Barfuss

Last weekend my friends forced me to watch this movie,but I didn't want to,because I think Til Schweiger is not one of the greatest actors of Germany and I definitely couldn't imagine him as a director or writer! But after about 10 Minutes I got lost in the story, the great acting and the great love! This movie gives proof that love is the greatest gift you can ever get and is the greatest aim you can ever achieve!Yes, love can move mountains! If you think this last sentence is total rubbish,than you should watch this very movie and you'd be proved the exact opposite! Another reason to watch this movie is the great cast!Til Schweiger is surprisingly great and plays his role of the black sheep of the family with a lot of charm and capability! Johanna Wokalek plays the role of Leila with soo much charm and naiveté that you just can't believe it!She has one of the hardest job ever known to an actor,but she does it with an easiness and so natural that you start to think this is what she was born for!This is just her role!!!

Well to put things in a nutshell:Great movie for people who love,who want love and for those who hate love movies!!!

This is the best German film I have ever seen. The film is very easy to watch. It's not a torture like some others. The woman in the leading role is lovely and has such a charming smile. I would recommend this film to all who seek love for those who have already found it and for those who see no meaning in it. Because this film shows that even if you are love's biggest enemy Love will still find you and strike you and then you will be powerless to fight Her. It is an unusual love story which looks more like an adventure. This film will teach you how to buy a ticket in the bus, how to 'get cash' and how to do shopping. Even if you know already see the film and find out why do people say Faith know its job!

You may try to dislike this dramedy. Unless you're really determined you probably won't make it. While some people may be turned off by something or other, most will have to admit that this is actually quite a nice effort from first-time-on-his-own-director and with-some-assistance-producer/writer/editor/star Schweiger. But the worst thing I can say about the movie is that the reduced color scheme didn't appeal to me all that much. Not because it was reduced, but because it made everything look as if the sun was continually setting.

Mostly it is a terribly nice little story with Wokalek's timid performance wonderfully contrasting Schweiger's character's arrogance that turns into love during the course of the movie. The character development actually works and seems pretty believable... Add some very good supporting performances from Michael Mendl, Imogen Kogge, and Steffen Wink and you get a very nice, sweetly romantic and incredibly funny picture. I wish Schweiger had managed to pull off the same trick again with "Keinohrhasen", which was nowhere near as good.

Watch it with the person you love.

What happens if a loser, who can't keep a job, doesn't remember the name of the girl he last slept with and has some trouble with his family meets a 25-year-old who had been kept inside by her mother for 19 years and tries to kill herself? Nick, the loser, takes Leila on a trip to his parents and accidentally he falls in love. Well, I won't tell more, and I won't spoil this because you really can't tell whether it's going to be a happy ending or not. Of course this movie made me cry but it's great that in the next scenes you can laugh again...laughing in tears, one of the greatest feelings. Til Schweiger did a great job directing it (the movie being dedicated to his kids) and playing Nick. I think it's the greatest German movie within year, and maybe the best without Nazis and WWII.

Having seen "Barfuß" today with a friend of mine, I have to say that in many ways it is better than I expected it to be.

Til Schweiger gives a remarkably good performance and obviously his ability in directing has improved since his last major effort "Der Eisbär". Johanna Wokalek is THE reason to see the film, though, and fortunately Schweiger knows this pulls himself back and gives her the ability to shine. Her performance of Leila is sweet and touching and she manages to provide the movie with a light touch as well as a necessary seriousness.

From the get-go it is clear that this movie is not supposed to be a real drama but rather a tender and poetic fairy-tale. It was important to stage it that way, because if the film had focused too much of the realistic aspect (Leila's handicap and Nick's downfall from his family background) it would easily have failed. This way, it walks a very fine line between comedy and drama quite well.

However, I have some major quibbles with the finished product. First, I think the movie cannot really make up its mind, which genre it wants to belong to, usually I like genre-bastards but this movie pretends to be a road movie for so long, that once it gets done with the road movie one wonders when the movie will finally be over.

Also, there is one moment in the story, when the movie steps over the above mentioned fine line between comedy and drama too much. I won't mention details but when the protagonists finally reach the wedding of Nick's brother, which is supposedly the end of their trip together, they both humiliate themselves at the party very much. I admit that I get uncomfortable easily when characters I like humiliate themselves, but to me this part was pretty hard to take, as I just wished for Leila and Nick to get out of there as quickly as possible, knowing they would not be able to leave just like that. (on the plus side, I guess it shows, that Scheiger is capable of making us feel for the characters, though).

Schweiger has mentioned often, that this movie has been really dear to his heart from the beginning and watching the film one can see this clearly. I believe he also wanted this to be a film that he made with a lot of friends and people he admired. Thus many German movie and TV stars such as Jürgen Vogel, Michael Gwisdek, Armin Rohde, Markus Maria Profitlich, et al. appear in cameos. While I usually enjoy a little game of "spot the celebrity", in this particular rather sweet and touching story it seemed out of place and became quite annoying to me after a while to see all kinds of stars (what was Axel Stein doing there, by the way?) having one funny moment to share.

Oh, and one last criticism: After "Die fetten Jahre sind vorbei" ("The Edukators") this is the second German movie in a short while to use Leonard Cohen's "Halleluyah" in its soundtrack. While I really love the song, to me in movie history it will always be connected with "Shrek". So PLEASE you German filmmakers everywhere: come up with something new or original if you want to illustrate a bittersweet moment. It really tears the viewer out of the context and seems like a cheap rip-off.

These points aside, "Barfuß" is a very fine movie, beautiful to look at, moving and with wonderful actors in it.