Casshern
- 2004
- Tous publics
- 2h 22min
NOTE IMDb
6,0/10
14 k
MA NOTE
Ajouter une intrigue dans votre langueLive-action sci-fi movie based on a 1973 Japanese animé of the same name (Shinzo Ningen Casshân). Theme song by Utada Hikaru.Live-action sci-fi movie based on a 1973 Japanese animé of the same name (Shinzo Ningen Casshân). Theme song by Utada Hikaru.Live-action sci-fi movie based on a 1973 Japanese animé of the same name (Shinzo Ningen Casshân). Theme song by Utada Hikaru.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
After reading the comments on IMDb I was second guessing getting the DVD. It was getting average scores, and many complained about the lack of action. I actually went into this film expecting some nice effects and that's about it...
Luckily I was wrong. The story was actually pretty entertaining. There were a couple of minor points I would have liked more information on, but living in North America I'm used to brainless plots because of Hollywood. In the end I thought the story was more than acceptable, and shouldn't cause anyone to pass by this film. It was the best attempt (at least it my eyes) thus far in creating an Anime movie with real actors.
I've been an avid fan of Asian cinema for a little over eight years now. I've seen a lot of good films, and a lot of bad ones. This is one of the good ones, and I hope people take time to view this film.
It's really a shame that crap like Azumi can score a 7.5 or higher on here, and something as beautiful and jaw dropping as this gets a lower score.
Luckily I was wrong. The story was actually pretty entertaining. There were a couple of minor points I would have liked more information on, but living in North America I'm used to brainless plots because of Hollywood. In the end I thought the story was more than acceptable, and shouldn't cause anyone to pass by this film. It was the best attempt (at least it my eyes) thus far in creating an Anime movie with real actors.
I've been an avid fan of Asian cinema for a little over eight years now. I've seen a lot of good films, and a lot of bad ones. This is one of the good ones, and I hope people take time to view this film.
It's really a shame that crap like Azumi can score a 7.5 or higher on here, and something as beautiful and jaw dropping as this gets a lower score.
Having received my copy of Casshern from CD-wow today,my thoughts were to hang on till the weekend to view this movie!But for some reason,my thoughts were telling me to watch it NOW,Tonight never mind the weekend and my god how right was i to trust them.I cant think of any film in my 20yrs+ of movie watching that has left me stunned and speechless!This is cinematic genius,and master-craft in narrative,visuals,soundtrack&meaning.From the CGI shots a plenty to the rounding up of the meaning using simple camera visuals,i simply cant recommend this film enough,my only gripe is that I know need to see this baby on the biggest screen possible.To all you film fans out there don't sell yourself short,leave everything behind and lose yourself in this film.This is for all you who believe,trust me!!!!
Lat ANYBODY watch ANY 5 minutes of the movie and they will say "holy sh**t that is amazing". And at least back in 2004 it was mind-blowing what Casshern delivers in visuals and style. The director was a fashion designer or something and by all means: that shows. Casshern is a beauty.
But a beauty that feels like 6 hours and has nothing interesting to say. At some point you just end up being exhausted and bored. And it really is a pity.
We need Dario Argento to make an European cut with 75 Minutes runtime and have a blast with the outcome.
But a beauty that feels like 6 hours and has nothing interesting to say. At some point you just end up being exhausted and bored. And it really is a pity.
We need Dario Argento to make an European cut with 75 Minutes runtime and have a blast with the outcome.
This movie grabs you right from the beginning with its audio/visual bombardment that keeps your eyes and ears at maximum capacity. This doesn't last all the way through, there's interspersed moments of artistic pause. Those frozen moment scenes looked like a master's canvas come to motion, if not life. Don't blink.
The plot of the movie revolves around a battle of life and death, with the love story subplot on the main character. As many scripts set in Japan do, they revolve the drama around "honor" and whatever twisted concept the characters have of it. Often "honor" demands that everyone dies. A lot of people die, but the violence is pretty good, more conceptual than graphic, and it delivers its intended impact well. But it eventually gets over the top, and you start wondering if anyone is going to live.
