k
    MA NOTE
    • Réalisation
      • Çagan Irmak
    • Scénario
      • Çagan Irmak
    • Casting principal
      • Nejat Isler
      • Fikret Kuskan
      • Basak Köklükaya
    • 17avis d'utilisateurs
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 5 victoires et 8 nominations au total

    Photos8

    Voir l'affiche
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    Rôles principaux21

    Modifier
    Nejat Isler
    Nejat Isler
    • Fikret
    Fikret Kuskan
    • Mustafa
    Basak Köklükaya
    Basak Köklükaya
    • Ceren
    Serif Sezer
    Serif Sezer
    • Mukadder
    Zeynep Eronat
    • Selda
    Kutay Köktürk
    Kutay Köktürk
    • Kenan
    Emre Basak
    • Mustafa's Brother
    Ferit Aktug
    Ferit Aktug
    • Policeman
    Borgahan Gumussoy
    • Mustafa's Childhood
    Vahdet Çakar
    Vahdet Çakar
    • Mustafa's Father
    Yaman Tarcan
    • Janitor
    Bedia Ener
    • Fikret's Mother
    Burak Guven
    • Self
    Mustafa Selçuk Gürmeriç
    • Dede
    Mahmut Gürses
    • Hasan
    Gülhan Sen
    • Family Friend
    Gokhan Seyhan
    • Waiter
    Arda Seçgün
    • Kerem
    • (as Arda Secgun)
    • Réalisation
      • Çagan Irmak
    • Scénario
      • Çagan Irmak
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs17

    7,510K
    1
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    9
    10

    Avis à la une

    5l_rawjalaurence

    Gothic Melodrama about a Dysfunctional Antihero

    Sometimes it's wise to set aside one's prejudices against a film and consider it on its own merits as a contribution to the knowledge of the society that produces it.

    Such is the case with MUSTAFA HAKKINDA HERŞEY (ALL ABOUT MUSTAFA). A Gothic melodrama reveling in its extremities, Çağan Irmak's film in my opinion piles absurdity on absurdity culminating in a sentimental denouement. But perhaps I am looking at it through jaundiced eyes.

    The plot is straightforward: Mustafa (Fikret Kuşkan) is a successful businessman with a wife (Başak Köklükkaya) and son (Arda Seçgün) who runs his own film and advertising business. Life seems fairly good to him, although he does seem a little extreme in his reactions, especially during meetings. His wife Ceren dies unexpectedly in a car accident, that sends Mustafa into paroxysms of grief. Later on he discovers that she had had an affair with taxi-driver Fikret (Nejat İsler), so Mustafa determines to wreak revenge by imprisoning Fikret in a lonely house and forcibly extracting the truth from him. As time passes, we learn that Mostafa has had a highly troubled childhood, which explains why he reacts so excessively to the news of his wife's death.

    The film is full of lurid sequences using tilted cameras and vivid colors to denote Mustafa's tortured state of mind. While alone with Fikret, he subjects the unfortunate taxi-driver to extreme forms of punishment, often involving S&M, which makes us feel that there is a sexual dimension to his sadism. The film includes tropes familiar from other Çağan Irmak films - the isolated house recalls KAÇAN FIRSATLAR LİMİTED; the sculptures adumbrate TAMAM MİYİZ?, and the sadism recalls KARANLIK TAKİLER. Throughout we are led to believe that Mustafa's behavior can be attributed to his childhood, especially his relationship to his father (who was equally sadistic).

    At the same time he is portrayed as a family man with a touching concern for Kerem. This suggests some kind of cathartic desire; once he has exorcised the devil of childhood from his consciousness, he can be somehow released from mental torment. The diabolic aspects of the film are well brought out through the use of fast cutting.

    The film does not tell us much about contemporary Turkish society; rather it suggests that human beings have to find their own means of coping with existence. Sometimes they cannot do this, and hence descend into abnormality.
    8venusfrozen

    Excitement rises as the film goes on...

