NOTE IMDb
6,3/10
83 k
MA NOTE
Un sergent de police doit rassembler policiers et prisonniers pour les protéger le soir du Nouvel An alors que des policiers corrompus rôdent autour du poste avec l'intention de tous les tue... Tout lireUn sergent de police doit rassembler policiers et prisonniers pour les protéger le soir du Nouvel An alors que des policiers corrompus rôdent autour du poste avec l'intention de tous les tuer.Un sergent de police doit rassembler policiers et prisonniers pour les protéger le soir du Nouvel An alors que des policiers corrompus rôdent autour du poste avec l'intention de tous les tuer.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
Avis à la une
Now, before you criticize me, I have never seen the original John Carpenter version of this film. Being a huge fan, I really should see it, and after seeing this remake, I will definitely track down the original to see if it is as good as this film. I had a blast!
New Years in Detroit, a cold winter's morning as Precinct 13 prepares to close it's doors and move to a new building. There are only three people in the building on New Year's Eve, and as a storm draws closer, a criminal being transported to a maximum security center is re-routed to the deserted precinct. Only, there are some other people that would like to get closer to the villain.
Very exciting story and excellent acting by both Ethan Hawke and Laurence Fishbourne take this action over the edge. Some people may find the film ultra violent, but violence on the big screen never bothered me, so I enjoyed it quite a lot! Definitely worth a look for action fans, and fans of the original who are curious. However, those that are disturbed by violent images, would like to steer clear of this film.
New Years in Detroit, a cold winter's morning as Precinct 13 prepares to close it's doors and move to a new building. There are only three people in the building on New Year's Eve, and as a storm draws closer, a criminal being transported to a maximum security center is re-routed to the deserted precinct. Only, there are some other people that would like to get closer to the villain.
Very exciting story and excellent acting by both Ethan Hawke and Laurence Fishbourne take this action over the edge. Some people may find the film ultra violent, but violence on the big screen never bothered me, so I enjoyed it quite a lot! Definitely worth a look for action fans, and fans of the original who are curious. However, those that are disturbed by violent images, would like to steer clear of this film.
Jean Richet's remake of the Carpenter thriller Assault on Precinct 13 is surprisingly entertaining. Assault on Precinct 13 (2005) loses the Carpenteresque weirdness and soundtrack, and tells the story of a remote, run-down police precinct under assault using more conventional cinematography and production. This is an achievement, but not because of the difficulty of following in the footsteps of Carpenter - because the film entertains without doing so, and because the narrative - just like all of Carpenter's films- manages to keep going without regard for the improbability of the plot. In other words, the Director kept a straight face and made the film entertaining enough to allow for a certain amount of suspended disbelief.
Strong, fast, characterization - part of the legacy of Carpenter's film - makes a big difference early on. The cast is uniformly excellent and the main characters - unusual for this genre - are all unique, believable and consistent. Fishburn plays a big bad guy incarcerated by fiat in the small, run-down Precinct 13. Hawke is the Sergeant in charge of the precinct - a man with psychological and drug problems associated with a traumatic event which opens the film. These two improbable allies must pool their resources to defend the precinct against... who?
The film is first and foremost an action film. The action is typical for the genre as of 2005 - i.e. - much of what takes place is only believable because of its entertainment value and internal consistently. Suspense is well constructed throughout the film, and the pace of the film reaches a frenetic level about 1/3rd of the way through, never letting up. The cinematography is surprisingly dissimilar to the original. Richet's film is more of a standard suspense thriller than anything bearing Carpenter's signature.
Recommended for its entertainment value, solid cast, and well-constructed (though somewhat ridiculous) plot.
Strong, fast, characterization - part of the legacy of Carpenter's film - makes a big difference early on. The cast is uniformly excellent and the main characters - unusual for this genre - are all unique, believable and consistent. Fishburn plays a big bad guy incarcerated by fiat in the small, run-down Precinct 13. Hawke is the Sergeant in charge of the precinct - a man with psychological and drug problems associated with a traumatic event which opens the film. These two improbable allies must pool their resources to defend the precinct against... who?
