Mustafa Hakkinda Hersey
- 2004
- 1h 59min
NOTE IMDb
7,5/10
10 k
MA NOTE
Ajouter une intrigue dans votre langueA Turkish thriller about a man forced to confront his past after he loses everything in an accident.A Turkish thriller about a man forced to confront his past after he loses everything in an accident.A Turkish thriller about a man forced to confront his past after he loses everything in an accident.
- Récompenses
- 5 victoires et 8 nominations au total
Arda Seçgün
- Kerem
- (as Arda Secgun)
Avis à la une
No doubt the lead characters has given some really good performance and somehow decent quality production for Turkish cinema. the plot is not that new , there are such same movies like same plot where wife died and husband found out that she was unfaithful (red shoe diaries by zalman king).
the movie has some huge flaw in start , the reason behind why wife goes unfaithful ? because husband is busy or very uptight ? and when the story starts about the wife when she sitting n crying in Cab , then later there is no such thing that why she was crying that moment.
the movie also some side story line of husband too but it doesnt connect to the main plot but it does connect to the ending which make it not satisfying or good ending.
the movie has some huge flaw in start , the reason behind why wife goes unfaithful ? because husband is busy or very uptight ? and when the story starts about the wife when she sitting n crying in Cab , then later there is no such thing that why she was crying that moment.
the movie also some side story line of husband too but it doesnt connect to the main plot but it does connect to the ending which make it not satisfying or good ending.
A perfect movie. After watching "old boy" i thought a revenge movie could not be better than this movie. But i am so happy to have change of watching "Mustafa Hakkinde Hersey." One important point of this movie is Fikret Kuskan. i show respect him. For the last few years he shows his quality. i think he will have an Oscar for the next ten years. Mor ve Otesi, A rock group from Turkiye. They also fit the movie completely. Sometimes revenge is a meeting with your past. Reasons of many problems are hidden in our past. And as tagline Actually, nothing is what it seems. After seeing this film you need some time to think mustafa and your-self. A life without any lies. Could this be possible?
Sometimes it's wise to set aside one's prejudices against a film and consider it on its own merits as a contribution to the knowledge of the society that produces it.
Such is the case with MUSTAFA HAKKINDA HERŞEY (ALL ABOUT MUSTAFA). A Gothic melodrama reveling in its extremities, Çağan Irmak's film in my opinion piles absurdity on absurdity culminating in a sentimental denouement. But perhaps I am looking at it through jaundiced eyes.
The plot is straightforward: Mustafa (Fikret Kuşkan) is a successful businessman with a wife (Başak Köklükkaya) and son (Arda Seçgün) who runs his own film and advertising business. Life seems fairly good to him, although he does seem a little extreme in his reactions, especially during meetings. His wife Ceren dies unexpectedly in a car accident, that sends Mustafa into paroxysms of grief. Later on he discovers that she had had an affair with taxi-driver Fikret (Nejat İsler), so Mustafa determines to wreak revenge by imprisoning Fikret in a lonely house and forcibly extracting the truth from him. As time passes, we learn that Mostafa has had a highly troubled childhood, which explains why he reacts so excessively to the news of his wife's death.
The film is full of lurid sequences using tilted cameras and vivid colors to denote Mustafa's tortured state of mind. While alone with Fikret, he subjects the unfortunate taxi-driver to extreme forms of punishment, often involving S&M, which makes us feel that there is a sexual dimension to his sadism. The film includes tropes familiar from other Çağan Irmak films - the isolated house recalls KAÇAN FIRSATLAR LİMİTED; the sculptures adumbrate TAMAM MİYİZ?, and the sadism recalls KARANLIK TAKİLER. Throughout we are led to believe that Mustafa's behavior can be attributed to his childhood, especially his relationship to his father (who was equally sadistic).
At the same time he is portrayed as a family man with a touching concern for Kerem. This suggests some kind of cathartic desire; once he has exorcised the devil of childhood from his consciousness, he can be somehow released from mental torment. The diabolic aspects of the film are well brought out through the use of fast cutting.
The film does not tell us much about contemporary Turkish society; rather it suggests that human beings have to find their own means of coping with existence. Sometimes they cannot do this, and hence descend into abnormality.