    This is a film starting with quite a low tempo that you feel you'll be watching the clash of two guys for one woman.But even in the times you feel like you're watching a film just based on the dialogs of two men you can get satisfied with the level of acting by the two actors.Most spectacularity of this film is that by not giving any clue to you that surprises will happen when you get closer to the end with the real success of the director you experience some interesting things in the film which changes your sympathy to the major roles.Or it doesn't change your opinion but lets you to some little or more eye drops.For me the most interesting comment could be said for this movie is that,in the first part you ask yourself that "Did I make a wrong decision to start watching the movie" and when the second part comes you say yourself that "Yes.This is not the film of my life but not only worth watching but also one of the best among the similar ones" As a last word I can say that this film is definitely in the best ten films directed in Turkey.Congratulations to the crew.
    Acanerten

    A long due achievement for the Turkish Movie Industry

    With everyone around him faking it and him being ignorant to the actual feelings of people in his life, Mustafa gets sucked into a paradigm shift after an unlucky(?) accident places a stranger as the key to piece together his collapsed life. Yet, Mustafa will find more than what he was looking for and maybe much more than he wished for as he listens to his life told to him in a way he never perceived before. The more it is revealed, the more he discovers what has been told cannot be untold and its ramifications keeps resonating until one becomes part of oblivion. Sometimes to live on, we choose what we see and what we believe in even if it is a lie and Mustafa will not have that luxury to live on as he used to from now on, not anymore...and you will have your share of it after Mustafa touches your life. With Mustafa going through a wide spectrum of emotional turmoil, Fikret Kuskan(Mustafa)'s performance is the highlight of the movie while Nejat Isler(Fikret)'s performance shouldn't be left unnoticed as his character goes through his share of frustration and victim psychology. Even though there were some plot problems with the coherence of the movie, overall this movie was a long due achievement for the Turkish Movie Industry with the wonderful choice of "Mor ve Otesi" as the soundtrack. Get a glass of wine and enjoy this wonderful movie and maybe you will get the urge to see the fireflies as well before everything is over.
    6afterdarkpak

    strong performance .. but Major flaw in plot.

    No doubt the lead characters has given some really good performance and somehow decent quality production for Turkish cinema. the plot is not that new , there are such same movies like same plot where wife died and husband found out that she was unfaithful (red shoe diaries by zalman king).

    the movie has some huge flaw in start , the reason behind why wife goes unfaithful ? because husband is busy or very uptight ? and when the story starts about the wife when she sitting n crying in Cab , then later there is no such thing that why she was crying that moment.

    the movie also some side story line of husband too but it doesnt connect to the main plot but it does connect to the ending which make it not satisfying or good ending.
    6opoyraz

    A Hope for the future of Turkish Cinema

    Nice attempt to improve the Turkish Movie Industry but its plot is not an original idea. The performances of the players are praiseworthy, but it seems to me that it has some inefficiencies in screenplay. Especially, after the kidnapping of Fikret, the dialogs between him and Mustafa are sometimes very hilarious. I mean this is a high tension movie (at least it is expected to be) and those ridiculous speeches cause me to lose my attention and desire to the kidnapping incident. Fikret Kuskan and Nejat Isler were so successful, and even her small part Basak Koklukaya was awesome.. Despite of all above negative points, I think it is worth to watch this movie; 6.5/10

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    Histoire

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    Le saviez-vous

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    • Bandes originales
      Hayat
      Lyrics and Music by Mor ve Otesi

      Performed by Mor ve Otesi

    Meilleurs choix

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    FAQ17

    • How long is Everything About Mustafa?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 19 mars 2004 (Turquie)
    • Pays d’origine
      • Turquie
    • Site officiel
      • Official site
    • Langue
      • Turc
    • Aussi connu sous le nom de
      • Everything About Mustafa
    • Lieux de tournage
      • Istanbul, Turquie
    • Sociétés de production
      • ANS Production
      • ANS
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Montant brut mondial
      • 261 085 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 59 minutes
    • Couleur
      • Color

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    Fikret Kuskan, Basak Köklükaya, and Nejat Isler in Mustafa Hakkinda Hersey (2004)
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    By what name was Mustafa Hakkinda Hersey (2004) officially released in Canada in English?
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