Ajouter une intrigue dans votre langueOnce a promising writer, John Hayson now gets by on the odd writing job. A personal tragedy has left him dispassionate about the world and his work and he lives his life in limbo. In the mid... Tout lireOnce a promising writer, John Hayson now gets by on the odd writing job. A personal tragedy has left him dispassionate about the world and his work and he lives his life in limbo. In the midst of this existential crisis he attends a high school reunion and meets three old friends... Tout lireOnce a promising writer, John Hayson now gets by on the odd writing job. A personal tragedy has left him dispassionate about the world and his work and he lives his life in limbo. In the midst of this existential crisis he attends a high school reunion and meets three old friends; acquaintances he's tried to forget but who now emerge like ominous shadows from his past... Tout lire
- Réalisation
- Scénario
- Casting principal
- Andy Fell
- (as Patrick Ersgard)
- Bartender
- (as Jesper Ersgard)
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Now, don't get me wrong, this film does have merit. Unfortunately, that is that it had the good sense to rip EVERY idea it had from other, more memorable examples of the crime/thriller genre. Everything you see will be familiar, even if you aren't sure why.
It looks good enough. It sounds good enough. The people are beautiful enough. The stroy is interesting enough. But is it good enough to watch...No.
The film is about a writer who has trouble with his inspiration ever since his loved one abandoned him for his school-time antagonist. Now there is a class reunion coming up and it seems he has a chance at getting her back, but nothing is what it seems and things soon spiral out of control.
Many times when i review films i think about what is actually worse: hating a film or feeling nothing at all about it. Because movies you loathe still had something that at least made you feel strongly about it one way or the other. Some films just don't have that, you don't really think they are that bad, but they're not really that good either. And Rancid is definitely one of those films.
Technically Rancid is well made. It's about as good looking a Swedish film as i have ever seen. The production values are high at the, in Hollywood terms, quite meager budget of $6 million. Among the cast there is one actor that really stands out. Matthew Settle really does a nice job in the lead and actually manages to lift the film a notch in my eyes.
The story is where i have a problem with this film. It simply doesn't grab a hold of you. I felt uninterested in most of the characters and their problems. Also the story felt rushed and some of the time spent with flowing overhead shots of New York could instead have been spent on making the script more cohesive. More background and more elaborated explanations on why the characters acted the way they did would have helped considerably. The way things happen now you can never really predict anyones actions, which is a bad thing since it makes the characters a lot less believable.
So is this bad? Not really. Is it good? Not really that either. This is simply one of those films that i don't feel very strongly about one way or the other. Watch it if you feel another "innocent-man-accused-of-murder"/cop-thriller is what you need. I rate it 4/10.
Le saviez-vous
- AnecdotesThe directors wife died suddenly during the shooting.
- GaffesThe hobo had pearly white teeth.
- Citations
Monica Klein: How's life?
James Hayson: Rancid.
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Détails
Box-office
- Budget
- 40 000 000 SEK (estimé)
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1