The film is first and foremost an action film. The action is typical for the genre as of 2005 - i.e. - much of what takes place is only believable because of its entertainment value and internal consistently. Suspense is well constructed throughout the film, and the pace of the film reaches a frenetic level about 1/3rd of the way through, never letting up. The cinematography is surprisingly dissimilar to the original. Richet's film is more of a standard suspense thriller than anything bearing Carpenter's signature.
Recommended for its entertainment value, solid cast, and well-constructed (though somewhat ridiculous) plot.
I hate movies that have potential and fall on their proverbial faces, and this movie came very close to biting the dust. The writing was blasé, the acting was blasé (although Laurence Fishborne was by far the least offensive), the directing was horrid ... it just wasn't done real well. The action was fine but nothing stupendous. A solid "C" if there was one ... and I have to say Ethan Hawke and Drea de Matteo really bit it with their quasi-acting in this movie - although I will have to say that I'm not sold that it was all the actor's fault, as a great deal of the wasted effort was definitely in the writing.
A solid rental. Not for box office.
A solid rental. Not for box office.
When they first announced there was a remake of John Carpenter's "Assault on Precinct 13" in progress, my immediate reactions were a little something like: "What?...Why?... This is blasphemy! ... This movie doesn't need to be remade!... etc etc" John Carpenter's original definitely was a revolutionary cult film. It was shocking, disturbing and politically incorrect and they simply can't make movies like that anymore nowadays, no matter how cliché that sounds. Therefore it was impossible for this remake by Jean-François Richet (never heard of him) to improve over the 1976-version. The good news, however, is that Richet never really tries to steal Carpenter's thunder and he surely delivered the best possible movie he could. Assault '05 is an A-budgeted movie that often has the charm of a B-movie and hangs together by adorable clichés, stereotypes and very explicit violence. On new years eve 2004, moments before the transfer towards a brand new police precinct, the old and abandoned precinct 13 is besieged by a gang of heavily armed and well-trained police officers. The reason? Top-gangster Marion Bishop, who was arrested earlier that night, has too much knowledge regarding the corrupt cop Marcus Duvall and his unit. In order to save their own careers, they have to eliminate Bishop before dawn, but also the innocent cops and random people who're in the precinct, because they know too much too now. The film offers quite a lot of suspense, good acting performances (by an impressive cast) and hard-boiled action. The setting (Chicago during a severe blizzard) adds to the tension. John Carpenter's original (which was, in fact, already a sort of remake of "Rio Bravo") will always remain one of the coolest, groundbreaking action movies ever (if it were only for that brutal and hugely controversial ice cream-truck sequence alone), but this film is a neat tribute.
I haven't seen Carpenter's original version but the remake seems like a very solid modern action crime/thriller with an interesting cast. Ethan Hawke may never be recognized as a great young actor by the vast majority of moviegoers but in my opinion he hasn't made a serious flop in his career so far.
The rest of the cast did equally well if not better at times. A special praise goes to Laurence Fishburne who gave the best performance in the movie.Overall the film has enough to offer to be considered worthy of a second view but it still lacks a few factors that could boost it further from the mass of similar movies.
...... 3/5 ......
The rest of the cast did equally well if not better at times. A special praise goes to Laurence Fishburne who gave the best performance in the movie.Overall the film has enough to offer to be considered worthy of a second view but it still lacks a few factors that could boost it further from the mass of similar movies.
...... 3/5 ......
Le saviez-vous
- AnecdotesIn the original movie, Bishop was the police officer and the Caucasian actor was the criminal.
- GaffesAfter Roenick comes in from the fight he had with the guy in the bus, he has a bloody lip. After this point, it appears and reappears through out the movie, until it eventually is gone altogether.
- ConnexionsFeatured in HBO First Look: Assault on Precinct 13: Caught in the Crosshairs (2005)
- Bandes originalesWinter Wonderland
Written by Felix Bernard and Richard B. Smith
Performed by Dean Martin
Courtesy of Capitol Records, Inc.
Under License from EMI Film & Television Music
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- How long is Assault on Precinct 13?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Masacre en la cárcel 13
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 20 040 895 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 000 000 $US
- 23 janv. 2005
- Montant brut mondial
- 35 294 470 $US
- Durée1 heure 49 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Assaut sur le central 13 (2005) officially released in India in Hindi?
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