Such is the case with MUSTAFA HAKKINDA HERŞEY (ALL ABOUT MUSTAFA). A Gothic melodrama reveling in its extremities, Çağan Irmak's film in my opinion piles absurdity on absurdity culminating in a sentimental denouement. But perhaps I am looking at it through jaundiced eyes.
The plot is straightforward: Mustafa (Fikret Kuşkan) is a successful businessman with a wife (Başak Köklükkaya) and son (Arda Seçgün) who runs his own film and advertising business. Life seems fairly good to him, although he does seem a little extreme in his reactions, especially during meetings. His wife Ceren dies unexpectedly in a car accident, that sends Mustafa into paroxysms of grief. Later on he discovers that she had had an affair with taxi-driver Fikret (Nejat İsler), so Mustafa determines to wreak revenge by imprisoning Fikret in a lonely house and forcibly extracting the truth from him. As time passes, we learn that Mostafa has had a highly troubled childhood, which explains why he reacts so excessively to the news of his wife's death.
The film is full of lurid sequences using tilted cameras and vivid colors to denote Mustafa's tortured state of mind. While alone with Fikret, he subjects the unfortunate taxi-driver to extreme forms of punishment, often involving S&M, which makes us feel that there is a sexual dimension to his sadism. The film includes tropes familiar from other Çağan Irmak films - the isolated house recalls KAÇAN FIRSATLAR LİMİTED; the sculptures adumbrate TAMAM MİYİZ?, and the sadism recalls KARANLIK TAKİLER. Throughout we are led to believe that Mustafa's behavior can be attributed to his childhood, especially his relationship to his father (who was equally sadistic).
At the same time he is portrayed as a family man with a touching concern for Kerem. This suggests some kind of cathartic desire; once he has exorcised the devil of childhood from his consciousness, he can be somehow released from mental torment. The diabolic aspects of the film are well brought out through the use of fast cutting.
The film does not tell us much about contemporary Turkish society; rather it suggests that human beings have to find their own means of coping with existence. Sometimes they cannot do this, and hence descend into abnormality.
as seen in the name "everything about mustafa" the movie points out different flashbacks to describe the character. you can't make anything out of it unless you try to think everything separately + combining them + understand the whole idea. the best Turkish movie ever and definitely deserved the Oscar for the best foreign movie ( actually i found it to be better than most Oscar nominees )
with more thought and good dialogues added to Turkish movies like "anlat istanbul" and "mustafa hakkinda hersey", already developed Spanish movie sector and developing Turkish movie sector will have a very important affect on European movies.
with more thought and good dialogues added to Turkish movies like "anlat istanbul" and "mustafa hakkinda hersey", already developed Spanish movie sector and developing Turkish movie sector will have a very important affect on European movies.
"Mustafa hakkinda hersey" is the best Turkish movie i've seen this year so far. Its interesting story is being told very excitingly, and Fikret Kuskan who plays the betrayed husband called Mustafa, delivers a masterpiece of work.
Director Cagan Irmak is telling the story bi-linear, since you're always changing sides between the betrayed and betrayer while watching. I really can recommend this Drama to everyone, who wants to find out his own feelings between anger and sadness.
There are also 1 or two things that maybe should have been told more precise, for instance like Mustafa's childhood. Also the final dialog could have been better, since it is one of the most important parts of Mustafa's story. But it is not screwing up things.
Bravo to everyone who worked on that film.
Director Cagan Irmak is telling the story bi-linear, since you're always changing sides between the betrayed and betrayer while watching. I really can recommend this Drama to everyone, who wants to find out his own feelings between anger and sadness.
There are also 1 or two things that maybe should have been told more precise, for instance like Mustafa's childhood. Also the final dialog could have been better, since it is one of the most important parts of Mustafa's story. But it is not screwing up things.
Bravo to everyone who worked on that film.
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- How long is Everything About Mustafa?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Everything About Mustafa
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 261 085 $US
- Durée1 heure 59 minutes
- Couleur
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By what name was Mustafa Hakkinda Hersey (2004) officially released in Canada in English?
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