Lorsque deux chefs d'entreprise mariés entament une liaison et sont soumis au chantage d'un criminel violent, ceux-ci doivent renverser la situation pour sauver leur famille.Lorsque deux chefs d'entreprise mariés entament une liaison et sont soumis au chantage d'un criminel violent, ceux-ci doivent renverser la situation pour sauver leur famille.Lorsque deux chefs d'entreprise mariés entament une liaison et sont soumis au chantage d'un criminel violent, ceux-ci doivent renverser la situation pour sauver leur famille.
- Réalisation
- Scénario
- Casting principal
- Susan Davis
- (as Rachel Blake)
Avis à la une
Charles (Owen) and Lucinda (Aniston) meet on a commuter train and in spite of the fact they are married, start flirting. Ending up in a hotel one night, they're beaten and robbed by LaRoche (Cassell) who promptly starts blackmailing Charles......
There's a decent thriller in the mix here, if only it had had a director able to hide the surprises and a writer capable of not making his male protagonist such an unlikable git! It's a shame because the premise is a good one, and there are good performances from an agreeable cast. Film essentially asks us to root for Charles as he battles with a reoccurring villain of some nastiness (Cassell genuinely unnerving), yet not only is he a love cheat (a lovely wife at home and a very sick daughter), he also makes ridiculous errors of judgement. While the holes in logic for some sequences are bafflingly poor. Still, it does have thrills and it doesn't soft soap the violence. Taken on popcorn thriller terms, it's above average and worth a watch, but it's not half as clever as it thinks it is. 6/10
Jennifer Aniston gives a great performance, as does Clive Owen. The directing is spot on and the music is simple yet effective. One knock may be the film's cinematography; it looks like you've seen it or a movie like it before. Nothing special about the visual style.
Beware though, this movie is serious in all aspects. It can be violent, foul-mouthed,and at times really thrilling. Those are things thrillers usually aren't.
Luckily, Derailed never goes off the tracks and in the end makes it all the way to the credits. See it, rent it, or buy it. You'll believe that Hitchcock still lives.
By the end of the movie, I was really unimpressed. Yes the plot didn't really turn out like anyone had suspected, but its more of a "oh right, so what?" feeling I had, rather than a "oh my god. I can't believe it" feeling. By then I was just waiting, sitting there, hoping that something good - something really good - better come along soon, because I've not even gotten excited yet. But it never happened - and I never got excited or scared once throughout the whole movie.
I really wouldn't pay to watch this at the cinema - it would be like when I watched SWAT at the movies a few years ago. It feels like my money would be better spent elsewhere. Probably okay to watch this at home if you didn't have to pay like full price to rent this - if this movie was in the bargain bins somewhere in the video store.
The story was very underdeveloped and a bit unrealistic but the performances of Owen, Aniston, and Vincent Cassel kept the film moving. This movie was Unfaithful meets Matchstick Men meets Reindeer Games. I would recommend the film for a good popcorn flick but in terms of Oscar I would take it out of the game. Owen captures the nature of his character but flops in terms of staying in the location meaning his American accent. Although he is truly the hero of the story and you love the character. He got a couple of "claps" during the film. Aniston gives a very different performance than what we're used to but it works. She's very talented and I would love to see her nominated in the next coming years.
The standout of the cast is Vincent Cassel who's villainous, dark performance will go down in the books as one of the greatest villainous performances in the past years. He truly makes you hate him and you leave with a feeling in your stomach from him on screen. The worst part of the entire film was the terrible musical score which is very distracting and annoying but hopefully with better editing they'll get rid of it and hire someone new. So-so script and good performances make a pretty decent flick.
Le saviez-vous
- AnecdotesWhen LaRoche goes to Schine's house, he tells Schine's daughter in French: "Je m'appelle LaRoche, comme une petite roche qui va bientôt baiser ton père par derrière." This translates as: "My name is LaRoche, like a little rock who will soon screw your father from behind." Then, he tells her that in English, it means: "My name is LaRoche, it means a rock. Like the little rocks rolling down a river."
- GaffesWhen the police officer starts to tell Schine that he'd better not be in the alley when he comes back around the block, his lip movement doesn't match the words heard.
- Citations
Philippe LaRoche: [Holding Charles against a wall] Man, you ended up in the wrong prison, Charlie!
Charles Schine: LaRoche...
Philippe LaRoche: [smugly] Yeah?
Charles Schine: I CHOSE this prison.
[Schine stabs LaRoche with Winston's shank]
- Versions alternativesAccording to the FAQ: 'On DVD, two versions of this thriller were released: the well-known theatrical version and an Unrated version, that runs approx. 5 and a half minutes longer. But even though it's labeled as Unrated, one can only find several unspectacular plot extensions and there are only two short scenes that are a bit raunchier.
- ConnexionsFeatured in The Making of 'Derailed' (2006)
- Bandes originalesGet Cha Bars Up
Written by Xzibit (as Alvin Joiner), Jelly Roll (as David Drew), Jason Smith, Mitchy Slick (as Charles Mitchell) and Marvin Jones
Performed by Strong Arm Steady featuring Xzibit and Jelly Roll (as Jellyroll)
Courtesy of Straight from the Shoulders Music
Meilleurs choix
Détails
Box-office
- Budget
- 22 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 36 024 076 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 211 986 $US
- 13 nov. 2005
- Montant brut mondial
- 57 479 076 $US
- Durée
- 1h 48min(108 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1