The Raspberry Reich

"Raspberry Reich" was very much advertised G e r m a n m o v i e prior to and upon a world-reputable international film festival, and packed viewing venues in full with folks from various walks of life.

I do not know whether co-viewers were already prepared to a degree of a male nudity and simply screening a sexual revolution in making to a couple of hundreds cinema-goers in the heart of a multi-million-dweller town, but I was personally much confused with outbursts of laughing and females' comments following any squeeze of a l i t t l e b r o t h e r on a screen, not speaking more.

This work is a perfect parody on communist (leftist as more usable in modern time writings) propaganda where explicit stupidity of leaders cheating own followers while clinching to a political power and financial gains has grotesquely been disclosed with sex and orgies at any preference available a low budget movie allowed.

Of course, same gender sex is the most powerful tool to allegorize a "revolutionary struggle", where lust for empowering and power over the human being are very similar psychological constituents of actually different activities.

People left cinema smiling and in a good mood, which is the best outcome masterpieces present.

The Raspberry Reich is about a dominatrix terrorist, Gudrun, her sexual revolution, and her clan, Raspberry Reich. They kidnap the son of a wealthy businessman to get public attention. Pornographic sexual revolution ensues.

The film was, essentially, porn. However, it was porn with a plot, a message, and really awesome music, all captured by a true artist, Bruce LaBruce, rather than some pornographer or big studio blah. Oh, and I would have to say... the porn was well done. I happened to be counter-revolutionary, myself, (if you know what I mean) while watching the movie.

It was funny with lines like, "the revolution is my boyfriend," "cornflakes are counter-revolutionary," that guy who kept jumping and clapping his hands: "shoplifting! shoplifting!" and "pornography! pornography!" and a sequence in which two boyfriends made out with each other right after robbing a bank, like, right outside of the bank... oh, and the sex in the elevator.

I found it ironic and interesting that while Gudrun spoke against oppression, she was, in turn, oppressing her own followers.

The acting was soooooo bad. If only the acting was at least okay, I would have liked it more.

All in all, it was a good movie, if only for the artistic aspect of explicit sex. I think I want to be Bruce LaBruce when I grow up.

It's been a while since I saw this film, so I'll talk about as much as I can remember. I happened to catch this film at the Sundance Film Festival. I knew nothing about the directors status or his past work. I heard from others at the festival that this film was straight up gay porn, which caught my interest. Being gay I'm always interested in seeing films with gay themes. I assumed the people were wrong. To my sexual arousal they were right! Almost...The film was hilarious, glamourizing the idea of "terrorist chic." In the film a group young of virile young men under the leadership of a woman (Gunfrun) kidnap the son of a wealthy man. This is done to draw attention to their group. Gunfrun is also intent on smashing the idea's considered normal. This was part of "the revolution." One of those idea's was heterosexuality. That's where all the talk of gay sex came into the picture. Some of the most erotic gay sex scene's I've ever seen! Partially due to the fact that these men were heterosexual and also due to the fact that I did not expect actual gay sex with penetration and ejaculation. The film began with images of a young man in his room playing with a shot gun, only to eventually end up deep throating it when he hears a straight couple having rough sex next door. I assume this turned him on because he proceeded to gratify himself in the most intimate way. while images of the couple having sex were spliced into the scene at the same time. It was this time when I realized that I was in for a totally different but very hot film. Maybe the film had deep theme's and agenda's, but that just went right out the door due to the amount of gay sex in the film. I don't remember much. I do remember gay sex in the trunk of a car, Gunfrun making her hetero boyfriend have sex with another straight man, more gay sex in a room and a scene that takes place in a terrorist camp with a hilarious dark training session involving an an innocent family. One line that I will never forget took place during a conversation between Gunfrun and her gang. She was talking about "the revolution." Certain idea's were not part of the revolution. When one of her beautiful gang members asks for clarification if certain things (to which I cannot remember which) were part of the revolution. Then as one last thing he asks if corn flakes are part of the revolution. In a stern commanding voice she replies, "CORN FLAKES ARE NOT PART OF THE REVOLUTION!!!" This movie had some wild lines and idea's. This film was not the best film I saw at the festival. It was my favorite though. Everything about this film was over the top and wild. If you love the theme's dealt with in most electroclash music, you'll love this film. The hetero squeamish should avoid the film if graphic gay sex is not your cup of tea. The film in short was a homo-erotic dark comedy involving revolution and change. I just cannot remember it to it's exact nature. Simply do some research into who Bruce LaBruce is and you'll understand what your getting into. Take the film for what it is. To me, that was an entertaining good time.

I really enjoyed this LaBruce film.

I like his stuff anyway but I genuinely found this possibly his best work.

It felt like I was watching a mixture of Andy Warhol/Paul Morrissey and Jean Luc Godard mixed in with hardcore porn -with extras laughs.

Yes, it's not perfect (nothing is) but it moves along very quickly (90mins seems a long film for LaBruce I believe).

Make sure you get the Strand Releasing USA Region 0 disc only as it's uncut.

Also, watch the film right to the end of the titles!

I don't believe I've ever seen such a montage of music, pornography, political satire, and humor presented in such fashion as in this bold and astonishing piece of film-making.

I know the average moviegoer would turn away from this movie because of its pounding and raw sexuality, especially homosexual scenes that rival the best of this "art form." But if you have a yearning for experimental film-making, for stunning and shocking action, for a satiric look at terrorism --then you will be rewarded by this astounding work.

Get ready to be annoyed, agitated, repulsed --that's one of the goals of this movie. But I think the film ought to be on the syllabus of every film school because of its utter creativity and audacity. Bravo!