There's more than a few plot-holes, and they are big enough to drive a Honda through. You get the idea they shot reels of film and thought about how to piece it together afterward. People do things for impossible reasons, and unlikely motivations (twisted sense of honor becomes a generic excuse). To their credit, with such a twisted plot piecing together scenes, they don't make the mistake of turning the plot on a dime anywhere, so you won't get lost. You know who the bad guys are (3 different groups!) and who the good guys are (the hero, his immediate family, and all innocents), and you know who it's going to come down to in the end.
To anyone who watches this with subtitles, blame the incoherent reasons behind character's actions on bad subtitle translations.... and it becomes a better than average movie, even good. Turn out the lights and crank the volume. Sci-Fi fans, this is a don't miss.
The plot of the movie revolves around a battle of life and death, with the love story subplot on the main character. As many scripts set in Japan do, they revolve the drama around "honor" and whatever twisted concept the characters have of it. Often "honor" demands that everyone dies. A lot of people die, but the violence is pretty good, more conceptual than graphic, and it delivers its intended impact well. But it eventually gets over the top, and you start wondering if anyone is going to live.
There's more than a few plot-holes, and they are big enough to drive a Honda through. You get the idea they shot reels of film and thought about how to piece it together afterward. People do things for impossible reasons, and unlikely motivations (twisted sense of honor becomes a generic excuse). To their credit, with such a twisted plot piecing together scenes, they don't make the mistake of turning the plot on a dime anywhere, so you won't get lost. You know who the bad guys are (3 different groups!) and who the good guys are (the hero, his immediate family, and all innocents), and you know who it's going to come down to in the end.
To anyone who watches this with subtitles, blame the incoherent reasons behind character's actions on bad subtitle translations.... and it becomes a better than average movie, even good. Turn out the lights and crank the volume. Sci-Fi fans, this is a don't miss.
If I hadn't already seen Zhang Yimou's Hero the previous week, I would have had to say that Casshern is one of the most beautiful-looking films I've seen in years (or ever). However, it'll have to suffice with second place. The CGI is highly stylised, with some green-screen shots looking purposefully false, but the real joy is in the production design - very evocative of Metropolis. Visual references are also made to the Nuremburg rallies of the 1930s, the Holocaust, Orwell's 1984 and those retro wind-up robots. A massive twenty-storey building is suspended in the air by hundreds of propellers like some overgrown zeppelin, and there's shots of a train so wide it requires five strips of rail side-by-side to accommodate it. The battle scenes are particularly awesome, and the combat scenes between Casshern and the Neo-Sapiens equally sharp.
However, the story primarily revolves around the drama of two families and there's very little affinity made with the main characters. Perhaps it was because the action scenes were so bombastic, but I found it very difficult to spur my interest in the character-driven moments, and this consequently made the two-and-a-half-hour running time feel a tad too long.
The final closing message, which runs contrary to the adrenalized mid-section of the film, is presented rather clumsily. But in true Japan-fashion, you can't help but be charmed by the sincerity of the whole thing.
However, the story primarily revolves around the drama of two families and there's very little affinity made with the main characters. Perhaps it was because the action scenes were so bombastic, but I found it very difficult to spur my interest in the character-driven moments, and this consequently made the two-and-a-half-hour running time feel a tad too long.
The final closing message, which runs contrary to the adrenalized mid-section of the film, is presented rather clumsily. But in true Japan-fashion, you can't help but be charmed by the sincerity of the whole thing.
Le saviez-vous
- AnecdotesOne of several films around the world that was produced almost entirely on a "digital backlot" (i.e. shot with the actors in front of blue/green-screens with all backgrounds added in post-production, a technique which has been used for TV, video and video game production for many years). Although which movie was shot first is debated, the other movies (released in 2004-05) include: Immortel (ad vitam) (2004), Capitaine Sky et le monde de demain (2004), and Sin City (2005).
- ConnexionsFeatured in WatchMojo: Top 10 WORST Live Action Anime Films (2017)
- Bandes originalesRequiem
By The Back Horn
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- How long is Casshern?Alimenté par Alexa
Détails
Box-office
- Budget
- 6 000 000 $US (estimé)
- Montant brut mondial
- 12 636 656 $US
- Durée
- 2h 22min(142 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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